Piano Concerto No. 1 in F-Sharp Minor, Opus 1 PDF Download
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Author: Sergei Rachmaninoff
Publisher: Alfred Music
ISBN: 9781457476211
Category : Music
Languages : en
Pages : 88
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Book Description
Expertly arranged piano concerto for piano duet (2 pianos, 4 hands). Includes a short biography of the composer.
Author: Sergei Rachmaninoff
Publisher: Alfred Music
ISBN: 9781457476211
Category : Music
Languages : en
Pages : 88
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Book Description
Expertly arranged piano concerto for piano duet (2 pianos, 4 hands). Includes a short biography of the composer.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1058
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
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Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Author: Antony Hopkins
Publisher: Routledge
ISBN: 0429773706
Category : Music
Languages : en
Pages : 120
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Book Description
First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven’s piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
Author: Stephan D. Lindeman
Publisher: Routledge
ISBN: 1135922055
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Stephan D. Lindeman
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368
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Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1242
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Book Description
Author: Peter J. Schmelz
Publisher: Oxford University Press
ISBN: 0190653736
Category : Music
Languages : en
Pages : 185
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Book Description
Concerto Grosso no. 1 is one of Alfred Schnittke's best-known and most compelling works, sounding the surface of late Soviet life while resonating with contemporary compositional currents around the world such as postmodernism. It marked a decisive point in Schnittke's development of the approach he called polystylism, which aimed to contain in a single composition the wide range of contemporary musical styles, including "jazz, pop, rock, or serial music." Thanks to it and his other similar compositions, Schnittke became one of the most-performed and most-recorded living composers at the end of the twentieth century. Peter J. Schmelz's Alfred Schnittke's Concerto Grosso no. 1 represents the first accessible and comprehensive study of this composition. The novel structure of the book engages with the piece conceptually, historically, musically, and phenomenologically, with the six movements of the composition framing the six chapters. Augmenting and complicating the insights of existing English, Russian, and German publications on the Concerto Grosso no. 1, the book adds new information from underused primary sources, including Schnittke's unpublished correspondence and his many published interviews. It engages further with his sketches for the piece, and with contemporary Soviet musical criticism, resulting in a more objective, historical account of this rich, multifaceted composition, its influences, and its impact on music making in the USSR and worldwide.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 386
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1320
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Book Description
