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Author: Bruce A. MacLeod
Publisher: University of Illinois Press
ISBN: 9780252019548
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
New York-area club date musicians play from memory, often drawing on repertoires spanning fifty years of popular music to produce arrangements on the spot. Impressive as their skills are, though, they occupy an ambivalent position: their art must be background, never overshadowing the event, whether a wedding, a bar mitzvah, or a debutante ball. Their artistic and musical skills, finely tuned for club date gigs, are rarely even noticed, much less remarked upon, by their audiences. Club Date Musicians is a pioneering ethnomusicological portrait focusing on the three hundred to five hundred New York musicians whose primary income is derived from playing private parties. Interviewing more than a hundred musicians and observing more than forty performances, Bruce MacLeod lets the musicians speak for themselves. MacLeod examines the relation of audience to performer, the ensembles' social and musical organization, the musicians' economic and social status, and the process of change within the musical culture. The reader will discover why New York club date musicians don't use written music, how rock and roll has affected the occupation, and why the stereotypical picture of the bored, inept club date performer is unfair.
Author: Bruce A. MacLeod
Publisher: University of Illinois Press
ISBN: 9780252019548
Category : Biography & Autobiography
Languages : en
Pages : 238
Get Book Here
Book Description
New York-area club date musicians play from memory, often drawing on repertoires spanning fifty years of popular music to produce arrangements on the spot. Impressive as their skills are, though, they occupy an ambivalent position: their art must be background, never overshadowing the event, whether a wedding, a bar mitzvah, or a debutante ball. Their artistic and musical skills, finely tuned for club date gigs, are rarely even noticed, much less remarked upon, by their audiences. Club Date Musicians is a pioneering ethnomusicological portrait focusing on the three hundred to five hundred New York musicians whose primary income is derived from playing private parties. Interviewing more than a hundred musicians and observing more than forty performances, Bruce MacLeod lets the musicians speak for themselves. MacLeod examines the relation of audience to performer, the ensembles' social and musical organization, the musicians' economic and social status, and the process of change within the musical culture. The reader will discover why New York club date musicians don't use written music, how rock and roll has affected the occupation, and why the stereotypical picture of the bored, inept club date performer is unfair.
Author: Paul Chevigny
Publisher: Psychology Press
ISBN: 9780415347006
Category : History
Languages : en
Pages : 256
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Book Description
This book provides a much-needed study of the social, political, cultural and legal conditions surrounding a change in law and public attitudes toward vernacular music in New York City.
Author: Kenneth J. Bindas
Publisher: Univ. Press of Mississippi
ISBN: 1578063825
Category : Music
Languages : en
Pages : 230
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Book Description
How America invented swing, how swing energized America. It was for stage bands, for dancing, and for a jiving mood of letting go. Throughout the nation swing resounded with the spirit of good times. The swing era was America's segue into modernity. But this pop genre, for a decade America's favorite, arose during the worst of times, the Great Depression. From its peak in the 1930s until bebop, rhythm and blues, and country swamped it after World War II, swing defined an American generation and measured America's musical heartbeat. In its heyday swing reached a mass audience of very disparate individuals and united them. They perceived in the tempers and tempos of swing the very definition of modernity. What fed the music? And, in turn, what did the music feed? What social structures encouraged swing's creation, acceptance, and popularity? This book analyzes the cultural and historical significance of swing and tells how and why swing achieved its audience, unified its fans, defined its generation, and, after World War II, fell into decline. As it examines the role of race, class, and gender in the creation of this music, this book tells how the genre came to symbolize the modernist revolution taking place in America. The author was associate professor of history at Kent State University, Trumbull Campus, in Warren, Ohio, and the author of "All of This Music Belongs to the Nation: The WPA's Federal Music Project and American Society, 1935-1939."
Author: United States. Congress. House. Committee on Education and Labor. Subcommittee on Labor-Management Relations
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 304
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Book Description
Author: Simon Frith
Publisher: Harvard University Press
ISBN: 9780674661967
Category : Music
Languages : en
Pages : 364
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Book Description
An influential writer on popular music asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to academic critics, Frith takes these forms of engagement as his subject—and discloses their place at the center of the aesthetics that structure our culture and color our lives.
Author: David Wilson
Publisher: Springer
ISBN: 331970818X
Category : Social Science
Languages : en
Pages : 215
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Book Description
This book examines the conflict surrounding the latest redevelopment frontier in Chicago: the city’s South Side blues clubs and blocks. Like Chicago, cities such as Cleveland, St. Louis, Boston, Washington D.C., Indianapolis, Milwaukee, and Philadelphia are experiencing a new redevelopment machine: one of tyrannizing and fear. Its actors are adroit at working via the creation of fear to “terror-redevelop” in these historically neglected neighborhoods. The book also discusses the powerful race and class-based politics in Chicago’s blues clubs that resist such change. A “leisure as resistance” framework represents the latest innovative form of opposition to the transformation of these historic sites.
Author: United States. Congress. Senate. Committee on Labor and Human Resources. Subcommittee on Labor
Publisher:
ISBN:
Category : Bad faith (Law)
Languages : en
Pages : 812
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Book Description
Author: United States. National Labor Relations Board
Publisher:
ISBN:
Category : Labor laws and legislation
Languages : en
Pages : 1680
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Book Description
Author: Joan Cartwright, M.A.
Publisher: Lulu.com
ISBN: 0557060109
Category : History
Languages : en
Pages : 158
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Book Description
Three essays and interviews with photographs by author and musician Joan Cartwright about the creation of blues in America by Africans captured for servitude on Euro-American plantations over a span of 400 years. This book should be read by music students and enthusiasts, alike.
Author: Andy Bennett
Publisher: SAGE
ISBN: 1473910994
Category : Social Science
Languages : en
Pages : 665
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Book Description
"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.
