Author: Roman Ingarden
Publisher: Northwestern University Press
ISBN: 0810105993
Category : Literary Criticism
Languages : en
Pages : 467
Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Cognition of the Literary Work of Art
Author: Roman Ingarden
Publisher: Northwestern University Press
ISBN: 0810105993
Category : Literary Criticism
Languages : en
Pages : 467
Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Publisher: Northwestern University Press
ISBN: 0810105993
Category : Literary Criticism
Languages : en
Pages : 467
Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
The Literary Work of Art
Author: Roman Ingarden
Publisher: Universidad Iberoamericana
ISBN: 9789681903992
Category : Literature
Languages : es
Pages : 468
Book Description
Publisher: Universidad Iberoamericana
ISBN: 9789681903992
Category : Literature
Languages : es
Pages : 468
Book Description
The Style of Gestures
Author: Guillemette Bolens
Publisher: JHU Press
ISBN: 1421405180
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
With a foreword by well-known neuroscientist Alain Berthoz, The Style of Gestures convincingly makes the case that embodied cognition is essential to the reception, understanding, and enjoyment of art and literature.
Publisher: JHU Press
ISBN: 1421405180
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
With a foreword by well-known neuroscientist Alain Berthoz, The Style of Gestures convincingly makes the case that embodied cognition is essential to the reception, understanding, and enjoyment of art and literature.
Art as the Cognition of Life
Author: Aleksandr Konstantinovich Voronskiĭ
Publisher: Mehring Books
ISBN: 0929087763
Category : Communism and literature
Languages : en
Pages : 555
Book Description
Voronsky was an outstanding figure of post-revolutionary Soviet intellectual life, editor of the most important literary journal of the 1920s in the USSR and a supporter of Trotsky and the Left Opposition in the struggle against Stalinism. A defender of "fellow traveler" writes and an opponent of the Proletarian Culture movement, Voronsky was one of the authentic representatives of classical Marxism in the field of literary criticism in the twentieth century. He was executed by Stalin in 1937. Following Voronsky's "rehabilitation" in 1957, several of his writings were published in the USSR in heavily censored form. All cuts have been restored for this edition.
Publisher: Mehring Books
ISBN: 0929087763
Category : Communism and literature
Languages : en
Pages : 555
Book Description
Voronsky was an outstanding figure of post-revolutionary Soviet intellectual life, editor of the most important literary journal of the 1920s in the USSR and a supporter of Trotsky and the Left Opposition in the struggle against Stalinism. A defender of "fellow traveler" writes and an opponent of the Proletarian Culture movement, Voronsky was one of the authentic representatives of classical Marxism in the field of literary criticism in the twentieth century. He was executed by Stalin in 1937. Following Voronsky's "rehabilitation" in 1957, several of his writings were published in the USSR in heavily censored form. All cuts have been restored for this edition.
Cognitive Science, Literature, and the Arts
Author: Patrick Colm Hogan
Publisher: Routledge
ISBN: 113606978X
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
The rise cognitive science has been one of the most important intellectual developments of recent years, stimulating new approaches to everything from philosophy to film studies. This is an introduction to what cognitive science has to offer the humanities and particularly the study of literature. Hogan suggests how the human brain works and makes us feel in response to literature. He walks the reader through all of the major theories of cognitive science that are important for the humanities in order to understand the production and reception of literature.
Publisher: Routledge
ISBN: 113606978X
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
The rise cognitive science has been one of the most important intellectual developments of recent years, stimulating new approaches to everything from philosophy to film studies. This is an introduction to what cognitive science has to offer the humanities and particularly the study of literature. Hogan suggests how the human brain works and makes us feel in response to literature. He walks the reader through all of the major theories of cognitive science that are important for the humanities in order to understand the production and reception of literature.
Beauty and Sublimity
Author: Patrick Colm Hogan
Publisher: Cambridge University Press
ISBN: 1316467872
Category : Psychology
Languages : en
Pages : 465
Book Description
Recent decades have witnessed an explosion in neuroscientific and related research treating aesthetic response. This book integrates this research with insights from philosophical aesthetics to propose new answers to longstanding questions about beauty and sublimity. Hogan begins by distinguishing what we respond to as beautiful from what we count socially as beautiful. He goes on to examine the former in terms of information processing (specifically, prototype approximation and non-habitual pattern recognition) and emotional involvement (especially of the endogenous reward and attachment systems). In the course of the book, Hogan examines such issues as how universal principles of aesthetic response may be reconciled with individual idiosyncrasy, how it is possible to argue rationally over aesthetic response, and what role personal beauty and sublimity might play in the definition of art. To treat these issues, the book considers works by Woolf, Wharton, Shakespeare, Arthur Miller, Beethoven, Matisse, and Kiran Rao, among others.
Publisher: Cambridge University Press
ISBN: 1316467872
Category : Psychology
Languages : en
Pages : 465
Book Description
Recent decades have witnessed an explosion in neuroscientific and related research treating aesthetic response. This book integrates this research with insights from philosophical aesthetics to propose new answers to longstanding questions about beauty and sublimity. Hogan begins by distinguishing what we respond to as beautiful from what we count socially as beautiful. He goes on to examine the former in terms of information processing (specifically, prototype approximation and non-habitual pattern recognition) and emotional involvement (especially of the endogenous reward and attachment systems). In the course of the book, Hogan examines such issues as how universal principles of aesthetic response may be reconciled with individual idiosyncrasy, how it is possible to argue rationally over aesthetic response, and what role personal beauty and sublimity might play in the definition of art. To treat these issues, the book considers works by Woolf, Wharton, Shakespeare, Arthur Miller, Beethoven, Matisse, and Kiran Rao, among others.
Deeper Than Reason
Author: Jenefer Robinson
Publisher: Oxford University Press
ISBN: 0199263655
Category : Art
Languages : en
Pages : 517
Book Description
Jenefer Robinson uses modern psychological and neuroscientific research on the emotions to study our emotional involvement with the arts.
Publisher: Oxford University Press
ISBN: 0199263655
Category : Art
Languages : en
Pages : 517
Book Description
Jenefer Robinson uses modern psychological and neuroscientific research on the emotions to study our emotional involvement with the arts.
Perception, Cognition and Aesthetics
Author: Dena Shottenkirk
Publisher: Routledge
ISBN: 0429870272
Category : Philosophy
Languages : en
Pages : 312
Book Description
This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art.
Publisher: Routledge
ISBN: 0429870272
Category : Philosophy
Languages : en
Pages : 312
Book Description
This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art.
Art as Language
Author: Rawley Silver
Publisher: Routledge
ISBN: 1134943466
Category : Psychology
Languages : en
Pages : 208
Book Description
Through the use of case studies and more than 150 illustrations of patient artwork, this book summarizes findings of cognitive development and art therapy practices.
Publisher: Routledge
ISBN: 1134943466
Category : Psychology
Languages : en
Pages : 208
Book Description
Through the use of case studies and more than 150 illustrations of patient artwork, this book summarizes findings of cognitive development and art therapy practices.
Existence, Culture, and Persons
Author: Arkadiusz Chrudzimski
Publisher: Walter de Gruyter
ISBN: 3110325624
Category : Philosophy
Languages : de
Pages : 227
Book Description
Roman Ingarden (1893-1970) belonged to those phenomenologists who never accepted Husserl's transcendental idealism. He devoted a great part of his intellectual energy to the "preparatory" analytical studies in which he hoped to develop an ontological framework suitable for an ultimate refutation of Husserl's idealistic doctrine. In these works we find a rich arsenal of ontological tools which is interesting even for those philosophers who are not interested in the subtleties of the Husserlian tradition or esoteric dialectics of the idealism / realism debate. Contributors: Arkadiusz Chrudzimski (Szczecin and Salzburg), Gregor Haefliger (Fribourg), Guido Küng (Fribourg), Jeff Mitscherling (Guelph), Andrzej Póltawski (Cracow), Peter Simons (Leeds), Edward Swiderski (Fribourg), Amie L. Thomasson (Miami), Daniel von Wachter (Munich).
Publisher: Walter de Gruyter
ISBN: 3110325624
Category : Philosophy
Languages : de
Pages : 227
Book Description
Roman Ingarden (1893-1970) belonged to those phenomenologists who never accepted Husserl's transcendental idealism. He devoted a great part of his intellectual energy to the "preparatory" analytical studies in which he hoped to develop an ontological framework suitable for an ultimate refutation of Husserl's idealistic doctrine. In these works we find a rich arsenal of ontological tools which is interesting even for those philosophers who are not interested in the subtleties of the Husserlian tradition or esoteric dialectics of the idealism / realism debate. Contributors: Arkadiusz Chrudzimski (Szczecin and Salzburg), Gregor Haefliger (Fribourg), Guido Küng (Fribourg), Jeff Mitscherling (Guelph), Andrzej Póltawski (Cracow), Peter Simons (Leeds), Edward Swiderski (Fribourg), Amie L. Thomasson (Miami), Daniel von Wachter (Munich).