Contemporary African American Theatre and Dalit Theatre PDF Download
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Author: S. R. Jalote
Publisher:
ISBN: 9788185305035
Category : African American theater
Languages : en
Pages : 160
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Book Description
With reference to Dalits of India.
Author: S. R. Jalote
Publisher:
ISBN: 9788185305035
Category : African American theater
Languages : en
Pages : 160
Get Book Here
Book Description
With reference to Dalits of India.
Author: Glenda Dicker/sun
Publisher: John Wiley & Sons
ISBN: 0745657796
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Written in a clear, accessible, storytelling style, African American Theater will shine a bright new light on the culture which has historically nurtured and inspired Black Theater. Functioning as an interactive guide for students and teachers, African American Theater takes the reader on a journey to discover how social realities impacted the plays dramatists wrote and produced. The journey begins in 1850 when most African people were enslaved in America. Along the way, cultural milestones such as Reconstruction, the Harlem Renaissance and the Black Freedom Movement are explored. The journey concludes with a discussion of how the past still plays out in the works of contemporary playwrights like August Wilson and Suzan-Lori Parks. African American Theater moves unsung heroes like Robert Abbott and Jo Ann Gibson Robinson to the foreground, but does not neglect the race giants. For actors looking for material to perform, the book offers exercises to create new monologues and scenes. Rich with myths, history and first person accounts by ordinary people telling their extraordinary stories, African American Theater will entertain while it educates.
Author: Macelle Mahala
Publisher: Northwestern University Press
ISBN: 0810145162
Category : Performing Arts
Languages : en
Pages : 355
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Book Description
Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration. Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.
Author: Harvey Young
Publisher: Cambridge University Press
ISBN: 1009359592
Category : Drama
Languages : en
Pages : 359
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Book Description
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
Author: Errol G. Hill
Publisher: Cambridge University Press
ISBN: 9780521624435
Category : Drama
Languages : en
Pages : 652
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Book Description
Table of contents
Author: Soyica Diggs Colbert
Publisher: Cambridge University Press
ISBN: 1139503596
Category : Drama
Languages : en
Pages :
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Book Description
Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath.
Author: Kathy A. Perkins
Publisher: Routledge
ISBN: 1351751433
Category : Drama
Languages : en
Pages : 566
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Book Description
The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Carlton W. Molette
Publisher:
ISBN: 9780932269942
Category : Drama
Languages : en
Pages : 280
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Book Description
Our intention, explain the Mollettes, is to describe the nature of African American theatre as an expression of culture and a medium for communicating values. We have divided this book into two sections. Part One, PREMISE, describes the terms and concepts needed to examine African American theatre from an Afrocentric point of view. Essential to that discourse is an understanding of culture and values and their impact upon an individual's point of view and subsequent interpretation of what is seen and heard. We cite examples of historical interpretations and analyses to illustrate the differences in these statements of evaluation that result from variations in culture and values. Part Two, Presentation, delineates values that influence theatrical presentations by and for African Americans and their impact upon style, form, and the performance environment. The values of specific cultures also control concepts such as space and time that are crucial to the way in which performance art is perceived. Both Afrocentric and Eurocentric concepts of time and space are described in order to contrast Afrocentric and Eurocentric conventions of theatrical presentations.
Author: Nilgun Anadolu-Okur
Publisher: Routledge
ISBN: 0815328729
Category : African Americans
Languages : en
Pages : 226
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Philip C. Kolin
Publisher: Routledge
ISBN: 1135866481
Category : Art
Languages : en
Pages : 218
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Book Description
In the last 50 years, American and World theatre have been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrights is the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas.
