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Author: Lissa Schneider
Publisher: Routledge
ISBN: 1136730729
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
In Joseph Conrad’s tales, representations of women and of "feminine" generic forms like the romance are often present in fugitive ways. Conrad’s use of allegorical feminine imagery, fleet or deferred introductions of female characters, and hybrid generic structures that combine features of "masculine" tales of adventure and intrigue and "feminine" dramas of love or domesticity are among the subjects of this literary study. Many of Conrad’s critics have argued that Conrad’s fictions are aesthetically flawed by the inclusion of women and love plots; thus Thomas Moser has questioned why Conrad did not "cut them out altogether." Yet a thematics of gender suffuses Conrad’s narrative strategies. Even in tales that contain no significant female characters or obvious love plots, Conrad introduces elusive feminine presences, in relationships between men, as well as in men’s relationships to their ship, the sea, a shore breeze, or even in the gendered embrace of death. This book investigates an identifiably feminine "point of view" which is present in fugitive ways throughout Conrad’s canon. Conrad’s narrative strategies are articulated through a language of sexual difference that provides the vocabulary and grammar for tales examining European class, racial, and gender paradigms to provide acute and, at times, equivocal investigations of femininity and difference.
Author: Lissa Schneider
Publisher: Routledge
ISBN: 1136730729
Category : Literary Criticism
Languages : en
Pages : 178
Get Book Here
Book Description
In Joseph Conrad’s tales, representations of women and of "feminine" generic forms like the romance are often present in fugitive ways. Conrad’s use of allegorical feminine imagery, fleet or deferred introductions of female characters, and hybrid generic structures that combine features of "masculine" tales of adventure and intrigue and "feminine" dramas of love or domesticity are among the subjects of this literary study. Many of Conrad’s critics have argued that Conrad’s fictions are aesthetically flawed by the inclusion of women and love plots; thus Thomas Moser has questioned why Conrad did not "cut them out altogether." Yet a thematics of gender suffuses Conrad’s narrative strategies. Even in tales that contain no significant female characters or obvious love plots, Conrad introduces elusive feminine presences, in relationships between men, as well as in men’s relationships to their ship, the sea, a shore breeze, or even in the gendered embrace of death. This book investigates an identifiably feminine "point of view" which is present in fugitive ways throughout Conrad’s canon. Conrad’s narrative strategies are articulated through a language of sexual difference that provides the vocabulary and grammar for tales examining European class, racial, and gender paradigms to provide acute and, at times, equivocal investigations of femininity and difference.
Author: Joseph Hillis Miller
Publisher:
ISBN: 9780814213483
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
For half a century, J. Hillis Miller has been a premier figure in English and comparative literature, influencing and leading the direction of literary studies. What is less well-known is that he has been equally influential in Conrad studies with his work on nihilism, language, and narrative in Joseph Conrad's fiction. Reading Conrad, authored by J. Hillis Miller and edited by John G. Peters and Jakob Lothe, charts Miller's shifting insights into Joseph Conrad's fiction
Author: Joseph Conrad
Publisher: Wordsworth Editions
ISBN: 9781853261909
Category : Fiction
Languages : en
Pages : 276
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Book Description
A selection of short stories including favourites such as Youth, a modern epic of the sea; The Secret Sharer, a thrilling psychological drama; An Outpost of Progress, a blackly comic prelude to Heart of Darkness; Amy Foster, a moving story of a shipwrecked, alienated Pole; and The Lagoon and Karain, two exotic, exciting Malay tales.
Author: Sebastian Conrad
Publisher: Princeton University Press
ISBN: 0691178194
Category : Business & Economics
Languages : en
Pages : 312
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Book Description
The first comprehensive overview of the innovative new discipline of global history Until very recently, historians have looked at the past with the tools of the nineteenth century. But globalization has fundamentally altered our ways of knowing, and it is no longer possible to study nations in isolation or to understand world history as emanating from the West. This book reveals why the discipline of global history has emerged as the most dynamic and innovative field in history—one that takes the connectedness of the world as its point of departure, and that poses a fundamental challenge to the premises and methods of history as we know it. What Is Global History? provides a comprehensive overview of this exciting new approach to history. The book addresses some of the biggest questions the discipline will face in the twenty-first century: How does global history differ from other interpretations of world history? How do we write a global history that is not Eurocentric yet does not fall into the trap of creating new centrisms? How can historians compare different societies and establish compatibility across space? What are the politics of global history? This in-depth and accessible book also explores the limits of the new paradigm and even its dangers, the question of whom global history should be written for, and much more. Written by a leading expert in the field, What Is Global History? shows how, by understanding the world's past as an integrated whole, historians can remap the terrain of their discipline for our globalized present.
Author: Paweł Jędrzejko
Publisher: M-Studio
ISBN: 8362023406
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
The volume came about as a result of a joint effort at a bifocal reflection of the international community of Melvillians and Conradians in Szczecin, Poland, in August 2007. What became clear in formal and informal discussion among the participants of that international gam was that Herman Melville and Joseph Conrad Korzeniowski shared the intuition that the essential liquidity of the existential human condition necessitates a “universal squeeze of the hand.” This idea, beautifully conceptualized by Melville in chapter 94 of Moby-Dick, caused both writers to examine in their complex narratives the ways in which various kinds of oppression prevent this desired possibility (read more in the Introduction).
Author: Wiesław Krajka
Publisher:
ISBN: 9788322793138
Category :
Languages : en
Pages : 255
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Book Description
This collection of studies examines the various types and uses of ideas of "the other" and othering in Joseph Conrad's fiction. It offers examinations of different aspects of the colonial other both in Africa and Latin America, including a personal reminiscence of American imperialism by a descendant of a character mentioned in Conrad's fiction. The first three papers offer insights into Conrad's artistic presentation of both the historical and concrete side of capitalism and imperialism as well as the universal aspects of these social-political-economic formations. The next four studies theorize the colonial other, from European/Western perspectives and from Third World perspectives. The final four papers concern otherness in seamanship, in terms of the imperial other and alterity, and the female as other, othering by gender. The dimensions of the other in Conrad's fiction that the collection examines are mainly colonial, imperial, and civilizational, set in the realities of geographical space of Africa, Latin America, and the Far East, the reality at sea, and the reality of gendered humanity. They are grounded in various contexts significant for Conrad's epoch: both domestic and pertaining to English and European colonial-imperial overseas expansion, and illuminated from both English/Western and Third World perspectives. Various Dimensions of the Other in Joseph Conrad's Fiction features both general theoretical arguments and distinctive methodological approaches to Conrad's oeuvre, such as historical contextualization and source studies, postcolonial theory, imagology, Levinas's theory of alterity, the Lacanian theory of jouissance, literary feminism, and personal narrative. The book is volume 29 of the series Conrad: Eastern and Western Perspectives: within this series it offers the first complex and direct treatment of multifarious incarnations of the other in Joseph Conrad's fiction. The studies included create a truly international constellation of criticism, with authors at universities in the United States of America, France, Switzerland, Ukraine, Algeria, Iran, Japan, and Poland. Owing to their unique national and cultural-literary backgrounds and perspectives upon Joseph Conrad's oeuvre, Various Dimensions of the Other in Joseph Conrad's Fiction continues and strengthens the transnational profile of the series Conrad: Eastern and Western Perspectives.
Author: Allan Conrad Christensen
Publisher: Routledge
ISBN: 1134237340
Category : Health & Fitness
Languages : en
Pages : 361
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Book Description
This intriguing book examines the ways contagion - or disease - inform and shape a wide variety of nineteenth century texts and contexts. Christiensen dissects the cultural assumptions concerning disease, health, impurity and so on before exploring different perspectives on key themes such as plague, nursing and the hospital environment and focusing on certain key texts including Dicken's Bleak House, Gaskell's Ruth, and Zola's Le Docteur Pascal.
Author: Paweł Jędrzejko
Publisher: M-Studio
ISBN: 8362023562
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
The present book explores a variety of fundamental questions that all of us secretly share. Its twenty-one chapters, written by some of the world’s leading Melville and Conrad scholars, indicate possible directions of comparativist insight into the continuity and transformations of western existentialist thought between the 19th and 20th centuries. The existential philosophy of participation—so mistrustful of analytical categories—is epitomized by the lives and oeuvres of Melville and Conrad. Born in the immediacy of experience, this philosophy finds its expression in uncertain tropes and faith-based actions; rather than muffle the horror vacui with words, it plunges head first into liminality, where logos dissolves into a “positive nothing.” Unlike analytical philosophers, both Melville and Conrad refrain from talking about reality: they expose those who would listen to a first-hand experience of participation in an interpretive act. Employing literary tropes to denude the essence of the human condition, they allow their readers to transgress the limitations of language. Mistrustful of language, they accept the necessity of discourse which, to make sense, must be actively reshaped, endlessly questioned, and constantly revised. And if uncertainty is the only certainty available to us, our lowly human condition also necessitates compassion: an existential cure against the liquid, capricious reality we are afforded.
Author: Conrad Ferdinand Meyer
Publisher: Bucknell University Press
ISBN: 9780838710364
Category : Literary Collections
Languages : en
Pages : 380
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Book Description
Translation of the eleven novellas of Conrad Ferdinand Meyer from the German into English is the first attempt to make the entire body of his narrative prose available to the English reader in complete and unified form.
Author: Maya Jasanoff
Publisher: Penguin
ISBN: 0698137477
Category : Biography & Autobiography
Languages : en
Pages : 402
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Book Description
“Enlightening, compassionate, superb” —John Le Carré Winner of the 2018 Cundhill History Prize A New York Times Book Review Notable Book of 2017 One of the New York Times 100 Notable Books of 2017 A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today Migration, terrorism, the tensions between global capitalism and nationalism, and a communications revolution: these forces shaped Joseph Conrad’s destiny at the dawn of the twentieth century. In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world. Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals. In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—The Secret Agent, Lord Jim, Heart of Darkness, and Nostromo. Genre-bending, intellectually thrilling, and deeply humane, The Dawn Watch embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.
