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Author: P. Arun
Publisher: Ukiyoto Publishing
ISBN: 9354909671
Category : Comics & Graphic Novels
Languages : en
Pages : 180
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Book Description
The manuscript starts with a question how does a country with so much diversities like India claim to be a nation? What glues it together? It then suggests that Bollywood has in the last hundred years acted as one of the glues that binds the country together and that it has represented the feelings and aspiration of the country commendably. It has also become the inner voice that introspects and questions the society and behaves as a collective moral compass. To further this theory, the seventy odd years of post- independence is divided into four periods. Films released in each period is shown, not just to reflect the period but to comment on the need for change. For example the highlighting of problems of dowry in early 1950’s to 1980’s which evolved from a custom to demand due to greed, resulted in legislations to protect women. Similarly, the issue of triple talak highlighted in early 1980’s leading to recent legislation on the subject. Analyzing the evolution of story telling and nature of presentation, the book concludes that since late nineties, Hindi movies have been screaming the failure of the judiciary, with initial movies showing system failure, then corrupt lawyers to now questionable judges. The book thus contrary to recent trends of being critical of the industry highlights the significant role it has played in contemporary times.
Author: P. Arun
Publisher: Ukiyoto Publishing
ISBN: 9354909671
Category : Comics & Graphic Novels
Languages : en
Pages : 180
Get Book
Book Description
The manuscript starts with a question how does a country with so much diversities like India claim to be a nation? What glues it together? It then suggests that Bollywood has in the last hundred years acted as one of the glues that binds the country together and that it has represented the feelings and aspiration of the country commendably. It has also become the inner voice that introspects and questions the society and behaves as a collective moral compass. To further this theory, the seventy odd years of post- independence is divided into four periods. Films released in each period is shown, not just to reflect the period but to comment on the need for change. For example the highlighting of problems of dowry in early 1950’s to 1980’s which evolved from a custom to demand due to greed, resulted in legislations to protect women. Similarly, the issue of triple talak highlighted in early 1980’s leading to recent legislation on the subject. Analyzing the evolution of story telling and nature of presentation, the book concludes that since late nineties, Hindi movies have been screaming the failure of the judiciary, with initial movies showing system failure, then corrupt lawyers to now questionable judges. The book thus contrary to recent trends of being critical of the industry highlights the significant role it has played in contemporary times.
Author: Priya Joshi
Publisher: Columbia University Press
ISBN: 023153907X
Category : Art
Languages : en
Pages : 214
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Book Description
Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970s as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.
Author: Rachel Dwyer
Publisher: Reaktion Books
ISBN: 1780233043
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Bollywood movies have long been known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But these exciting and often amusing films rarely reflect the reality of life on the Indian subcontinent. Exploring the nature of mainstream Hindi cinema, the strikingly illustrated Bollywood’s Indiaexamines its nonrealistic depictions of everyday life in India and what it reveals about Indian society. Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.
Author: Tejaswini Ganti
Publisher: Duke University Press
ISBN: 0822352133
Category : Business & Economics
Languages : en
Pages : 442
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Book Description
These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991.
Author: Rakesh Peter-Dass
Publisher: Routledge
ISBN: 1000702243
Category : Religion
Languages : en
Pages : 209
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Book Description
This is the first academic study of Christian literature in Hindi and its role in the politics of language and religion in contemporary India. In public portrayals, Hindi has been the language of Hindus and Urdu the language of Muslims, but Christians have been usually been associated with the English of the foreign ‘West’. However, this book shows how Christian writers in India have adopted Hindi in order to promote a form of Christianity that can be seen as Indian, desī, and rooted in the religio-linguistic world of the Hindi belt. Using three case studies, the book demonstrates how Hindi Christian writing strategically presents Christianity as linguistically Hindi, culturally Indian, and theologically informed by other faiths. These works are written to sway public perceptions by promoting particular forms of citizenship in the context of fostering the use of Hindi. Examining the content and context of Christian attention to Hindi, it is shown to have been deployed as a political and cultural tool by Christians in India. This book gives an important insight into the link between language and religion in India. As such, it will be of great interest to scholars of Religion in India, World Christianity, Religion and Politics and Interreligious Dialogue, as well as Religious Studies and South Asian Studies.
Author: Natalie Sarrazin
Publisher: Routledge
ISBN: 0429999313
Category : Music
Languages : en
Pages : 311
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Book Description
Focus: Popular Music in Contemporary India examines India’s musical soundscape beyond the classical and folk traditions of old to consider the culturally, socially, and politically rich contemporary music that is defining and energizing an Indian youth culture on the precipice of a major identity shift. From Bollywood film songs and Indo-jazz to bhangra hip-hop and Indian death metal, the book situates Indian popular music within critical and historical frameworks, highlighting the unprecedented changes the region’s music has undergone in recent decades. This critical approach provides readers with a foundation for understanding an Indian musical culture that is as diverse and complex as the region itself. Included are case studies featuring song notations, first-person narratives, and interviews of well-known artists and emerging musicians alike. Illuminated are issues of great import in India today—as reflected through its music—addressing questions of a "national" aesthetic, the effects of Western music, and identity politics as they relate to class, caste, LGBTQ perspectives, and other marginalized voices. Presented through a global lens, Focus: Popular Music in Contemporary India contextualizes the dynamic popular music of India and its vast cultural impact.
Author: C. Dionne
Publisher: Springer
ISBN: 1137375566
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
Author: Swapna Gopinath
Publisher: Taylor & Francis
ISBN: 100082991X
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
This book examines cinematic practices in Bollywood as narratives that assist in shaping the imagination of the age, especially in contemporary India. It examines historical films released in India since the new millennium and analyses cinema as a reflection of the changing socio-political and economic conditions at any given period. The chapters in Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist Agendas in Hindi Cinemas also illuminate different perspectives on how cinematic historical representations follow political patterns and market compulsions, giving precedence to a certain past over the other, creating a narrative suited for the dominant narrative of the present. From Mughal-e-Azam to Padmaavat, and Bajirao Mastani to Raazi, the chapters show how creating history out of myths validate hegemonic identities in a rapidly evolving Indian society. The volume will be of interest to scholars of film and media studies, literature and culture studies, and South Asian studies.
Author: Rachel Dwyer
Publisher: Bloomsbury Publishing
ISBN: 1838713972
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
Bollywood film is the national cinema of India, describing movies made in Mumbai, distributed nationally across India and with their own production, distribution and exhibition networks worldwide. This informative screen guide reflects the work of key directors, major stars and important music directors and screenplay writers. Historically important films have been included along with certain cult movies and top box office successes. No guide to Hindi film would be complete without discussing: Mother India, the national epic of a peasant woman's struggle against nature and society to bring up her family; Sholay, a 'curry western' where the all-star cast sing and dance, romance and kill; Dilwale Dulhaniya le jayenge, the greatest of the diaspora films, in which two British Asians fall in love on a holiday in Europe before going to India where they show their elders how to incorporate love into family traditions; Junglee, showing how love transforms a 'savage' (junglee) who yells 'Yahoo!' before singing and dancing like Elvis, creating a new youth culture; Pyaasa, dramatically shot in black and white film with haunting songs as the romantic poet suffers for his art in the material world; Fans of Bollywood film can debate Rachel Dwyer's personal selection of these 101 titles while those new to the area will find this an invaluable introduction to the best of the genre.
Author: Anandam P. Kavoori
Publisher: NYU Press
ISBN: 081474799X
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Global Bollywood brings together leading scholars to examine the transnational and transmedia terrain of Bollywood. Defining Bollywood as an arena of public culture distinct from Hindi-language Bombay cinema, this volume offers a new critical framework for analyzing the institutional, cultural, and political dimensions of Bollywood films and film music as they begin to constitute an important circuit of global flows in the twenty-first century.
