Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Milton's Comus
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Comus
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Comus
Author: Margaret Hodges
Publisher:
ISBN: 9780823411467
Category : Brothers and sisters
Languages : en
Pages : 0
Book Description
When Alice and her two younger brothers become lost in the woods, the children separate, and Alice is captured by an evil magician named Comus.
Publisher:
ISBN: 9780823411467
Category : Brothers and sisters
Languages : en
Pages : 0
Book Description
When Alice and her two younger brothers become lost in the woods, the children separate, and Alice is captured by an evil magician named Comus.
Comus a Mask by John Milton
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
The Satanic Epic
Author: Neil Forsyth
Publisher: Princeton University Press
ISBN: 9780691113395
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
Publisher: Princeton University Press
ISBN: 9780691113395
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
The Miltonic Moment
Author: J. Martin Evans
Publisher: University Press of Kentucky
ISBN: 9780813170152
Category : History
Languages : en
Pages : 204
Book Description
Milton's poems invariably depict the decisive instant in a story, a moment of crisis that takes place just before the action undergoes a dramatic change of course. Such instants look backward to a past that is about to be superseded or repudiated and forward, at the same time, to a future that will immediately begin to unfold. Martin Evans identifies this moment of transition as "the Miltonic Moment." This provocative new study focuses primarily on three of Milton's best known early poems: "On the Morning of Christ's Nativity," "A Mask Presented at Ludlow Castle (Comus)," and "Lycidas." These texts share a distinctive perceptual and cognitive structure, which Evans defines as characteristically Miltonic, embracing a single moment that is both ending and beginning. The poems communicate a profound sense of intermediacy because they seem to take place between the boundaries that separate events. The works illuniated here, which also include Samson Agonistes and Paradise Regained, are all about transition from one form to another: from paganism to Christianity, from youthful inexperience to moral maturity, and from pastoral retirement to heroic engagement. This transformation is often ideological as well as historical or biographical. Evans shows that the moment of transition is characteristic of all Milton's poetry, and he proposes a new way of reading one of the seminal writers of the seventeenth century. Evans concludes that the narrative reversals in Milton's poetry suggest his constant attempts to bring about an intellectual revolution that, at a time of religious and political change in England, would transform an age.
Publisher: University Press of Kentucky
ISBN: 9780813170152
Category : History
Languages : en
Pages : 204
Book Description
Milton's poems invariably depict the decisive instant in a story, a moment of crisis that takes place just before the action undergoes a dramatic change of course. Such instants look backward to a past that is about to be superseded or repudiated and forward, at the same time, to a future that will immediately begin to unfold. Martin Evans identifies this moment of transition as "the Miltonic Moment." This provocative new study focuses primarily on three of Milton's best known early poems: "On the Morning of Christ's Nativity," "A Mask Presented at Ludlow Castle (Comus)," and "Lycidas." These texts share a distinctive perceptual and cognitive structure, which Evans defines as characteristically Miltonic, embracing a single moment that is both ending and beginning. The poems communicate a profound sense of intermediacy because they seem to take place between the boundaries that separate events. The works illuniated here, which also include Samson Agonistes and Paradise Regained, are all about transition from one form to another: from paganism to Christianity, from youthful inexperience to moral maturity, and from pastoral retirement to heroic engagement. This transformation is often ideological as well as historical or biographical. Evans shows that the moment of transition is characteristic of all Milton's poetry, and he proposes a new way of reading one of the seminal writers of the seventeenth century. Evans concludes that the narrative reversals in Milton's poetry suggest his constant attempts to bring about an intellectual revolution that, at a time of religious and political change in England, would transform an age.
Paradise Lost
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
Blake's Vision of the Poetry of Milton
Author: Bette Charlene Werner
Publisher: Bucknell University Press
ISBN: 9780838750841
Category : Art
Languages : en
Pages : 328
Book Description
William Blake's series of interpretive illustrations to six poems by John Milton represent Blake's rethinking of Milton's themes. The author insists upon the integrity of the separate series and investigates the distinctive properties of each. Illustrated.
Publisher: Bucknell University Press
ISBN: 9780838750841
Category : Art
Languages : en
Pages : 328
Book Description
William Blake's series of interpretive illustrations to six poems by John Milton represent Blake's rethinking of Milton's themes. The author insists upon the integrity of the separate series and investigates the distinctive properties of each. Illustrated.
Lady in the Labyrinth
Author: William Shullenberger
Publisher: Associated University Presse
ISBN: 9780838641743
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
The book's study of Milton's identification with his female hero, and his advocacy of women's ethical, sexual, and political autonomy, gives a jolt to ongoing debates about Milton and feminism"--Book jacket
Publisher: Associated University Presse
ISBN: 9780838641743
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
The book's study of Milton's identification with his female hero, and his advocacy of women's ethical, sexual, and political autonomy, gives a jolt to ongoing debates about Milton and feminism"--Book jacket
Milton and the Post-Secular Present
Author: Feisal Mohamed
Publisher: Stanford University Press
ISBN: 0804780730
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Our post-secular present, argues Feisal Mohamed, has much to learn from our pre-secular past. Through a consideration of poet and polemicist John Milton, this book explores current post-secularity, an emerging category that it seeks to clarify and critique. It examines ethical and political engagement grounded in belief, with particular reference to the thought of Alain Badiou, Jacques Derrida, Jürgen Habermas, and Gayatri C. Spivak. Taken to an extreme, such engagement produces the cult of the suicide bomber. But the suicide bomber has also served as a convenient bogey for those wishing to distract us from the violence in Western and Christian traditions and for those who would dismiss too easily the vigorous iconoclasm that belief can produce. More than any other poet, Milton alerts us to both anti-humane and liberationist aspects of belief and shows us relevant dynamics of language by which such commitment finds expression.
Publisher: Stanford University Press
ISBN: 0804780730
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Our post-secular present, argues Feisal Mohamed, has much to learn from our pre-secular past. Through a consideration of poet and polemicist John Milton, this book explores current post-secularity, an emerging category that it seeks to clarify and critique. It examines ethical and political engagement grounded in belief, with particular reference to the thought of Alain Badiou, Jacques Derrida, Jürgen Habermas, and Gayatri C. Spivak. Taken to an extreme, such engagement produces the cult of the suicide bomber. But the suicide bomber has also served as a convenient bogey for those wishing to distract us from the violence in Western and Christian traditions and for those who would dismiss too easily the vigorous iconoclasm that belief can produce. More than any other poet, Milton alerts us to both anti-humane and liberationist aspects of belief and shows us relevant dynamics of language by which such commitment finds expression.