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Author: Maurice Charney
Publisher: New York : Oxford University Press
ISBN:
Category : Comedy
Languages : en
Pages : 240
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Book Description
Author: Maurice Charney
Publisher: New York : Oxford University Press
ISBN:
Category : Comedy
Languages : en
Pages : 240
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Book Description
Author: Evan Keliher
Publisher: Evan Keliher
ISBN:
Category : Public schools
Languages : en
Pages : 184
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Book Description
Author: Steve Vineberg
Publisher: Rowman & Littlefield
ISBN: 9780742526341
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
High Comedy in American Movies explores the 'comedy of manners' film throughout the twentieth century, from the advent of movie sound to recent films, and shows how class comedy's inside view of the aristocratic lifestyle has been influenced by the culture and times in which the movies are produced. Outlining the conventions of class comedy, Steve Vineberg discusses its British roots and analyzes how many American filmmakers have modified the genre, creating a distinctly American approach to class. Easily accessible, High Comedy in American Movies makes an engaging supplement to courses in American film, film genre, and film studies.
Author: Maurice Charney
Publisher: New York : Oxford University Press
ISBN:
Category : Humor
Languages : en
Pages : 230
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Book Description
Author: Marsh Cassady
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 344
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Book Description
Twenty-two one-act plays and sketches demonstrating comedy techniques. Comedy relies upon exaggeration incongruity, automatism, character inconsistency, surprise and derision. Now a book that defines and demonstrates each of these devices with twenty-two short sketches and one-act plays.
Author: H.A. Kelly
Publisher: Wipf and Stock Publishers
ISBN: 1725209608
Category : History
Languages : en
Pages : 146
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Book Description
In this study, Professor Kelly analyzes Dante's understanding of the meanings of tragedy and comedy in his undisputed works, especially the 'De vulgari eloquentia' and the 'Comedia'. He finds that Dante's criteria concerned subject-matter and style, not emotions like happiness and sorrow, or plot movement from one mood to another, or humor or the lack of it. He considered Vergil's 'Aeneid' and his own lyric poems to be tragedies because of their sublime subjects and their use of elevated style and vocabulary. He considered the 'Inferno', along with the 'Purgatorio' and the 'Paradiso', to be a comedy because of the range of subjects and styles. Dante's commentators, in contrast, tended to have a plot-based understanding of these genres, and they attributed similar views to Dante himself. On the basis of both content and style, Kelly concludes that the 'Epistle to Cangrande' is not by Dante, except possibly for the first three paragraphs, and therefore ascribes it to Pseudo-Dante. It was not compiled as we have it until the last quarter of the fourteenth century, but it incorporated an earlier anonymous 'accessus' to the 'Comedia'. This 'accessus' drew heavily on Guido da Pisa's commentary, and it in turn was used by Boccaccio.
Author: Vickie B. Sullivan
Publisher: Yale University Press
ISBN: 9780300087970
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
The Italian statesman and political theorist Niccolo Machiavelli wrote not only political tracts but also comedies, poems, fables and letters that are seemingly lighthearted. The contributors to this volume explore the meanings of his works.
Author: Paul Beatty
Publisher: Farrar, Straus and Giroux
ISBN: 0374712247
Category : Fiction
Languages : en
Pages : 305
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Book Description
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
Author: Jan Hokenson
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640968
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
"Disengaging unstated premises to show how the theoretical discourse about comedy often enacts the intellectual disputes of its time, The idea of comedy tracks the history of comic theories along two principal axes. The first is historical, showing how the Hellenistic ethical conception devolves into social superiority and then into populist assertions, enidng on the question of whether contemporary comic theory is still populist today." "The second axis is conceptual, sorting theories by types of agreement and dispute. Whether comedy improves the citizens or threatens political instability, whether it insults or enacts moral standards, whether it serves God and the integrated superego or the devil and the anarchic id, are some of the questions addressed by theroists such as Cicero, Maggi, Dryden, Kant, Schopenhauer, Baudelaire, Nietzsche, Freud, Lacan, and Genette." -book jacket.
Author: Henri Bergson
Publisher: Doubleday
ISBN: 0307830772
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Henri Bergson — Laughter George Meredith — An Essay on Comedy Introduction & Appendix on The Meanings of Comedy by Wylie Sypher Laughter is a mystery—a mystery which defines man. Brought together in this volume are two classic studies of the nature of laughter and comedy. The great French philosopher Henri Bergson develops, in "Laughter," a profound psychological and philisophic theory of the main springs of comedy—a theory closely related to the doctrine of the élan vital. In his "Essay on Comedy," the English novelist George Meredith discusses the varieties of the comic experience and the social and moral function of comedy. Together these two major theories go far toward clarifying the mystery of laughter. Wylie Sypher, in his richly documented supplementary essay, places the views of Bergson and Meredith in a large context of speculation on the nature of comedy. The essay reviews important statements of such thinkers as Aristotle, Hobbes, Baudelaire, Freud, Cornford, and others. It serves to give further significance to Bergson and Meredith and to the meaning of comedy itself.
