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Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
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Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
Get Book Here
Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 766
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 764
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Book Description
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 666
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Book Description
Author: Paul Everett
Publisher: Cambridge University Press
ISBN: 9780521406925
Category : Music
Languages : en
Pages : 122
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Book Description
The Four Seasons and the rest of the concertos in Op. 8 represent Vivaldi's remarkable innovation in the field of the Baroque concerto. This detailed guide examines the work's origin and construction in a way that enables the reader to distinguish what is extraordinary about the Seasons and what constitutes the composer's customary method of 'characterising' the solo concerto. Drawing on recent research and his own expertise in the appraisal of Vivaldi's manuscripts, the author draws interesting and sometimes startling conclusions about the conception of the Seasons, the origin of their programme, the dating of the concertos and the rationale behind the collection's ritornello-form structures and aria-like slow movements. The significance of Vivaldi's idiosyncratic art is thus revealed in some of the most popular concert music of all time.
Author: Michael Talbot
Publisher: Oxford University Press, USA
ISBN: 9780198164203
Category : Political Science
Languages : en
Pages : 308
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Book Description
Re-appraisal Michael Talbot looks in detail at Albinoni's output, and, placing the composer in his historical context, argues for a general re-appraisal of his achievement. He provides a detailed review of Albinoni's works according to chronology and genre and includes a discussion of several newly discovered works. Alongside this review is a penetrating analysis of Albinoni's musical style in general, resulting from many years of familiarity with the music. New Information MichaelTalbot also presents new information about Albinoni's unusual life and many interesting details of Venetian background, showing how this very distinctive social and cultural environment left its mark on the composer. Also included is a complete catalogue of Albinoni's works, and a guide to modern editions. About the author Michael Talbot's considerable research into eighteenth-century Italian music has resulted in studies of Vivaldi and Albinoni, scholarly editions of their music and many articles. He is a Fellow of the British Academy.
Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
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Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author: Antonio (COP) Vivaldi
Publisher: Ricordi - Bmg Ricordi
ISBN: 9780634070938
Category : Music
Languages : en
Pages :
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Book Description
Facsimile.
Author: Michael Talbot
Publisher: New York : Garland Pub.
ISBN:
Category : Music
Languages : en
Pages : 264
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Book Description
Author: Colin Timms
Publisher:
ISBN: 0195154738
Category : Biography & Autobiography
Languages : en
Pages : 441
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Book Description
This is the first book to consider all aspects of the life of Agostino Steffani (1654-1728), a composer, diplomat, and bishop. A remarkable figure of the late 17th and early 18th century Europe, Steffani began his career as a composer, musician, and courtier, but his accomplishments brought him high-level positions in the courts of Germany and the Catholic Church. Throughout his diplomatic and ecclesiatical career, Steffani continued to compose chamber music, vocal chamber music, operas, and sacred music--works which inspired Handel and other Baroque composers.
