Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 9
Book Description
Collection of Mr and Mrs Henry Pearlman and the Henry and Rose Pearlman Foundation
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 9
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 9
Book Description
An Exhibition of Paintings, Watercolors, Sculpture and Drawings from the Collection of Mr. and Mrs. Henry Pearlman and Henry and Rose Pearlman Foundation
Author: Henry and Rose Pearlman Foundation
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation
Author:
Publisher:
ISBN:
Category : Painting, European
Languages : en
Pages : 9
Book Description
Publisher:
ISBN:
Category : Painting, European
Languages : en
Pages : 9
Book Description
An Exhibition of Paintings, Watercolors, Sculptures and Drawings from the Collection of Mr. and Mrs. Henry Pearlman and Henry and Rose Pearlman Foundation
Author: Linda S. Ferber
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
An Exhibition of Paintings, Watercolors, Sculpture and Drawings from the Collection of Mr. and Mrs. Henry Pearlman and Henry and Rose Pearlman Foundation
Author: Brooklyn Museum (Nova Iorque, Estados Unidos)
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
An Exhibition of Paintings, Watercolors, Sculpture and Drawings from the Collection of Mr. and Mrs. Henry Pearlman and Henry and Rose Pearlman Foundation
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
An Exhibition of Paintings, Watercolors, Sculpture, and Drawings from the Collection of Mr. and Mrs. Henry Pearlman, and Henry and Rose Pearlman Foundation, [May 22-Sept. 29, 1974
Author: Brooklyn Museum
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 158
Book Description
Summer Loan 1971
Author: Henry Pearlman
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 9
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 9
Book Description
The Henry Pearlman Collection
Author: Brooklyn Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Deaccessioning and Its Discontents
Author: Martin Gammon
Publisher: MIT Press
ISBN: 0262037580
Category : Art
Languages : en
Pages : 445
Book Description
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.
Publisher: MIT Press
ISBN: 0262037580
Category : Art
Languages : en
Pages : 445
Book Description
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.