Author: Abigail McEwen
Publisher: David Zwirner Books
ISBN: 9781941701331
Category : Art
Languages : en
Pages : 192
Get Book Here
Book Description
Radical political shifts that raged throughout Cuba in the 1950s coincided with the development of Cuban geometric abstraction and, notably, the formation of Los Diez Pintores Concretos (Ten Concrete Painters). The decade was marked by widespread turmoil and corruption following the 1952 military coup and by rising nationalist sentiments. At the same time, Havana was undergoing rapid urbanization and quickly becoming an international city. Against this vibrant backdrop, artists sought a new visual language in which art, specifically abstract art, could function as political and social practice. Concrete Cuba marks one of the first major presentations outside of Cuba to focus exclusively on the origins of concretism in the country. It includes important works from the late 1940s through the early 1960s by the twelve artists who were at different times associated with the short-lived group: Pedro Álvarez, Wifredo Arcay, Mario Carreño, Salvador Corratgé, Sandú Darié, Luis Martínez Pedro, Alberto Menocal, José M. Mijares, Pedro de Oraá, José Ángel Rosabal, Loló Soldevilla, and Rafael Soriano. Many of the group’s members had traveled widely in the preceding years and corresponded with those at the forefront of European and South American abstract movements. Produced on the occasion of the major exhibition at David Zwirner, Concrete Cuba is the first in-depth catalogue on the subject to be published in English; the show offered a “wonderful taste of a very complicated history,” according to Roberta Smith of The New York Times. With an extensive plate section, which includes works from the exhibition and a selection of important pieces from the permanent collection of Museo Nacional de Bellas Artes, Havana, this volume provides readers with a rich visual experience of this crucial period in modernism’s history. The catalogue also features an extensively researched illustrated chronology, compiled by Susanna Temkin, which tracks the development of the period artistically and politically from 1939 through 1964. New scholarship by Abigail McEwen offers an interpretative framework for this group of artists, and a deeper understanding of the forces behind the development of this movement. Also included is a conversation between Lucas Zwirner and Pedro de Oraá, one of the central members of Los Diez.
Author:
Publisher:
ISBN: 9781941701492
Category :
Languages : en
Pages : 150
Get Book Here
Book Description
The development of Cuban geometric abstraction and, specifically, the formation of Los Diez Pintores Concretos (Ten Concrete Painters), coincided with the radical political and cultural shifts that raged throughout the country in the 1950s. Cuba experienced rising nationalist sentiments instigated in part by the influx of US tourism and material goods. Against this vibrant backdrop, artists sought a new visual language in which art, specifically abstract art, could function as political and social practice. Concrete Cuba, produced on the occasion of the 2015-2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro �lvarez, Wifredo Arcay, Mario Carre�o, Salvador Corratg�, Sand� Dari�, Luis Mart�nez Pedro, Alberto Menocal, Jos� M. Mijares, Pedro de Ora�, Jos� �ngel Rosabal, Lol� Soldevilla, and Rafael Soriano. The catalogue features an extensively researched chronology, compiled by art historian Susanna Temkin, tracking the development of the period artistically and politically from 1939 through 1968. New scholarship by Cuban art specialist Abigail McEwen offers an interpretative framework for this group of painters, and a deeper understanding of the forces behind the development of concretism's Cuban strain. A limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora�. These five unique prints are based on works completed during the height of de Oraa's Concrete period in the 1950s. In contrast to his later works in which forms were modified by expanding and stretching an image taken from an original draft, these works are true to the original drafts created in the 1950s and follow strict principles of Concretism. In keeping with the works from the exhibition Concrete Cuba at David Zwirner in 2015, de Oraa's five limited edition prints remain loyal to the spirit of the decade from which they are inspired.
Author:
Publisher:
ISBN: 9781941701478
Category :
Languages : en
Pages : 150
Get Book Here
Book Description
The development of Cuban geometric abstraction and, specifically, the formation of Los Diez Pintores Concretos (Ten Concrete Painters), coincided with the radical political and cultural shifts that raged throughout the country in the 1950s. Cuba experienced rising nationalist sentiments instigated in part by the influx of US tourism and material goods. Against this vibrant backdrop, artists sought a new visual language in which art, specifically abstract art, could function as political and social practice. Concrete Cuba, produced on the occasion of the 2015-2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro �lvarez, Wifredo Arcay, Mario Carre�o, Salvador Corratg�, Sand� Dari�, Luis Mart�nez Pedro, Alberto Menocal, Jos� M. Mijares, Pedro de Ora�, Jos� �ngel Rosabal, Lol� Soldevilla, and Rafael Soriano. The catalogue features an extensively researched chronology, compiled by art historian Susanna Temkin, tracking the development of the period artistically and politically from 1939 through 1968. New scholarship by Cuban art specialist Abigail McEwen offers an interpretative framework for this group of painters, and a deeper understanding of the forces behind the development of concretism's Cuban strain. A limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora�. These five unique prints are based on works completed during the height of de Oraa's Concrete period in the 1950s. In contrast to his later works in which forms were modified by expanding and stretching an image taken from an original draft, these works are true to the original drafts created in the 1950s and follow strict principles of Concretism. In keeping with the works from the exhibition Concrete Cuba at David Zwirner in 2015, de Oraa's five limited edition prints remain loyal to the spirit of the decade from which they are inspired.
Author:
Publisher:
ISBN: 9781941701485
Category :
Languages : en
Pages : 150
Get Book Here
Book Description
The development of Cuban geometric abstraction and, specifically, the formation of Los Diez Pintores Concretos (Ten Concrete Painters), coincided with the radical political and cultural shifts that raged throughout the country in the 1950s. Cuba experienced rising nationalist sentiments instigated in part by the influx of US tourism and material goods. Against this vibrant backdrop, artists sought a new visual language in which art, specifically abstract art, could function as political and social practice. Concrete Cuba, produced on the occasion of the 2015-2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro �lvarez, Wifredo Arcay, Mario Carre�o, Salvador Corratg�, Sand� Dari�, Luis Mart�nez Pedro, Alberto Menocal, Jos� M. Mijares, Pedro de Ora�, Jos� �ngel Rosabal, Lol� Soldevilla, and Rafael Soriano. The catalogue features an extensively researched chronology, compiled by art historian Susanna Temkin, tracking the development of the period artistically and politically from 1939 through 1968. New scholarship by Cuban art specialist Abigail McEwen offers an interpretative framework for this group of painters, and a deeper understanding of the forces behind the development of concretism's Cuban strain. A limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora�. These five unique prints are based on works completed during the height of de Oraa's Concrete period in the 1950s. In contrast to his later works in which forms were modified by expanding and stretching an image taken from an original draft, these works are true to the original drafts created in the 1950s and follow strict principles of Concretism. In keeping with the works from the exhibition Concrete Cuba at David Zwirner in 2015, de Oraa's five limited edition prints remain loyal to the spirit of the decade from which they are inspired.
Author: Abigail McEwen
Publisher: Yale University Press
ISBN: 0300216815
Category : Art
Languages : es
Pages : 273
Get Book Here
Book Description
Following the trajectories of two pioneering artist groups, this groundbreaking book explores the development of abstract art, and its political stakes, in 1950s Cuba.
Author: Victor Deupi
Publisher: Birkhäuser
ISBN: 3035616442
Category : Architecture
Languages : de
Pages : 344
Get Book Here
Book Description
In the 20th century, modern architecture thrived in Cuba and a wealth of buildings was realized prior to the revolution 1959 and in its wake. The designs comprise luxurious nightclubs and stylish hotels, sports facilities, elegant private homes and apartment complexes. Drawing on the vernacular, their architects defined a way to be modern and Cuban at the same time – creating an architecture oscillating between tradition and avantgarde. Audacious concrete shells, curving ramps, elegant brises-soleils and a fluidity of interior and exterior spaces are characteristic of an airy, often colorful architecture well-suited to life in the tropics. New photographs and drawings were specially prepared for this publication. A biographical survey portraits the 40 most important Cuban architects of the era.
Author: Rachel Price
Publisher: Northwestern University Press
ISBN: 0810130130
Category : Literary Criticism
Languages : en
Pages : 286
Get Book Here
Book Description
The Object of the Atlantic is a wide-ranging study of the transition from a concern with sovereignty to a concern with things in Iberian Atlantic literature and art produced between 1868 and 1968. Rachel Price uncovers the surprising ways that concrete aesthetics from Cuba, Brazil, and Spain drew not only on global forms of constructivism but also on a history of empire, slavery, and media technologies from the Atlantic world. Analyzing Jose Marti’s notebooks, Joaquim de Sousandrade’s poetry, Ramiro de Maeztu’s essays on things and on slavery, 1920s Cuban literature on economic restructuring, Ferreira Gullar’s theory of the “non-object,” and neoconcrete art, Price shows that the turn to objects—and from these to new media networks—was rooted in the very philosophies of history that helped form the Atlantic world itself.
Author: Dana Miller
Publisher: Yale University Press
ISBN: 030022186X
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
L'artiste native de Cuba Carmen Herrera (née en 1915) peint depuis plus de sept décennies, mais ce n'est que ces dernières années que la reconnaissance pour son travail a projeté l'artiste vers la notoriété internationale. Ce beau volume offre le premier examen soutenu d'elle, depuis le début de sa carrière en 1948 jusqu'en 1978, et s'étend sur les mondes de l'art de La Havane, de Paris et de New York. Les essais considèrent les premières études de l'artiste à Cuba, son implication dans le Salon des Réalités Nouvelles dans le Paris d'après-guerre et sa sortie révolutionnaire de New York. Puis l'ouvrage situe son travail dans le contexte d'un art d'avant-garde latino-américain plus large. Un essai de Dana Miller considère le travail de New York d'Herrera depuis les années 1950 jusque dans les années 1970, lorsque Herrera arrivait et perfectionnait son style de signature. Des photographies familiales personnelles des archives de Herrera enrichissent le récit, et une chronologie traitant de l'intégralité de sa vie et de sa carrière présente des images documentaires supplémentaires. Plus de quatre-vingts œuvres sont illustrées sous forme de plaques de couleur. Ce livre est la représentation la plus étendue des travaux de Herrera à ce jour. (d'après l'éditeur).
Author: León Ferrari
Publisher: The Museum of Modern Art
ISBN: 9780870707506
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
This exhibition presents new insights into these artists' visual deconstructions of language and examines the connections and collisions among visual art, the word and the social world.
Author: Robert K. Yin
Publisher: Guilford Press
ISBN: 1606239783
Category : Education
Languages : en
Pages : 369
Get Book Here
Book Description
This lively, practical text presents a fresh and comprehensive approach to doing qualitative research. The book offers a unique balance of theory and clear-cut choices for customizing every phase of a qualitative study. A scholarly mix of classic and contemporary studies from multiple disciplines provides compelling, field-based examples of the full range of qualitative approaches. Readers learn about adaptive ways of designing studies, collecting data, analyzing data, and reporting findings. Key aspects of the researcher's craft are addressed, such as fieldwork options, the five phases of data analysis (with and without using computer-based software), and how to incorporate the researcher's “declarative” and “reflective” selves into a final report. Ideal for graduate-level courses, the text includes:* Discussions of ethnography, grounded theory, phenomenology, feminist research, and other approaches.* Instructions for creating a study bank to get a new study started.* End-of-chapter exercises and a semester-long, field-based project.* Quick study boxes, research vignettes, sample studies, and a glossary.* Previews for sections within chapters, and chapter recaps.* Discussion of the place of qualitative research among other social science methods, including mixed methods research.
