Comic Acting and Portraiture in Late-Georgian and Regency England PDF Download
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Author: Jim Davis
Publisher: Cambridge University Press
ISBN: 1107098858
Category : Art
Languages : en
Pages : 291
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Book Description
An original study of the relationship between comic acting and the visual arts in late-Georgian and Regency England.
Author: Jim Davis
Publisher: Cambridge University Press
ISBN: 1107098858
Category : Art
Languages : en
Pages : 291
Get Book Here
Book Description
An original study of the relationship between comic acting and the visual arts in late-Georgian and Regency England.
Author: Jim Davis
Publisher: Cambridge University Press
ISBN: 131643236X
Category : Drama
Languages : en
Pages : 291
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Book Description
The popularity of the comic performers of late-Georgian and Regency England and their frequent depiction in portraits, caricatures and prints is beyond dispute, yet until now little has been written on the subject. In this unique study Jim Davis considers the representation of English low comic actors, such as Joseph Munden, John Liston, Charles Mathews and John Emery, in the visual arts of the period, the ways in which such representations became part of the visual culture of their time, and the impact of visual representation and art theory on prose descriptions of comic actors. Davis reveals how many of the actors discussed also exhibited or collected paintings and used painterly techniques to evoke the world around them. Drawing particularly on the influence of Hogarth and Wilkie, he goes on to examine portraiture as critique and what the actors themselves represented in terms of notions of national and regional identity.
Author: Oskar Cox Jensen
Publisher: Oxford University Press
ISBN: 0198812426
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
This volume examines Charles Dibdin's extraordinarily wide-ranging career as an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author, and offers fresh insights into late Georgian culture, society, and politics.
Author: Chris Mounsey
Publisher: Routledge
ISBN: 1000734706
Category : History
Languages : en
Pages : 249
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Book Description
Bodies of Information initiates the Routledge Advances in the History of Bioethics series by encompassing interdisciplinary Bioethical discussions on a wide range of descriptions of bodies in relation to their contexts from varying perspectives: including literary analysis, sociology, criminology, anthropology, osteology and cultural studies, to read a variety of types of artefacts, from the Romano-British period to Hip Hop. Van Rensselaer Potter coined the phrase Global Bioethics to define human relationships with their contexts. This and subsequent volumes return to Potter’s founding vision from historical perspectives, and asks, how did we get here from then?
Author: Oskar Cox Jensen
Publisher: Cambridge University Press
ISBN: 1108830560
Category : History
Languages : en
Pages : 299
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Book Description
An in-depth study of the nineteenth-century London ballad-singer, a central figure in British cultural, social and political life.
Author: Matthew Kaiser
Publisher: Bloomsbury Publishing
ISBN: 1350187801
Category : History
Languages : en
Pages : 273
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Book Description
Drawing together contributions from scholars in a range of fields within 19th- and 20th-century cultural, literary, and theater studies, this volume provides a thorough and varied overview of the many forms comedy took in the 19th century. Given the earth-shattering cultural changes and political events that mark the decades between 1800 and 1920-shifting borders, socioeconomic upheaval, scientific and technological innovation, the rise of consumerism and mass culture, unprecedented overseas expansion by European and American imperial powers-it is no wonder that people in the Age of Empire turned to comedy in order to make sense of the contradictions that structure modern identity and navigate the sociocultural fault lines within modern life. Comical, humorous, and satirical cultural artifacts from the period capture the anxieties and aspirations, the petty resentments and lofty ideals, of a world buffeted by change. This volume explores the aesthetic, political, and ethical dimensions of comedy in the context of blackface minstrelsy, nonsense poetry, music hall and pantomime, comic almanacs and joke books, journalism, silent film, popular novels, and hygiene magazines, among other phenomena. It also provides a detailed account of contentious debates among social Darwinists, psychoanalysts, and political philosophers about the meaning and significance of comedy and laughter to human life. Each chapter takes a different theme as its focus: form, theory, praxis, identity, the body, politics and power, laughter, and ethics. These eight divergent approaches to comedy in the Age of Empire add up to an extensive, synoptic coverage of the subject.
Author: Marlis Schweitzer
Publisher: University of Iowa Press
ISBN: 1609387368
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Bloody Tyrants and Little Pickles traces the theatrical repertoire of a small group of white Anglo-American actresses as they reshaped the meanings of girlhood in Britain, North America, and the British West Indies during the first half of the nineteenth century. It is a study of the possibilities and the problems girl performers presented as they adopted the manners and clothing of boys, entered spaces intended for adults, and assumed characters written for men. It asks why masculine roles like Young Norval, Richard III, Little Pickle, and Shylock came to seem “normal” and “natural” for young white girls to play, and it considers how playwrights, managers, critics, and audiences sought to contain or fix the at-times dangerous plasticity they exhibited both on and off the stage. Schweitzer analyzes the formation of a distinct repertoire for girls in the first half of the nineteenth century, which delighted in precocity and playfulness and offered up a model of girlhood that was similarly joyful and fluid. This evolving repertoire reflected shifting perspectives on girls’ place within Anglo-American society, including where and how they should behave, and which girls had the right to appear at all.
Author: Diane Piccitto
Publisher: University of Michigan Press
ISBN: 0472129767
Category : Performing Arts
Languages : en
Pages : 397
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Book Description
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Author: Robert Morrison
Publisher: W. W. Norton & Company
ISBN: 0393249069
Category : History
Languages : en
Pages : 354
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Book Description
An Economist History Book of the Year “Elegant, entertaining and frequently surprising.” —Miranda Seymour, New York Times Book Review The Victorians are often credited with ushering in our current era, yet the seeds of change were planted during the earlier Regency period (1811–1820) when the profligate Prince of Wales—the future king George IV—succeeded his father. Around the Prince Regent surged a society of contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. Capturing the Napoleonic Wars, the rise of artists—the Shelleys, Austen, Keats, Byron, Turner—scientists and inventors—Stevenson, Davy, Faraday—and a cast of dissident journalists, military leaders, and fashionistas, Robert Morrison captivatingly illuminates the ways this period shaped the modern world.
Author: Caroline Stevenson
Publisher: ANU Press
ISBN: 1760464090
Category : History
Languages : en
Pages : 404
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Book Description
Lord Amherst’s diplomatic mission to the Qing Court in 1816 was the second British embassy to China. The first led by Lord Macartney in 1793 had failed to achieve its goals. It was thought that Amherst had better prospects of success, but the intense diplomatic encounter that greeted his arrival ended badly. Amherst never appeared before the Jiaqing emperor and his embassy was expelled from Peking on the day it arrived. Historians have blamed Amherst for this outcome, citing his over-reliance on the advice of his Second Commissioner, Sir George Thomas Staunton, not to kowtow before the emperor. Detailed analysis of British sources reveal that Amherst was well informed on the kowtow issue and made his own decision for which he took full responsibility. Success was always unlikely because of irreconcilable differences in approach. China’s conduct of foreign relations based on the tributary system required submission to the emperor, thus relegating all foreign emissaries and the rulers they represented to vassal status, whereas British diplomatic practice was centred on negotiation and Westphalian principles of equality between nations. The Amherst embassy’s failure revised British assessments of China and led some observers to believe that force, rather than diplomacy, might be required in future to achieve British goals. The Opium War of 1840 that followed set a precedent for foreign interference in China, resulting in a century of ‘humiliation’. This resonates today in President Xi Jinping’s call for ‘National Rejuvenation’ to restore China’s historic place at the centre of a new Sino-centric global order.
