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Author: Robert Sholl
Publisher: Routledge
ISBN: 1317160657
Category : Music
Languages : en
Pages : 414
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Book Description
The flourishing of religious or spiritually-inspired music in the late twentieth and early twenty-first centuries remains largely unexplored. The engagement and tensions between modernism and tradition, and institutionalized religion and spirituality are inherent issues for many composers who have sought to invoke spirituality and Otherness through contemporary music. Contemporary Music and Spirituality provides a detailed exploration of the recent and current state of contemporary spiritual music in its religious, musical, cultural and conceptual-philosophical aspects. At the heart of the book are issues that consider the role of secularization, the claims of modernity concerning the status of art, and subjective responses such as faith and experience. The contributors provide a new critical lens through which it is possible to see the music and thought of Cage, Ligeti, Messiaen, Stockhausen as spiritual music. The book surrounds these composers with studies of and by other composers directly associated with the idea of spiritual music (Harvey, Gubaidulina, MacMillan, Pärt, Pott, and Tavener), and others (Adams, Birtwistle, Ton de Leeuw, Ferneyhough, Ustvolskaya, and Vivier) who have created original engagements with the idea of spirituality. Contemporary Music and Spirituality is essential reading for humanities scholars and students working in the areas of musicology, music theory, theology, religious studies, philosophy of culture, and the history of twentieth-century culture.
Author: Robert Sholl
Publisher: Routledge
ISBN: 1317160657
Category : Music
Languages : en
Pages : 414
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Book Description
The flourishing of religious or spiritually-inspired music in the late twentieth and early twenty-first centuries remains largely unexplored. The engagement and tensions between modernism and tradition, and institutionalized religion and spirituality are inherent issues for many composers who have sought to invoke spirituality and Otherness through contemporary music. Contemporary Music and Spirituality provides a detailed exploration of the recent and current state of contemporary spiritual music in its religious, musical, cultural and conceptual-philosophical aspects. At the heart of the book are issues that consider the role of secularization, the claims of modernity concerning the status of art, and subjective responses such as faith and experience. The contributors provide a new critical lens through which it is possible to see the music and thought of Cage, Ligeti, Messiaen, Stockhausen as spiritual music. The book surrounds these composers with studies of and by other composers directly associated with the idea of spiritual music (Harvey, Gubaidulina, MacMillan, Pärt, Pott, and Tavener), and others (Adams, Birtwistle, Ton de Leeuw, Ferneyhough, Ustvolskaya, and Vivier) who have created original engagements with the idea of spirituality. Contemporary Music and Spirituality is essential reading for humanities scholars and students working in the areas of musicology, music theory, theology, religious studies, philosophy of culture, and the history of twentieth-century culture.
Author: Dimitri Ehrlich
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 268
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Book Description
Focusing on the lives and work of several prominent singers and songwriters from a wide range of musical genres, INSIDE THE MUSIC explores the influence spirituality has had on their lives and work. Includes profiles of Jeff Buckley, pop folk musician; Leonard Cohen, singer and poet; Dean Can Dance, world-music band; Philip Glass, composer; Allen Ginsberg and many others. 16 photos.
Author: Marcel Cobussen
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664796
Category : Music
Languages : en
Pages : 190
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Book Description
In Thresholds, Marcel Cobussen rethinks the relationship between music and spirituality. The book presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts. By carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism.
Author: Robin Sylvan
Publisher: NYU Press
ISBN: 081479808X
Category : Music
Languages : en
Pages : 299
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Book Description
Sylvan examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today.
Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Author: David Webster
Publisher: John Hunt Publishing
ISBN: 1780994893
Category : Philosophy
Languages : en
Pages : 99
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Book Description
Dave Webster’s book is a counter-blast against the culturally accepted norm that spirituality is a vital and important factor in human life. Rejecting the idea of human wellbeing as predicated on the spiritual, the book seeks to identify the toxic impact of spiritual discourses on our lives. Spirituality makes us confused, apolitical and miserable - whether that spirituality is from conventional religious roots, from a new-age buffet of beliefs, or from some re-imagined ancient system of belief. Looking beyond this dismissal, the book looks towards atheistic existentialism, Theravada Buddhism and political engagement as a means to imagine what a post-spiritual world view could look like. ,
Author: Anthony B. Pinn
Publisher: NYU Press
ISBN: 0814766978
Category : Religion
Languages : en
Pages : 224
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Book Description
Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions. Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil. The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.
Author: Leesa Fanning
Publisher: Nelson Atkins
ISBN: 9780300233650
Category : Art
Languages : en
Pages : 0
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Book Description
"The spiritual in contemporary art is everywhere evident, yet rarely examined in scholarly research. Encountering the Spiritual in Contemporary Art addresses the subject in depth for the first time since Maurice Tuchman's seminal 1986 The Spiritual in Art: Abstract Painting 1890-1985. It significantly broadens the scope of previous scholarship to include new media and non-Western and Indigenous art in addition to that of the West. Encountering the Spiritual presents art from diverse cultures with equal status, promotes its cultural specificity, and moves beyond previous notions of "center and periphery," celebrating the plurality and global nature of contemporary art today. This unprecedented book--a valuable reference for years to come--integrates different ways of exploring the spiritual in art. Essays based on cultural affinities are rhythmically interspersed with thematic categories. These themes demonstrate greater diversity and hybridity of artists' sources of inspiration and their emphasis on art-making as spiritual process. Finally, selected artists' statements further expand the knowledge of an academic and general audience"--
Author: Marcel Cobussen
Publisher: Routledge
ISBN: 1351539116
Category : Music
Languages : en
Pages : 182
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Book Description
In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo P John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-Fran‘s Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo P and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In orde
Author: Monique M. Ingalls
Publisher: Oxford University Press
ISBN: 0190499664
Category : Music
Languages : en
Pages : 224
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Book Description
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
