Concerto in A Minor, Opus 82 PDF Download
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Author: Alexander Glazunov
Publisher: Alfred Music
ISBN: 9781457474538
Category : Music
Languages : en
Pages : 52
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Book Description
A Violin solo with Piano Accompaniment composed by Alexander Glazunov.
Author: Alexander Glazunov
Publisher: Alfred Music
ISBN: 9781457474538
Category : Music
Languages : en
Pages : 52
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Book Description
A Violin solo with Piano Accompaniment composed by Alexander Glazunov.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
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Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author:
Publisher: Alfred Music
ISBN: 9780769278551
Category : Concertos (Violin)
Languages : en
Pages : 0
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Book Description
A Violin solo with Piano Accompaniment composed by Alexander Glazunov.
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Antonín Dvořák
Publisher: Eulenburg
ISBN: 3795714273
Category : Music
Languages : de
Pages : 137
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Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author: Abraham Veinus
Publisher: Courier Corporation
ISBN: 0486211789
Category : Music
Languages : en
Pages : 337
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Book Description
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category :
Languages : en
Pages : 1570
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Book Description
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674372993
Category : Biography & Autobiography
Languages : en
Pages : 1048
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Book Description
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1139501364
Category : Music
Languages : en
Pages : 315
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Book Description
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.
Author: Timothy Cutler
Publisher: Routledge
ISBN: 1351069144
Category : Music
Languages : en
Pages : 428
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Book Description
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
