Metaphors of Conversion in Seventeenth-century Spanish Drama

Metaphors of Conversion in Seventeenth-century Spanish Drama PDF Author: Leslie Levin
Publisher: Tamesis
ISBN: 9781855660571
Category : Literary Criticism
Languages : en
Pages : 166

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Book Description
A new examination of the important theme of conversion in seventeenth-century Spanish drama.

Metaphors of Conversion in Seventeenth-century Spanish Drama

Metaphors of Conversion in Seventeenth-century Spanish Drama PDF Author: Leslie Levin
Publisher: Tamesis
ISBN: 9781855660571
Category : Literary Criticism
Languages : en
Pages : 166

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Book Description
A new examination of the important theme of conversion in seventeenth-century Spanish drama.

The New International Encyclopædia

The New International Encyclopædia PDF Author: Frank Moore Colby
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1964

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The New International Encyclop©Œdia

The New International Encyclop©Œdia PDF Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 980

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The New International Encyclopaedia

The New International Encyclopaedia PDF Author: Frank Moore Colby
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 946

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Religious Imagery in the Theater of Tirso de Molina

Religious Imagery in the Theater of Tirso de Molina PDF Author: Ann Nickerson Hughes
Publisher: Mercer University Press
ISBN: 9780865541313
Category : Literary Criticism
Languages : en
Pages : 176

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The Modern Languages Forum

The Modern Languages Forum PDF Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 270

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Modern Language Forum

Modern Language Forum PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 468

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Tirso de Molina

Tirso de Molina PDF Author: Esther Fernández
Publisher: Boydell & Brewer
ISBN: 1855663716
Category : Literary Criticism
Languages : en
Pages : 351

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Book Description
The first comprehensive study of Tirso de Molina and his work in English Tirso de Molina (c.1583-c.1648) may not have written El Burlador de Sevilla, but the works of this prolific author, one of the three pillars of Golden Age Spanish theatre, are notable for their erudition, complex characters, and wit. Informed by a multidisciplinary critical perspective, this volume sets Tirso's plays and prose in their social, historical, literary, and cultural contexts. Contributors from the United States, Canada, the United Kingdom, and Spain offer a state of the art in current scholarship, considering such topics as gender, identity, spatiality, material culture, and creative performativity, among others. The first volume in English to provide a richly detailed overview of Tirso's life and work, Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century grounds the reader in canonical theories while suggesting new approaches, attuned to contemporary interests, to his legacy.

Melancholy and the Secular Mind in Spanish Golden Age Literature

Melancholy and the Secular Mind in Spanish Golden Age Literature PDF Author: Teresa Scott Soufas
Publisher: University of Missouri Press
ISBN: 9780826207142
Category : Literary Criticism
Languages : en
Pages : 224

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Book Description
"Employing a broad historical perspective that forces the reevaluation of historical and literary commonplaces, Soufas artfully illuminates the complex responses of Spanish Golden Age authors to major shifts in European intellectual outlook during the late sixteenth and early seventeenth century."--Publishers website.

Drama of a Nation

Drama of a Nation PDF Author: Walter Cohen
Publisher: Cornell University Press
ISBN: 1501741667
Category : Literary Criticism
Languages : en
Pages : 420

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Book Description
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dramatic genres, theatrical institutions, cultural milieus, and political and economic systems. He argues that the drama owed its distinctiveness to the public theaters, especially of London and Madrid, which opened in the 1570s and closed, under government order, seventy years later. Both drama and theater in turn depended on a relative cultural homogeneity perpetuated by a state that primarily served the aristocracy. Absolutism, he maintains, first fostered and then undermined the public theater.