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Author: Ann C. Colley
Publisher: Cambridge University Press
ISBN: 1009271725
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
When Coleridge described the landscapes he passed through while scrambling among the fells, mountains, and valleys of Britain, he did something unprecedented in Romantic writing: to capture what emerged before his eyes, he enlisted a geometric idiom. Immersed in a culture still beholden to Euclid's Elements and schooled by those who subscribed to its principles, he valued geometry both for its pragmatic function and for its role as a conduit to abstract thought. Indeed, his geometric training would often structure his observations on religion, aesthetics, politics, and philosophy. For Coleridge, however, this perspective never competed with his sensitivity to the organic nature of his surroundings but, rather, intermingled with it. Situating Coleridge's remarkable ways of seeing within the history and teaching of mathematics and alongside the eighteenth century's budding interest in non-Euclidean geometry, Ann Colley illuminates the richness of the culture of walking and the surprising potential of landscape writing.
Author: Ann C. Colley
Publisher: Cambridge University Press
ISBN: 1009271725
Category : Literary Criticism
Languages : en
Pages : 215
Get Book Here
Book Description
When Coleridge described the landscapes he passed through while scrambling among the fells, mountains, and valleys of Britain, he did something unprecedented in Romantic writing: to capture what emerged before his eyes, he enlisted a geometric idiom. Immersed in a culture still beholden to Euclid's Elements and schooled by those who subscribed to its principles, he valued geometry both for its pragmatic function and for its role as a conduit to abstract thought. Indeed, his geometric training would often structure his observations on religion, aesthetics, politics, and philosophy. For Coleridge, however, this perspective never competed with his sensitivity to the organic nature of his surroundings but, rather, intermingled with it. Situating Coleridge's remarkable ways of seeing within the history and teaching of mathematics and alongside the eighteenth century's budding interest in non-Euclidean geometry, Ann Colley illuminates the richness of the culture of walking and the surprising potential of landscape writing.
Author: Ann C. Colley
Publisher:
ISBN: 9781009271745
Category : Geometry in literature
Languages : en
Pages : 0
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Book Description
"When Coleridge described the landscapes he passed through while scrambling among the fells, mountains, and valleys of Britain, he did something unprecedented in Romantic writing: to capture what emerged before his eyes, he enlisted a geometric idiom. Immersed in a culture still beholden to Euclid's Elements and schooled by those who subscribed to its principles, he valued geometry both for its pragmatic function and for its role as a conduit to abstract thought. Indeed, his geometric training would often structure his observations on religion, aesthetics, politics, and philosophy. For Coleridge, however, this perspective never competed with his sensitivity to the organic nature of his surroundings but, rather, intermingled with it. Situating Coleridge's remarkable ways of seeing within the history and teaching of mathematics and alongside the eighteenth century's budding interest in non-Euclidean geometry, Ann Colley illuminates the richness of the culture of walking and the surprising potential of landscape writing"--
Author: Philip Shaw
Publisher: Cambridge University Press
ISBN: 1009363182
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
A rich, illuminating study of how Wordsworth's late poetry reflects his lifelong engagement with the poetics and politics of peace.
Author: John Havard
Publisher: Cambridge University Press
ISBN: 1009289179
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
In the late Romantic age, demands for political change converged with thinking about the end of the world. This book examines writings by Lord Byron, Mary Shelley and their circle that imagined the end, from poems by Byron that pictured fallen empires, sinking islands, and dying stars to the making and unmaking of populations in Frankenstein and The Last Man. These works intersected with and enclosed reflections upon brewing political changes. By imagining political dynasties, slavery, parliament, and English law reaching an end, writers challenged liberal visions of the political future that viewed the basis of governance as permanently settled. The prospect of volcanic eruptions and biblical deluges, meanwhile, pointed towards new political worlds, forged in the ruins of this one. These visions of coming to an end acquire added resonance in our own time, as political and planetary end-times converge once again.
Author: Matthew Leporati
Publisher: Cambridge University Press
ISBN: 1009285173
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Matthew Leporati examines the explosive Romantic revival of epic alongside the contemporary revival of missionary activity. His study contributes to charged political debates around British imperialism. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Tim Fulford
Publisher: Cambridge University Press
ISBN: 1009320807
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Author: Olivia Ferguson
Publisher: Cambridge University Press
ISBN: 1009274252
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' – and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: John Claiborne Isbell
Publisher: Cambridge University Press
ISBN: 1009362720
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Combating two centuries of sexism, this radical overview of Staël in context reveals a major player in Revolution and Romanticism.
Author: James Grande
Publisher: Cambridge University Press
ISBN: 1009277847
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
A captivating exploration of the newly reimagined world of sound and sense in Britain in the decades around 1800.
Author: Catherine Packham
Publisher:
ISBN: 1009395807
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Why was Wollstonecraft's landmark feminist work, the Vindication of the Rights of Woman, categorised as a work of political economy when it was first published? Taking this question as a starting point, Mary Wollstonecraft and Political Economy gives a compelling new account of Wollstonecraft as critic of the material, moral, social, and psychological conditions of commercial modernity. Offering thorough analysis of Wollstonecraft's major writings - including her two Vindications, her novels, her history of the French Revolution, and her travel writing - this is the only book-length study to situate Wollstonecraft in the context of the political economic thought of her time. It shows Wollstonecraft as an economic as much as a political radical, whose critique of the emerging economic orthodoxies of her time anticipates later Romantic thinkers. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
