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Author: Wesley Van Tassel
Publisher: Simon and Schuster
ISBN: 1581158211
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
"A workhorse of a workbook!"—Library Journal. American actors, fear Shakespeare no more! Through a series of inspiring, easy-to-follow exercises, an acclaimed director and drama coach shows both students and experienced actors how to break down the verse, support the words, understand the images, and use the text to create vibrant, living performances. This popular guide—more than TK,000 copies sold—has been revised and expanded to include the unique challenges facing teachers and their students in performing Shakespeare’s works, as well as time-tested tools for overcoming these obstacles. Effective delivery, correct breathing, scansion, phrasing, structure and rhythm, caesura, and more are covered. For text analysis and character interpretation, both classical British training and American methods are explored. In addition to ongoing, long-term practice exercises, Clues to Acting Shakespeare offers a one-day brush-up section to prep actors cast to play Shakespearean roles immediately. • Long term practice exercises and quick one-day brush-ups for auditions Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Wesley Van Tassel
Publisher: Simon and Schuster
ISBN: 1581158211
Category : Performing Arts
Languages : en
Pages : 288
Get Book Here
Book Description
"A workhorse of a workbook!"—Library Journal. American actors, fear Shakespeare no more! Through a series of inspiring, easy-to-follow exercises, an acclaimed director and drama coach shows both students and experienced actors how to break down the verse, support the words, understand the images, and use the text to create vibrant, living performances. This popular guide—more than TK,000 copies sold—has been revised and expanded to include the unique challenges facing teachers and their students in performing Shakespeare’s works, as well as time-tested tools for overcoming these obstacles. Effective delivery, correct breathing, scansion, phrasing, structure and rhythm, caesura, and more are covered. For text analysis and character interpretation, both classical British training and American methods are explored. In addition to ongoing, long-term practice exercises, Clues to Acting Shakespeare offers a one-day brush-up section to prep actors cast to play Shakespearean roles immediately. • Long term practice exercises and quick one-day brush-ups for auditions Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Wesley Van Tassel
Publisher: Simon and Schuster
ISBN: 1621536637
Category : Drama
Languages : en
Pages : 493
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Book Description
“A workhorse of a book! Beautifully conceived and executed. Clues to Acting Shakespeare is a no-brainer purchase for acting collections in all libraries.” —Library Journal Clues to Acting Shakespeare has become a popular guide for actors, directors, teachers and Shakespeare enthusiasts, selling over 15,000 copies of previous editions. This third edition retains the second edition’s unique solutions to challenges that face directors and actors at advanced levels and is expanded to include an entirely new section for amateur and community theatre groups. In this new edition, readers will be delighted to find: New section to aid community theatres to perform Shakespeare’s plays, including five recorded workshops of community theatre actors coached and trained by the author Updates to the successful sections on training student actors (MFA and BFA programs), and professional actors (including audition tips)—highlighted by twenty author-coached workshops with professional and advanced student actors Improved section for teachers of high school and child actors with worksheets and sample lesson plans New exercises and resources for all levels of acting and production To aid professionals, Clues to Acting Shakespeare offers a one-day brush-up for auditions and preparation to play Shakespeare immediately. Text analysis, character studies, and both classical British training and American methods are explored. The exercises and recorded workshops provide inspiring advice to all actors and demonstrate concepts discussed throughout the book. The critical skills required for acting Shakespeare, including scansion, phrasing, caesura, breathing, speech structure, antithesis, and more are covered in detail. The comprehensive exercises using the Bard’s plays and sonnets teach actors to break down the verse, support the words, understand the imagery, and use the text to create vibrant performances.
Author: Patrick Tucker
Publisher: Routledge
ISBN: 1135862265
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick Tucker shows how much these plays work by ear. Secrets of Acting Shakespeare is a book for actors trained and amateur, as well as for anyone curious about how the Elizabethan theater worked.
Author: John Basil
Publisher: Hal Leonard Corporation
ISBN: 9781557836663
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
Provides a guide for actors which outlines a three-week process for performing Shakespeare's plays.
Author: Hester Bradley
Publisher: Bloomsbury Publishing
ISBN: 1350316660
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998).
Author: M.M. Mahood
Publisher: Routledge
ISBN: 1134673655
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
PUBLICITY TITLE Will appear in 1998 Theatre Craft leaflet and in a New Theatre Quarterly advert Re-issue of hardback published by CUP - this received exceptional review coverage M. Mahood is an all-time old-school Great: well known for Shakespeare's Wordplay and her Penguin editions of Twelfth Night and Merchant of Venice The Pb will include a new appendix aimed at helping directors and actors Will appeal to actors and directors, critics and students The six studies of individual plays offers models for students to follow in studying and writing about the other thirty plays. Includes an index of characters as well as a detailed general index - very user friendly
Author: Barry Edelstein
Publisher: Theatre Communications Group
ISBN: 155936890X
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
Author: Mary Ellen Dakin
Publisher: National Council of Teachers of English (Ncte)
ISBN: 9780814139073
Category : Drama
Languages : en
Pages : 0
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Book Description
In Reading Shakespeare Film First, Mary Ellen Dakin asserts that we need to read Shakespeare in triplicate--as the stuff of transformative literature, theater, and film. The potential for the mutual reinforcement and transfer of twenty-first-century literacy skills between text and film is too promising for classroom teachers to overlook. Studying Shakespeare in the high school classroom can and sometimes should begin with images and film. In Reading Shakespeare Film First, Mary Ellen Dakin asserts that we need to read Shakespeare in triplicate--as the stuff of transformative literature, theater, and film. The potential for the mutual reinforcement and transfer of twenty-first-century literacy skills between text and film is too promising for classroom teachers to overlook. The heart of this book is a triangle whose three points are literary, theatrical, and cinematic; the chapters map a route around the perimeter of the triangle, guiding teachers and students with carefully researched and classroom-tested strategies for crossing over from Shakespeare's rich and strange early modern English to equally rich and strange modern film and illustrated productions of his plays. Along the way, readers engage in reading and analyzing film stills, movie posters, and book covers; recognizing the three faces of film: literary, theatrical, and cinematic; exploring in depth the theatrical and cinematic elements of Shakespeare and then reconnecting them to the text; reading Shakespeare in full-length films; and transmediating Shakespeare's scripts into theater and film. As the "old" language of Shakespeare is constantly renewed through the "new" language of film, students develop twenty-first-century literacy skills through a marriage of the two.
Author: Ivan Lupić
Publisher: University of Pennsylvania Press
ISBN: 0812296435
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.
Author: Bertram Leon Joseph
Publisher: Routledge
ISBN: 1317646258
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
How did the actors for whom Shakespeare wrote his plays make his characters come to life, how did they convey his words? Can modern directors, actors, and even library readers of Shakespeare learn from them? Creating character and making the Elizabethan playwright’s poetry compelling for the audience is a problem which has seldom been resolved in modern times. This book demonstrates the hard course a modern actor must follow to make real and truthful the words he speaks, and the action and emotion underlying them. With examples and simple exercises, this book helps with the preparation for the great task – providing the actor with a combination that unlocks the Bard's English. Starting with how theatrical speech was understood in Renaissance England, it looks at figures of speech, the powers of persuasion, and the passion and rhythm inherent in the language.
