Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 292
Book Description
Cocks's Musical Miscellany
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 292
Book Description
Classical & Standard Musical Works Published by Rob. Cocks Music Publishers
Author: Rob Cocks
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
Book Description
Theory of Musical Composition
Author: Gottfried Weber
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 522
Book Description
The Theory of Musical Composition, Treated with a View to a Naturally Consecutive Arrangement of Topics
Author: Gottfried Weber
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 486
Book Description
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 838
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 838
Book Description
A book of musical anecdote
Author: Frederick J. Crowest
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
A Book of Musical Anecdotes
Author: Frederick James Crowest
Publisher:
ISBN:
Category : History
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 336
Book Description
Voluntaries for Organ
Author: Carl Czerny
Publisher: A-R Editions, Inc.
ISBN: 9780895797094
Category : Organ music
Languages : en
Pages : 84
Book Description
Book URL: https://www.areditions.com/rr/special/S_023.html The introductory essay sheds particular light on the relationship between Czerny and his English publisher, Robert Cocks and Co., and the reception of Czerny¿s organ works in England. The essay further discusses the English attraction to the Germanic style during the Victorian age, the development of the organ in mid-nineteenth-century England, and the ability of Czerny and Cocks¿s to appeal to a musical society rapt with the "king of instruments."
Publisher: A-R Editions, Inc.
ISBN: 9780895797094
Category : Organ music
Languages : en
Pages : 84
Book Description
Book URL: https://www.areditions.com/rr/special/S_023.html The introductory essay sheds particular light on the relationship between Czerny and his English publisher, Robert Cocks and Co., and the reception of Czerny¿s organ works in England. The essay further discusses the English attraction to the Germanic style during the Victorian age, the development of the organ in mid-nineteenth-century England, and the ability of Czerny and Cocks¿s to appeal to a musical society rapt with the "king of instruments."
Publishers' circular and booksellers' record
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
Book Description
Musical Improvisation and Open Forms in the Age of Beethoven
Author: Gianmario Borio
Publisher: Routledge
ISBN: 1315406365
Category : Music
Languages : en
Pages : 389
Book Description
Improvisation was a crucial aspect of musical life in Europe from the late eighteenth century through to the middle of the nineteenth, representing a central moment in both public occasions and the private lives of many artists. Composers dedicated themselves to this practice at length while formulating the musical ideas later found at the core of their published works; improvisation was thus closely linked to composition itself. The full extent of this relation can be inferred from both private documents and reviews of concerts featuring improvisations, while these texts also inform us that composers quite often performed in public as both improvisers and interpreters of pieces written by themselves or others. Improvisations presented in concert were distinguished by a remarkable degree of structural organisation and complexity, demonstrating performers’ consolidated abilities in composition as well as their familiarity with the rules for improvising outlined by theoreticians.
Publisher: Routledge
ISBN: 1315406365
Category : Music
Languages : en
Pages : 389
Book Description
Improvisation was a crucial aspect of musical life in Europe from the late eighteenth century through to the middle of the nineteenth, representing a central moment in both public occasions and the private lives of many artists. Composers dedicated themselves to this practice at length while formulating the musical ideas later found at the core of their published works; improvisation was thus closely linked to composition itself. The full extent of this relation can be inferred from both private documents and reviews of concerts featuring improvisations, while these texts also inform us that composers quite often performed in public as both improvisers and interpreters of pieces written by themselves or others. Improvisations presented in concert were distinguished by a remarkable degree of structural organisation and complexity, demonstrating performers’ consolidated abilities in composition as well as their familiarity with the rules for improvising outlined by theoreticians.