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Author: Giuseppe Angelo Colini
Publisher:
ISBN:
Category :
Languages : it
Pages : 38
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Book Description
Author: Giuseppe Angelo Colini
Publisher:
ISBN:
Category :
Languages : it
Pages : 38
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Author: National Agricultural Library (U.S.)
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 954
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Book Description
Author: Guido Abbattista
Publisher: Taylor & Francis
ISBN: 1003838391
Category : History
Languages : en
Pages : 475
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Book Description
Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term, studying analogies and differences in precedents as far back as the early modern age. The research, which seeks to go beyond the simplistic concept of "human zoos," intends to highlight the intentions, assumptions, and mechanisms of realization of the exhibitions of exotic living humans and the reactions from both the exhibited subjects and the public, exploiting a wide variety of heterogeneous sources capable of bringing out a kind of widespread popular ethno-anthropological ideas and the elements of racism contained in it. The book contributes to the understanding of Western mindsets and attitudes towards human diversity as they emerge from mass spectacular events that have over time become an international business. The present edition refers to the second Italian edition, containing an update discussing studies on the subject that have appeared between 2013 and 2021. Ethnic Expositions in Italy intends to fill a historiographical gap and to align Italian historiographies with European ones, which have long since come to terms with this legacy of the past and have explored its various historical manifestations in depth. This book is an excellent source for researchers and students alike, as well as those interested in the mechanisms that have helped shape European ideas and sensibilities on race and ethno-anthropological diversity.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Author: David Murray
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 356
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Book Description
Author: Claire Derriks
Publisher: Lockwood Press
ISBN: 1937040615
Category : Art
Languages : en
Pages : 291
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Book Description
Conflicts and wars, and more specifically the 2011 Revolution in Egypt, have brought to light the worrying question of the preservation of the cultural heritage in the world. The role of museums and international institutions have become ever more important in this respect. Recognizing that cultural treasures can form the basis for education and economic prosperity, the organizers devoted the 29th Annual Meeting of ICOM's International Committee for Egyptology (CIPEG) to the theme of "Collections at Risk: New Challenges in a New Environment." The present volume contains several of the papers read during those sessions in Brussels in 2012, and gives a clear example of the multifarious paths that lay open to obtaining the objective of preserving the past for the future.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993216
Category : Art
Languages : en
Pages : 262
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Book Description
Nearly three hundred illustrations and a text reveal the entire range of the Vatican's artistic holdings, replete with priceless masterworks from all periods.
Author: Andrew D. Turner
Publisher: Getty Publications
ISBN: 1606068733
Category : Art
Languages : en
Pages : 354
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Book Description
The untold chronicles of the looting and collecting of ancient Mesoamerican objects. This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international museum collections, the contributors analyze the ways shifting patterns of collecting and taste—including how pre-Hispanic objects changed from being viewed as anthropological and scientific curiosities to collectible artworks—have shaped modern academic disciplines as well as public, private, institutional, and nationalistic attitudes toward Mesoamerican art. As many nations across the world demand the return of their cultural patrimony and ancestral heritage, it is essential to examine the historical processes, events, and actors that initially removed so many objects from their countries of origin.
Author: Arni Brownstone
Publisher: University of Oklahoma Press
ISBN: 0806194286
Category : Art
Languages : en
Pages : 299
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Book Description
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.
