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Author: Miguel de Baca
Publisher: Cambridge Scholars Publishing
ISBN: 1443888362
Category : Art
Languages : en
Pages : 240
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Book Description
Conflict, Identity, and Protest in American Art explores the powerful relationship between artistic production and cultures of conflict in the United States. Such a theme continues to provoke practitioners and scholars across a range of media and disciplines, especially as definitions of war and protest evolve and change in the twenty-first century. This anthology presents vital discussions of visual works in relationship to national identity, the politics and contexts of artistic production and reception, and the expressive and political function of art within historical periods defined by wars, rebellions, and revolutions. It sheds new light on the shifting nature of identity, and specifically how conflict – armed conflict as well as rhetorical conflict – inspires new identities to emerge. Conflict, Identity, and Protest in American Art will appeal to historians of American art and architecture, American studies, cultural studies, and material culture. Its vibrant discussions of race, ethnicity, gender, and sexuality represent the urgency of these topics in modern and contemporary art history. This book is suitable for academics at all levels, from undergraduates through to graduate students and faculty researchers, as well as artists and non-specialised readers.
Author: Miguel de Baca
Publisher: Cambridge Scholars Publishing
ISBN: 1443888362
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
Conflict, Identity, and Protest in American Art explores the powerful relationship between artistic production and cultures of conflict in the United States. Such a theme continues to provoke practitioners and scholars across a range of media and disciplines, especially as definitions of war and protest evolve and change in the twenty-first century. This anthology presents vital discussions of visual works in relationship to national identity, the politics and contexts of artistic production and reception, and the expressive and political function of art within historical periods defined by wars, rebellions, and revolutions. It sheds new light on the shifting nature of identity, and specifically how conflict – armed conflict as well as rhetorical conflict – inspires new identities to emerge. Conflict, Identity, and Protest in American Art will appeal to historians of American art and architecture, American studies, cultural studies, and material culture. Its vibrant discussions of race, ethnicity, gender, and sexuality represent the urgency of these topics in modern and contemporary art history. This book is suitable for academics at all levels, from undergraduates through to graduate students and faculty researchers, as well as artists and non-specialised readers.
Author: Steven J. Tepper
Publisher: University of Chicago Press
ISBN: 0226792889
Category : Social Science
Languages : en
Pages : 379
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Book Description
In the late 1990s Angels in America,Tony Kushner’s epic play about homosexuality and AIDS in the Reagan era, toured the country, inspiring protests in a handful of cities while others received it warmly. Why do people fight over some works of art but not others? Not Here, Not Now, Not That! examines a wide range of controversies over films, books, paintings, sculptures, clothing, music, and television in dozens of cities across the country to find out what turns personal offense into public protest. What Steven J. Tepper discovers is that these protests are always deeply rooted in local concerns. Furthermore, they are essential to the process of working out our differences in a civil society. To explore the local nature of public protests in detail, Tepper analyzes cases in seventy-one cities, including an in-depth look at Atlanta in the late 1990s, finding that debates there over memorials, public artworks, books, and parades served as a way for Atlantans to develop a vision of the future at a time of rapid growth and change. Eschewing simplistic narratives that reduce public protests to political maneuvering, Not Here, Not Now, Not That! at last provides the social context necessary to fully understand this fascinating phenomenon.
Author: Ken Yeang
Publisher: Cambridge Scholars Publishing
ISBN: 152757993X
Category : Architecture
Languages : en
Pages : 280
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Book Description
This volume brings together several leading scientists and practitioners from around the world to discuss the ecological and salutogenic design principles for creating a healthy built environment. These principles and applications are the most important scientific topic of health promotion that provides the context for a healthy lifestyle. The challenge for ecological design is to provide a green context for a healthy society dealing with built infrastructure that creates clean air, clean water, clean food, and clean land, which in turn are necessary for human health and wellbeing. In this book, these principles are intertwined with those of salutogenic design, which support human health globally.
Author: Chris Balaschak
Publisher: Routledge
ISBN: 1000349276
Category : Art
Languages : en
Pages : 277
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Book Description
With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.
Author: Rachel Warriner
Publisher: Bloomsbury Publishing USA
ISBN: 1786735997
Category : Art
Languages : en
Pages : 265
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Book Description
Between 1966 and 1976, American artist Nancy Spero completed some of her most aggressively political work. Made at a time when Spero was a key member of the anti-war and feminist arts-activism that burgeoned in the New York art world during the period, her works demonstrate a violent and bodily rejection of injustice. Considering the ways in which anti-war and feminist art used emotion as a means to persuade and protest, Pain and Politics in Postwar Feminist Art examines the history of this crucial decade in American art politics through close attention to Spero's practice. Situating her work amongst the activism that defined the era, this book examines the ways in which sensation and emotion became political weapons for a generation of artists seeking to oppose patriarchy and war. Exemplary of the way in which artists were using metaphors of sensation and emotion in their work as part of the anti-Vietnam war and feminist art movements in the late 1960s and early 1970s, Spero's practice acts as a model for representing how politics feels. By exploring Spero's political engagement anew, this book offer a profound recontextualization of the important contribution that Spero made to Feminist thought, politics and art in the US.
Author: Anna Katz
Publisher: Yale University Press
ISBN: 0300239947
Category : Art
Languages : en
Pages : 329
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Book Description
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.
Author: Jens Bjering
Publisher: MIT Press
ISBN: 0262377632
Category : Political Science
Languages : en
Pages : 335
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Book Description
A provocative edited collection that takes an original approach toward the black box of military technology, surveillance, and AI—and reveals the aesthetic dimension of warfare. War and Aesthetics gathers leading artists, political scientists, and scholars to outline the aesthetic dimension of warfare and offer a novel perspective on its contemporary character and the construction of its potential futures. Edited by a team of four scholars, Jens Bjering, Anders Engberg-Pedersen, Solveig Gade, and Christine Strandmose Toft, this timely volume examines warfare through the lens of aesthetics, arguing that the aesthetic configurations of perception, technology, and time are central to the artistic engagement with warfare, just as they are key to military AI, weaponry, and satellite surveillance. People mostly think of war as the violent manifestation of a political rationality. But when war is viewed through the lens of aesthesis—meaning perception and sensibility—military technology becomes an applied science of sensory cognition. An outgrowth of three war seminars that took place in Copenhagen between 2018 and 2021, War and Aesthetics engages in three main areas of inquiry—the rethinking of aesthetics in the field of art and in the military sphere; the exploration of techno-aesthetics and the wider political and theoretical implications of war technology; and finally, the analysis of future temporalities that these technologies produce. The editors gather various traditions and perspectives ranging from literature to media studies to international relations, creating a unique historical and scientific approach that broadly traces the entanglement of war and aesthetics across the arts, social sciences, and humanities from ancient times to the present. As international conflict looms between superpowers, War and Aesthetics presents new and illuminating ways to think about future conflict in a world where violence is only ever a few steps away. Contributors Louise Amoore, Ryan Bishop, Jens Bjering, James Der Derian, Anthony Downey, Anders Engberg-Pedersen, Solveig Gade, Mark B. Hansen, Caroline Holmqvist, Vivienne Jabri, Caren Kaplan, Phil Klay, Kate McLoughlin, Elaine Scarry, Christine Strandmose Toft, Joseph Vogl, Arkadi Zaides
Author: Thomas Crow
Publisher: Princeton University Press
ISBN: 069123616X
Category : Art
Languages : en
Pages : 288
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Book Description
"An examination of the counterculture movement in California and how it both influenced and was influenced by art"--
Author: Jani McCutcheon
Publisher: Edward Elgar Publishing
ISBN: 1788971477
Category : Law
Languages : en
Pages : 463
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Book Description
Featuring international contributions from leading and emerging scholars, this innovative Research Handbook presents a panoramic view of how law sees visual art, and how visual art sees law. It resists the conventional approach to art and law as inherently dissonant – one a discipline preoccupied with rationality, certainty and objectivity; the other a creative enterprise ensconced in the imaginary and inviting multiple, unique and subjective interpretations. Blending these two distinct disciplines, this unique Research Handbook bridges the gap between art and law.
Author: James M. Jasper
Publisher: University of Chicago Press
ISBN: 0226394964
Category : Social Science
Languages : en
Pages : 533
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Book Description
In The Art of Moral Protest, James Jasper integrates diverse examples of protest—from nineteenth-century boycotts to recent movements—into a distinctive new understanding of how social movements work. Jasper highlights their creativity, not only in forging new morals but in adopting courses of action and inventing organizational forms. "A provocative perspective on the cultural implications of political and social protest."—Library Journal
