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Author: Jago Morrison
Publisher: Psychology Press
ISBN: 9780415194563
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
A much-needed introduction to the field of contemporary fiction studies. Introduces key areas of debate and offers in-depth discussions of the most significant texts. An ideal guide for those studying contemporary fiction for the first time.
Author: M.A. Orthofer
Publisher: Columbia University Press
ISBN: 0231518501
Category : Literary Criticism
Languages : en
Pages : 423
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Book Description
A user-friendly reference for English-language readers who are eager to explore contemporary fiction from around the world. Profiling hundreds of titles and authors from 1945 to today, with an emphasis on fiction published in the past two decades, this guide introduces the styles, trends, and genres of the world's literatures, from Scandinavian crime thrillers and cutting-edge Chinese works to Latin American narco-fiction and award-winning French novels. The book's critical selection of titles defines the arc of a country's literary development. Entries illuminate the fiction of individual nations, cultures, and peoples, while concise biographies sketch the careers of noteworthy authors. Compiled by M. A. Orthofer, an avid book reviewer and the founder of the literary review site the Complete Review, this reference is perfect for readers who wish to expand their reading choices and knowledge of contemporary world fiction. “A bird's-eye view of titles and authors from everywhere―a book overfull with reminders of why we love to read international fiction. Keep it close by.”—Robert Con Davis-Udiano, executive director, World Literature Today “M. A. Orthofer has done more to bring literature in translation to America than perhaps any other individual. [This book] will introduce more new worlds to you than any other book on the market.”—Tyler Cowen, George Mason University “A relaxed, riverine guide through the main currents of international writing, with sections for more than a hundred countries on six continents.”—Karan Mahajan, Page-Turner blog, The New Yorker
Author: Jago Morrison
Publisher: Psychology Press
ISBN: 9780415194563
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
A much-needed introduction to the field of contemporary fiction studies. Introduces key areas of debate and offers in-depth discussions of the most significant texts. An ideal guide for those studying contemporary fiction for the first time.
Author: Anna-Louise Milne
Publisher: Cambridge University Press
ISBN: 1108658849
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Our global literary field is fluid and exists in a state of constant evolution. Contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation; the collapse of the distinction between 'French' and 'Francophone' literature has opened up French writing to a world of new influences and interactions. In this collection, renowned scholars provide thoughtful close readings of a whole range of genres, from graphic novels to crime fiction to the influence of television and film, to analyse modern French fiction in its historical and sociological context. Allowing students of contemporary French literature and culture to situate specific works within broader trends, the volume provides an engaging, global and timely overview of contemporary fiction writing in French, and demonstrates how our modern literary world is more complex and diverse than ever before.
Author: David Cowart
Publisher: SIU Press
ISBN: 9780809314799
Category : Fiction
Languages : en
Pages : 272
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Book Description
Cowart presents a study of international historical fiction since World War II, with reflections on the affinities between historical and fictional narrative, analysis of the basic modes of historical fiction, and readings of a number of historical novels, including John Barth’s The Sot-Weed Factor, Marguerite Yourcenar’s Memoirs of Hadrian, Russell Hoban’s Riddley Walker, Margaret Atwood’s The Handmaid’s Tale, Giuseppe Tomasi Di Lampedusa’s The Leopard, D. M. Thomas’s The White Hotel, William Faulkner’s Go Down, Moses, and Umberto Eco’s The Name of the Rose. He proposes recognizing four modes of the historical novel: the past as a "distant mirror" of the present, fictions whose authors seek to pinpoint the precise historical moment when the modern age or some prominent feature of it came into existence, fictions whose authors aspire purely or largely to historical verisimilitude, and fictions whose authors reverse history to contemplate utopia and dystopia in the future. Thus, historical fiction can be organized under the rubrics: The Distant Mirror; The Turning Point; The Way It Was; and The Way It Will Be. This fourfold schema and his focus on postwar novels set Cowart’s work apart from previous studies, which have not devoted adequate space to the contemporary historical novel. Cowart argues that postwar historical fiction merits more extensive treatment because it is the product of an age unique in the annals of history—an age in which history itself may end.
Author: Rossella Valdrè
Publisher: Taylor & Francis
ISBN: 1351793055
Category : Literary Criticism
Languages : en
Pages : 157
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Book Description
Psychoanalytic Perspectives on Women and Power in Contemporary Fiction psychoanalytically examines contemporary fiction portraying the female in a reversal of the stereotyped victim role. The recent popularity of powerful female characters suggests that literature is ahead in its understanding the desires, fantasies and unconscious emotions of the public. This book explores a form of intimacy frequently observed in consulting rooms and in life in general: malicious intimacy. Specific to the conjugal bond, it is a type of intimacy connected to the relationship between the two halves of the couple that is extremely powerful and painful. Instead of clinical cases, Rossella Valdré examines four contemporary and widely successful novels, published contemporaneously, which capture perfectly this type of psychopathological universe. Valdré then maps out psychoanalytic hypotheses regarding the persistency of these malicious intimacies. Through analysis of these examples, Valdrè investigates the roots and hypotheses of a new scenario on victim-executioner roles played out in the intimacy of the couple. Exploring how and if the contemporary couple is undergoing profound changes, she provides an overview of the various deep-seated psychological mechanisms and unconscious dynamics that may be at work. The book explores the need to not be dependant upon a love object as an extreme defence against abandonment or self-collapse. Valdrè argues that such a configuration is very common, and that Idealization in contemporary life is one of the reasons behind the most of sufferance in modern couples, something which psychoanalysis can examine through art. Women, perhaps, after emancipation, are living overturned roles and paying a higher cost as a result. Psychoanalytic Perspectives on Women and Power in Contemporary Fiction will appeal to psychoanalysts and psychoanalytic psychotherapists, and be of interest to scholars and students of literature, gender studies, philosophy and sociology.
Author: Daniel O'Gorman
Publisher: Routledge
ISBN: 1134743777
Category : Literary Criticism
Languages : en
Pages : 629
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Book Description
The study of contemporary fiction is a fascinating yet challenging one. Contemporary fiction has immediate relevance to popular culture, the news, scholarly organizations, and education – where it is found on the syllabus in schools and universities – but it also offers challenges. What is ‘contemporary’? How do we track cultural shifts and changes? The Routledge Companion to Twenty-First Century Literary Fiction takes on this challenge, mapping key literary trends from the year 2000 onwards, as the landscape of our century continues to take shape around us. A significant and central intervention into contemporary literature, this Companion offers essential coverage of writers who have risen to prominence since then, such as Hari Kunzru, Jennifer Egan, David Mitchell, Jonathan Lethem, Ali Smith, A. L. Kennedy, Hilary Mantel, Marilynne Robinson, and Colson Whitehead. Thirty-eight essays by leading and emerging international scholars cover topics such as: • Identity, including race, sexuality, class, and religion in the twenty-first century; • The impact of technology, terrorism, activism, and the global economy on the modern world and modern literature; • The form and format of twenty-first century literary fiction, including analysis of established genres such as the pastoral, graphic novels, and comedic writing, and how these have been adapted in recent years. Accessible to experts, students, and general readers, The Routledge Companion to Twenty-First Century Literary Fiction provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of the field. It is essential reading for anyone interested in the past, present, and future of contemporary literature.
Author: Josep M. Armengol
Publisher: Springer Nature
ISBN: 3031533496
Category :
Languages : en
Pages : 182
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Book Description
Author: Martyn Bone
Publisher: LSU Press
ISBN: 9780807130537
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place? Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South. Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.
Author: Diletta De Cristofaro
Publisher: Bloomsbury Publishing
ISBN: 1350085790
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Traditional apocalyptic texts concern the advent of a better world at the end of history that will make sense of everything that happened before. But what is at stake in the contemporary shift to apocalyptic narratives in which the utopian end of time is removed? The Contemporary Post-Apocalyptic Novel offers an innovative critical model for our cultural obsession with 'the end' by focussing on the significance of time in the 21st-century post-apocalyptic novel and challenging traditional apocalyptic logic. Once confined to the genre of science fiction, the increasing popularity of end-of-the-world narratives has caused apocalyptic writing to feature in the work of some of contemporary literature's most well-known fiction writers. Considering novels by Will Self, Cormac McCarthy, David Mitchell, Emily St. John Mandel, Jeanette Winterson and others, Diletta De Cristofaro frames the contemporary apocalyptic imagination as a critique of modernity's apocalyptic conception of time and history. Interdisciplinary in scope, the book historicises apocalyptic beliefs by exploring how relentlessly they have shaped the modern world.
Author: S. Adiseshiah
Publisher: Springer
ISBN: 1137035188
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
This lively new volume of essays examines what happens now in 21st century fiction. Fresh theoretical approaches to writers such as Salman Rushdie, David Peace, Margaret Atwood, and Hilary Mantel, and identifications of 21st-century themes, tropes and styles combine to produce a timely critical intervention into genuinely contemporary fiction.
