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Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 594
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Book Description
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
Author: Ellis Kirkham Waterhouse
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
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Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1026
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Book Description
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
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Book Description
Author: MarkA. Cheetham
Publisher: Routledge
ISBN: 1351575228
Category : Art
Languages : en
Pages : 319
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Book Description
Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.
Author: Mark Hallett
Publisher: Royal Academy Editions
ISBN: 9781910350706
Category : Art, British
Languages : en
Pages : 224
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Book Description
The Royal Academy's Summer Exhibition is the world's longest running annual display of contemporary art, and one of its largest. Ever since 1769 the Academy's exhibition rooms have been crowded for some two months each year with thousands of paintings and sculptures by many of Britain's leading artists. These spectacular displays have provided artists with crucial competition, inspiration and publicity, and captured the interest of millions of visitors. The Great Spectacle takes the reader on a fascinating journey to tell the story of these exhibitions. Many treasured works of British art were first shown on the walls of the RA: portraits by Reynolds and Gainsborough, the mighty landscapes of Turner and Constable, and the Pre-Raphaelites, who caused such a critical and cultural furore. The chapter on the twentieth century will reveal the RA's relationship with British modernism, right up to the 2018 Summer Exhibition, which will be coordinated by Grayson Perry CBE RA. AUTHOR: Professor Mark Hallett is Director of Studies at the Paul Mellon Centre for Studies in British Art and author of Reynolds, Portraiture in Action (2014). Dr Sarah Victoria Turner is Assistant Director for Research at the Paul Mellon Centre for Studies in British Art. SELLING POINTS: * A fascinating study of the longest-running annual exhibition of contemporary art, the Royal Academy of Arts Summer Exhibition, illustrated with works by many of the great names of British art including Joshua Reynolds, Thomas Gainsborough, J. M. W. Turner, John Constable, David Hockney, Grayson Perry and Tracey Emin * Accompanies an exhibition at the Royal Academy of Arts from 12 June to 19 August 2018 200 colour images
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 996
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Book Description
Author: Erika Michael
Publisher: Routledge
ISBN: 1136781137
Category : Music
Languages : en
Pages : 778
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Book Description
In this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.The first part of the book, "Some Notes on Reception," contains overviews of texts about
Author: Susan Sinclair
Publisher: BRILL
ISBN: 9047412079
Category : Social Science
Languages : en
Pages : 1508
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Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Author: Robert Bickers
Publisher: Manchester University Press
ISBN: 1526119609
Category : History
Languages : en
Pages : 289
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Book Description
This is a study of Britain's presence in China both at its peak, and during its inter-war dissolution in the face of assertive Chinese nationalism and declining British diplomatic support. Using archival materials from China and records in Britain and the United States, the author paints a portrait of the traders, missionaries, businessmen, diplomats and settlers who constituted "Britain-in-China", challenging our understanding of British imperialism there. Bickers argues that the British presence in China was dominated by urban settlers whose primary allegiance lay not with any grand imperial design, but with their own communities and precarious livelihoods. This brought them into conflict not only with the Chinese population, but with the British imperial government. The book also analyzes the formation and maintenance of settler identities, and then investigates how the British state and its allies brought an end to the reign of freelance, settler imperialism on the China coast. At the same time, other British sectors, missionary and business, renegotiated their own relationship with their Chinese markets and the Chinese state and distanced themselves from the settler British.
