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Author: Constantin Brancusi
Publisher: Hatje Cantz Pub
ISBN: 9783775728218
Category : Art
Languages : en
Pages : 243
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Book Description
"The starting point for this book is the work of Constantin Brancusi (1876-1957), as expressed in his reduction of volume to tease out formal essence. Some thirty-five exemplary works by Brancusi, among them 'The Kiss' and the 'Column of the Infinite', thus initiate a line of inquiry into the essence and the possibilities of sculpture, the discussion of which continues with a selection of works from different periods by Richard Serra (born 1939), whose art opens up new 'ways of seeing' to his viewers. The resulting juxtaposition of Brancusi's sensuous modeling of marble, bronze, wood, and plaster with Serra's minimalist steel sculptures set in motion a fascinating dialogue. The essays by Friedrich Teja Bach, Alfred Pacquement, Oliver Wick, and others conspire with the concentrated selection of works to underscore not only the contrasts between these two pioneering artists, but also their common ground enabling the reader to experience anew the universal power of sculpture." --Jacket.
Author: Constantin Brancusi
Publisher: Hatje Cantz Pub
ISBN: 9783775728218
Category : Art
Languages : en
Pages : 243
Get Book Here
Book Description
"The starting point for this book is the work of Constantin Brancusi (1876-1957), as expressed in his reduction of volume to tease out formal essence. Some thirty-five exemplary works by Brancusi, among them 'The Kiss' and the 'Column of the Infinite', thus initiate a line of inquiry into the essence and the possibilities of sculpture, the discussion of which continues with a selection of works from different periods by Richard Serra (born 1939), whose art opens up new 'ways of seeing' to his viewers. The resulting juxtaposition of Brancusi's sensuous modeling of marble, bronze, wood, and plaster with Serra's minimalist steel sculptures set in motion a fascinating dialogue. The essays by Friedrich Teja Bach, Alfred Pacquement, Oliver Wick, and others conspire with the concentrated selection of works to underscore not only the contrasts between these two pioneering artists, but also their common ground enabling the reader to experience anew the universal power of sculpture." --Jacket.
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262610339
Category : Design
Languages : en
Pages : 326
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Book Description
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
Author: Kynaston McShine
Publisher: The Museum of Modern Art
ISBN: 9780870707124
Category : Art
Languages : en
Pages : 428
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Book Description
"This book offers a detailed presentation of Richard Serra's entire career, from his early experiments with materials like rubber, neon, and lead to the environmentally scaled steel works of recent years, including three monumental new sculptures created for the exhibition that this book accompanies."--BOOK JACKET.
Author: Spyros Papapetros
Publisher: MIT Press
ISBN: 0262027593
Category : Art
Languages : en
Pages : 288
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Book Description
Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years. Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of “Sculpture in the Expanded Field.” Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. Contributors Stan Allen, George Baker, Yve-Alain Bois, Benjamin Buchloh, Beatriz Colomina, Penelope Curtis, Sam Durant, Edward Eigen, Kurt W. Forster, Hal Foster, Kenneth Frampton, Branden W. Joseph, Rosalind Krauss, Miwon Kwon, Sylvia Lavin, Sandro Marpillero, Josiah McElheny, Eve Meltzer, Michael Meredith, Mary Miss, Sarah Oppenheimer, Matthew Ritchie, Julia Robinson, Joe Scanlan, Emily Eliza Scott, Irene Small, Philip Ursprung, Anthony Vidler
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262610469
Category : Design
Languages : en
Pages : 324
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Book Description
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Author: Clara Weyergraf-Serra
Publisher: Stedelijk Van Abbemuseum
ISBN: 9789070149246
Category : Art and state
Languages : en
Pages : 275
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Book Description
Author: Constantin Brancusi
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Antoni Remesar
Publisher: Edicions Universitat Barcelona
ISBN: 9788447517374
Category : City planning
Languages : en
Pages : 150
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Book Description
Author: Richard Serra
Publisher: University of Chicago Press
ISBN: 0226748804
Category : Architecture
Languages : en
Pages : 290
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Book Description
One of the most important sculptors of this century, Richard Serra has been a spokesman on the nature and status of art in our day. Best known for site-specific works in steel, Serra has much to say about the relation of sculpture to place, whether urban, natural, or architectural, and about the nature of art itself, whether political, decorative, or personal. In interviews with writers including Douglas and Davis Sylvester, he discusses specific installations and offers insights into his approach to the problem each presents. Interviews by Peter Eisenman and Alan Colquhoun elicit Serra's thoughts on the relation of architecture to contemporary sculpture, a primary component in his own work. From essays like "Extended Notes from Sight Point Road" to Serra's extended commentary on the Tilted Arc fiasco, the pieces in this volume comprise a document of one artist's engagement with the practical, philosophical, and political problems of art.
Author: Erika Suderburg
Publisher: U of Minnesota Press
ISBN: 9780816631599
Category : Art
Languages : en
Pages : 392
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Book Description
From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms. In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.
