Comic Book History of Comics: Birth of a Medium PDF Download
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Author: Fred Van Lente
Publisher: IDW Publishing
ISBN: 1684062764
Category : Comics & Graphic Novels
Languages : en
Pages : 160
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Book Description
The inspiring, infuriating, and utterly insane story of comics, graphic novels, and manga is presented in comic book form! The award-winning Action Philosophers team of Fred Van Lente and Ryan Dunlavey turn their irreverent-but-accurate eye to the stories of Jack Kirby, R. Crumb, Harvey Kurtzman, Stan Lee, Will Eisner, Fredric Wertham, Roy Lichtenstein, and more! Reprinting the classic series in bold new color!
Author: Fred Van Lente
Publisher: IDW Publishing
ISBN: 1684062764
Category : Comics & Graphic Novels
Languages : en
Pages : 160
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Book Description
The inspiring, infuriating, and utterly insane story of comics, graphic novels, and manga is presented in comic book form! The award-winning Action Philosophers team of Fred Van Lente and Ryan Dunlavey turn their irreverent-but-accurate eye to the stories of Jack Kirby, R. Crumb, Harvey Kurtzman, Stan Lee, Will Eisner, Fredric Wertham, Roy Lichtenstein, and more! Reprinting the classic series in bold new color!
Author: Fred Van Lente
Publisher: IDW Publishing
ISBN: 1684065038
Category : Comics & Graphic Novels
Languages : en
Pages : 107
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Book Description
At last! The amazing, inspiring story of the comics medium in comics form goes global! In this volume, Fred and Ryan tackle the origins of Japanese manga, French graphic albums, the British Invasion of the American scene, the battle for creators' rights in the US, and how comics have invaded cyberspace and Hollywood! Plus: the Her-Story of Comics continues, and we spotlight other countries' funnybooks across five continents! The Comic Book History of Comics goes wherever comics go--which is everywhere!
Author: Sam Cowling
Publisher: Bloomsbury Publishing
ISBN: 1350098485
Category : Philosophy
Languages : en
Pages : 377
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Book Description
What exactly are comics? Can they be art, literature, or even pornography? How should we understand the characters, stories, and genres that shape them? Thinking about comics raises a bewildering range of questions about representation, narrative, and value. Philosophy of Comics is an introduction to these philosophical questions. In exploring the history and variety of the comics medium, Sam Cowling and Wesley D. Cray chart a path through the emerging field of the philosophy of comics. Drawing from a diverse range of forms and genres and informed by case studies of classic comics such as Watchmen, Tales from the Crypt, and Fun Home, Cowling and Cray explore ethical, aesthetic, and ontological puzzles, including: - What does it take to create-or destroy-a fictional character like Superman? - Can all comics be adapted into films, or are some comics impossible to adapt? - Is there really a genre of “superhero comics”? - When are comics obscene, pornographic, and why does it matter? At a time of rapidly growing interest in graphic storytelling, this is an ideal introduction to the philosophy of comics and some of its most central and puzzling questions.
Author: Fred Van Lente
Publisher: IDW Publishing
ISBN: 9781613771976
Category : Caricatures and cartoons
Languages : en
Pages : 0
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Book Description
For the first time ever, the inspiring, infuriating, and utterly insane story of comics, graphic novels, and manga is presented in comic book form The award-winning Action Philosophers team of Fred Van Lente and Ryan Dunlavey turn their irreverent-but-accurate eye to the stories of Jack Kirby, R. Crumb, Harvey Kurtzman, Alan Moore, Stan Lee, Will Eisner, Fredric Wertham, Roy Lichtenstein, Art Spiegelman, Herg , Osamu Tezuka -- and more
Author: Fred Van Lente
Publisher: IDW Publishing
ISBN: 1684065038
Category : Comics & Graphic Novels
Languages : en
Pages : 107
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Book Description
At last! The amazing, inspiring story of the comics medium in comics form goes global! In this volume, Fred and Ryan tackle the origins of Japanese manga, French graphic albums, the British Invasion of the American scene, the battle for creators' rights in the US, and how comics have invaded cyberspace and Hollywood! Plus: the Her-Story of Comics continues, and we spotlight other countries' funnybooks across five continents! The Comic Book History of Comics goes wherever comics go--which is everywhere!
Author: Randy Duncan
Publisher: Bloomsbury Publishing USA
ISBN: 144115924X
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
A comprehensive introduction to the comic arts From the introduction by Paul Levitz "If ever there was a medium characterized by its unexamined self-expression, it's comics. For decades after the medium's birth, it was free of organized critical analysis, its creators generally disinclined to self-analysis or formal documentation. The average reader didn't know who created the comics, how or why . . . and except for a uniquely destructive period during America's witch-hunting of the 1950s, didn't seem to care. As the medium has matured, however, and the creativity of comics began to touch the mainstream of popular culture in many ways, curiosity followed, leading to journalism and eventually, scholarship, and so here we are." The Power of Comics is the first introductory textbook for comic art studies courses. Lending a broader understanding of the medium and its communication potential, it provides students with a coherent and comprehensive explanation of comic books and graphic novels, including coverage of their history and their communication techniques, research into their meanings and effects and an overview of industry practices and fan culture. Co-authors randy Duncan and Matthew J. Smith draw on their own years of experience teaching comics studies courses and the scholarly literature across several disciplines to create a text with the following features: Discussion questions for each chapter Activities to engage readers Recommended reading suggestions Over 150 illustrations Bibliography Glossary The Power of Comics deals exclusively with comic books and graphic novels. One reason for this focus is that no one text can hope to do justice to both strips and books; there is simply too much to cover. Preference is given to comic books because in their longer form, the graphic novel, they have the greatest potential for depth and complexity of expression. As comic strips shrink in size and become more inane in content, comic books are becoming a serious art form.
Author: Tyler Weaver
Publisher: Taylor & Francis
ISBN: 1136145745
Category : Computers
Languages : en
Pages : 289
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Book Description
In recent years, a new market of convergence culture has developed. In this new market, one story, idea, concept, or product can be produced, distributed, appreciated, and understood by customers in a variety of different media. We are at the tipping point of this new convergence culture, and comics is a key area affected by this emerging model. In Comics for Film, Games, and Animation Tyler Weaver teaches you how to integrate comics storytelling into your own work by exploring their past, present, and future. You will explore the creation of the unique mythologies that have endured for more than seventy years, and dig into the nitty gritty of their creation, from pacing and scripting issues to collaboration. Finally, you'll gain a love and appreciation of the medium of comics, so much so that you won't be able to wait to bring that medium into your story toolbox.
Author: Lukas Etter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110693798
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Distinctive Styles and Authorship in Alternative Comics addresses the benefits and limits of analyses of style in alternative comics. It offers three close readings of works serially published between 1980 and 2018 – Art Spiegelman’s Maus, Alison Bechdel’s Dykes to Watch Out For, and Jason Lutes’ Berlin – and discusses how artistic style may influence the ways in which readers construct authorship.
Author: Matthew Smith
Publisher: Routledge
ISBN: 1317505786
Category : Social Science
Languages : en
Pages : 626
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Book Description
In The Secret Origins of Comics Studies, today’s leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. Edited by comics scholars Matthew J. Smith and Randy Duncan, this collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past 75 years. From Coulton Waugh to Wolfgang Fuchs, these influential historians, educators, and theorists produced the foundational work and built the institutions that inspired the recent surge in scholarly work in this dynamic, interdisciplinary field. Sometimes scorned, often underappreciated, these visionaries established a path followed by subsequent generations of scholars in literary studies, communication, art history, the social sciences, and more. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of Comics Studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review.
Author: Cord A Scott
Publisher: Naval Institute Press
ISBN: 1612514782
Category : History
Languages : en
Pages : 214
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Book Description
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
