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Author: Eiteljorg Museum of American Indians and Western Art
Publisher:
ISBN: 9780996166362
Category : Art
Languages : en
Pages : 368
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Book Description
"The Eiteljorg Museum is excited to present Native Art Now!, which includes a traveling retrospective exhibition reviewing two decades of the Eiteljorg Contemporary Art Fellowship program. Every other year since 1999, the Fellowship program has selected a new group of five Native artists and provided them grant support to further their careers. The Eiteljorg has purchased more than 200 contemporary works and received gifts of another 200 to add to its permanent collection. Thirty-nine of the most compelling pieces of contemporary art acquired by the museum are on display in Native Art Now! This fascinating exhibition will be open through Jan. 28, 2018. The Eiteljorg and WFYI also collaborated on a one-hour documentary that examines the evolution of Native contemporary art over the last 25 years, presenting personal perspectives from internationally acclaimed Native contemporary artists [preview at source URL: https://www.youtube.com/watch?v=xQ9CTSNJX_U&feature=youtu.be (viewed December 28, 2017) ... museum has also produced a scholarly companion book for Native Art Now! that examines Native expression in contemporary art since 1992"--Eiteljorg Museum of American Indians and Western Art website at source URL: http://www.eiteljorg.org/explore/exhibitions/native-art-now-fellowship (viewed December 28, 2017).
Author: Eiteljorg Museum of American Indians and Western Art
Publisher:
ISBN: 9780996166362
Category : Art
Languages : en
Pages : 368
Get Book
Book Description
"The Eiteljorg Museum is excited to present Native Art Now!, which includes a traveling retrospective exhibition reviewing two decades of the Eiteljorg Contemporary Art Fellowship program. Every other year since 1999, the Fellowship program has selected a new group of five Native artists and provided them grant support to further their careers. The Eiteljorg has purchased more than 200 contemporary works and received gifts of another 200 to add to its permanent collection. Thirty-nine of the most compelling pieces of contemporary art acquired by the museum are on display in Native Art Now! This fascinating exhibition will be open through Jan. 28, 2018. The Eiteljorg and WFYI also collaborated on a one-hour documentary that examines the evolution of Native contemporary art over the last 25 years, presenting personal perspectives from internationally acclaimed Native contemporary artists [preview at source URL: https://www.youtube.com/watch?v=xQ9CTSNJX_U&feature=youtu.be (viewed December 28, 2017) ... museum has also produced a scholarly companion book for Native Art Now! that examines Native expression in contemporary art since 1992"--Eiteljorg Museum of American Indians and Western Art website at source URL: http://www.eiteljorg.org/explore/exhibitions/native-art-now-fellowship (viewed December 28, 2017).
Author: Kate Morris
Publisher:
ISBN: 9780295745367
Category : Art
Languages : en
Pages : 0
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Book Description
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers--and settlers--into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding, reconceptualizing, and remaking the forms of the genre still further, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos and Postcommodity's installations to the immersive environments of Kent Monkman's dioramas, this landscape art resonates with a fully embodied and embedded subjectivity. In the works of these and many other Native artists, Shifting Grounds explores themes of presence and absence, connection and dislocation, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' sustained engagement not only with land and landscape but also with the history of representation itself. A Helen Marie Ryan Wyman Book Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/shifting-grounds
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 249
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: Mindy N. Besaw
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
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Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Author: Richard Pearce
Publisher: University of Arizona Press
ISBN: 0816521042
Category : Art
Languages : en
Pages : 125
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Book Description
Although ledger art has long been considered a male art form, Women and Ledger Art calls attention to the extraordinary achievements of four contemporary female Native artists—Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). The book examines these women's interpretations of their artwork and their thoughts on tribal history and contemporary life.
Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 0816550379
Category : History
Languages : en
Pages : 312
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Book Description
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
Author: Philip J. Deloria
Publisher: University of Washington Press
ISBN: 029574524X
Category : Art
Languages : en
Pages : 338
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Book Description
Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures—within and distinct from American modernity and modernism.
Author: David Bunn Martine
Publisher: Amerinda Incorporated
ISBN: 9780989856546
Category : Art
Languages : en
Pages : 259
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Book Description
No Reservation: New York Contemporary Native American Art Movement presents the first history of this unknown, organic, highly diverse Native American art movement, based in New York City ? a movement that encompasses the founding of contemporary Native American film and theater in the United States as well as the strongest contemporary Native visual arts movement outside Santa Fe, New Mexico.
Author: Kitty Leaken
Publisher: Gibbs Smith
ISBN: 1423622758
Category : Art
Languages : en
Pages : 187
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Book Description
Contemporary Native American artists have a strong presence in the North American and international art markets. This talented group’s work can be found in many annual events, an ever-changing array of fine art galleries, and a number of museums throughout North America. These artists give visible form to the past, present, and future of American Indian life. In Contemporary Native American Artists, key luminaries of the Native American art world are brought together through stunning photography and intimate portrayals of their lives and art.
Author: Suzanne Deats
Publisher: Gibbs Smith
ISBN: 1423605594
Category : Art
Languages : en
Pages : 187
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Book Description
Text and photographs detail the lives and art of contemporary Native American artists working in painting, sculpture, pottery, jewelry, and clothing.
