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Author: V.Y. Mudimbe
Publisher: African Books Collective
ISBN: 2869785615
Category : Social Science
Languages : en
Pages : 330
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Book Description
All over Africa, an explosion in cultural productions of various genres is in evidence. Whether in relation to music, song and dance, drama, poetry, film, documentaries, photography, cartoons, fine arts, novels and short stories, essays, and (auto)biography; the continent is experiencing a robust outpouring of creative power that is as remarkable for its originality as its all-round diversity. Beginning from the late 1970s and early 1980s, the African continent has experienced the longest and deepest economic crises than at any other time since the period after the Second World War. Interestingly however, while practically every indicator of economic development was declining in nominal and/ or real terms for most aspects of the continent, cultural productions were on the increase. Out of adversity, the creative genius of the African produced cultural forms that at once spoke to crises and sought to transcend them. The current climate of cultural pluralism that has been produced in no small part by globalization has not been accompanied by an adequate pluralism of ideas on what culture is, and/or should be; nor informed by an equal claim to the production of the cultural packaged or not. Globalization has seen to movement and mixture, contact and linkage, interaction and exchange where cultural flows of capital, people, commodities, images and ideologies have meant that the globe has become a space, with new asymmetries, for an increasing intertwinement of the lives of people and, consequently, of a greater blurring of normative definitions as well as a place for re-definition, imagined and real. As this book Contemporary African Cultural Productions has done, researching into African culture and cultural productions that derive from it allows us, among other things, to enquire into definitions, explore historical dimensions, and interrogate the political dimensions to presentation and representation. The book therefore offers us an intervention that goes beyond the normative literary and cultural studies main foci of race, difference and identity; notions which, while important in themselves might, without the necessary historicizing and interrogating, result in a discourse that rather re-inscribes the very patterns that necessitate writing against. This book is an invaluable compendium to scholars, researchers, teachers, students and others who specialize on different aspects of African culture and cultural productions, as well as cultural centers and general readers.
Author: V.Y. Mudimbe
Publisher: African Books Collective
ISBN: 2869785615
Category : Social Science
Languages : en
Pages : 330
Get Book Here
Book Description
All over Africa, an explosion in cultural productions of various genres is in evidence. Whether in relation to music, song and dance, drama, poetry, film, documentaries, photography, cartoons, fine arts, novels and short stories, essays, and (auto)biography; the continent is experiencing a robust outpouring of creative power that is as remarkable for its originality as its all-round diversity. Beginning from the late 1970s and early 1980s, the African continent has experienced the longest and deepest economic crises than at any other time since the period after the Second World War. Interestingly however, while practically every indicator of economic development was declining in nominal and/ or real terms for most aspects of the continent, cultural productions were on the increase. Out of adversity, the creative genius of the African produced cultural forms that at once spoke to crises and sought to transcend them. The current climate of cultural pluralism that has been produced in no small part by globalization has not been accompanied by an adequate pluralism of ideas on what culture is, and/or should be; nor informed by an equal claim to the production of the cultural packaged or not. Globalization has seen to movement and mixture, contact and linkage, interaction and exchange where cultural flows of capital, people, commodities, images and ideologies have meant that the globe has become a space, with new asymmetries, for an increasing intertwinement of the lives of people and, consequently, of a greater blurring of normative definitions as well as a place for re-definition, imagined and real. As this book Contemporary African Cultural Productions has done, researching into African culture and cultural productions that derive from it allows us, among other things, to enquire into definitions, explore historical dimensions, and interrogate the political dimensions to presentation and representation. The book therefore offers us an intervention that goes beyond the normative literary and cultural studies main foci of race, difference and identity; notions which, while important in themselves might, without the necessary historicizing and interrogating, result in a discourse that rather re-inscribes the very patterns that necessitate writing against. This book is an invaluable compendium to scholars, researchers, teachers, students and others who specialize on different aspects of African culture and cultural productions, as well as cultural centers and general readers.
Author: Kenneth W. Harrow
Publisher: Indiana University Press
ISBN: 0253016037
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Arguing that it is impossible to understand African cultural productions without knowledge of the structures of production, distribution, and reception that surround them, the essays grapple with the shifting notion of what "African" means when many African authors and filmmakers no longer live or work in Africa. While the arts continue to flourish in Africa, addressing questions about marginalization, what is center and what periphery, what traditional or conservative, and what progressive or modern requires an expansive view of creative production.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Muff Andersson, a Researcher, works in the Office of the Principal, University of South Africa (Unisa), and is currently writing the multi-volume "A History of the University of South Africa" which looks at the history of Higher Education in South Africa. [...] It is perhaps significant that the contemporary cultural effervescence that has come to the fore began to unfold in the context of the longest - and deepest - economic crises which the African continent has known since the period after the Second World War and which started in earnest in the late 1970s and early 1980s. [...] It might be understandable that during the course of the 1980s and 1990s, much of the scholarly output in and on Africa concentrated on the dynamics of the economic crises which the countries of the continent were experiencing, the political economy of the structural adjustment programmes sponsored by the international donor community to manage the crises, and the struggles for political reform an. [...] With such packages being ever more easily accessible across the globe, it becomes particularly important that we be attendant to the danger of falsely assuming familiarity that can accompany the daily consumption of these cultural productions, and of the dangers of presuming a knowledge of culture - by ourselves and others; of ourselves and of others - that is devoid of history, a sense of locatio. [...] In the end, it will be the distinct merit of the book that it gives full meaning to the long-standing commitment by CODESRIA and scholars such as Mudimbe to the increased privileging of the production of holistic inter-disciplinary knowledge in which the social sciences not only speak more to one another, but also to the arts, humanities, and other sciences.
Author: Mai Palmberg
Publisher: Nordic Africa Institute
ISBN: 9789171064776
Category : Art
Languages : en
Pages : 216
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Book Description
The idea of African Otherness has occupied a central role in discourses on cultural production in Africa, whether film, literature, music or the arts. These claims, articulated both by ‘Western' and ‘African' critics and consumers, means that particular criteria and standards are adopted in relation to cultural production in Africa. The claim to African Otherness is gaining new strength in the wake of globalization, but it is also increasingly challenged by a number of contemporary artists. This book deals with the question of relevance and meaning of the signifier in various fields of contemporary cultural production in Africa.
Author: Kathrin Schmidt
Publisher:
ISBN: 9781003450085
Category : Krio drama
Languages : en
Pages : 0
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Book Description
"This book engages with contemporary cultural production in Africa, focusing on theatre in Sierra Leone as main case study. The author provides coverage of, and insights into, such themes as cultural globalisation, commodification, the global creative economy, culture and development, international relations, and contemporary cultural production in Sierra Leone within the context of local and global flows of people, media, images, technologies, finance and ideas. Combining the analysis of theatre in Sierra Leone and its aesthetics with its policy, structural and institutional context, this book highlights in much detail and nuance the interconnectedness between the micro and the macro-levels of cultural production, between the local and the global and between aesthetics, politics, policy, governance structures and institutions. This book links the particular findings from the author's fieldwork to larger issues of contemporary local cultural production within the context of globalisation, commodification and decolonisation, adds a postcolonial perspective to existing theories and approaches to cultural production, management and policy, which is still largely missing from the existing discourse, and also contributes to addressing the gap in the knowledge about the context of contemporary cultural productions in diverse African contexts. This book will be particularly useful for both theatre scholars with an interest in the political economy of theatre and, more broadly, those seeking to understand the nuanced challenges and opportunities faced by policymakers, artists and arts managers to embrace the cultural and creative industries in this context. It also offers excellent insights for policymakers who wish to improve their understanding and interventions beyond superficial 'best practice' snippets and simplified 'success stories'"--
Author: Pamela Allara
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Abebe Zegeye
Publisher: Taylor & Francis
ISBN: 1136659897
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
European and African works have found it difficult to move past the image of Africa as a place of exotica and relentless brutality. This book explores the status and critical relationship between politics, culture, literary creativity, criticism, education and publishing in the context of promoting Africa’s indigenous knowledge, and seeks to recover some of the sites where Africans continue to elaborate conflicting politics of self-affirmations. It both acknowledges and steps outside the protocols of analysis informed by nationalism, differentiating the forms that postcolonial theories have taken, and arguing for a selective appropriation of theory that emerges from Africa’s lived experiences.
Author: Pam Allara
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Abimbola Adelakun
Publisher: Springer
ISBN: 3319913107
Category : History
Languages : en
Pages : 341
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Book Description
This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
Author: Kealeboga Aiseng
Publisher: Lexington Books
ISBN: 1666955671
Category : Language Arts & Disciplines
Languages : en
Pages : 377
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Book Description
Drawing on examples from across the continent, this volume examines socially significant aspects of contemporary African popular culture—including music cultures, fandoms, and community, mass, and digital media—to demonstrate how neoliberal politics and market forces shape the cultural landscape and vice versa. Contributors investigate the role that the media, politicians, and corporate interests play in shaping that landscape, highlight the crucial role of the African people in the production and circulation of popular culture more broadly, and, furthermore, demonstrate how popular culture can be used as a tool to resist oppressive regimes and challenge power structures in the African context. Scholars of political communication, cultural studies, and African studies will find this book particularly useful.
