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Author: Martin Sonnabend
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848220928
Category : Art
Languages : en
Pages : 224
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Book Description
Claude Lorrain (1604-82) is known as the father of European landscape painting. This book sets out to re-appraise his work and look at it through fresh eyes. It unites in a single volume paintings, drawings, and prints from all periods of the artist's life.
Author: Martin Sonnabend
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848220928
Category : Art
Languages : en
Pages : 224
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Book Description
Claude Lorrain (1604-82) is known as the father of European landscape painting. This book sets out to re-appraise his work and look at it through fresh eyes. It unites in a single volume paintings, drawings, and prints from all periods of the artist's life.
Author: Richard Rand
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 236
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Book Description
The great French artist Claude Lorrain (1600-1682)--for whom drawing was an integral part of the artistic process--spent most of his career in Italy, where he documented the beauty of the landscape and the splendor of classical ruins. This richly illustrated book examines the wide-ranging role the medium played throughout Claude's career. The book presents some of Claude’s most remarkable drawings, representing all aspects of his style and subject matter--from informal outdoor sketches of trees, rivers, and ruins to formal presentation drawings and elaborate compositional designs for paintings, many of which have never before been reproduced in color. A detailed and scholarly essay places them within the social and cultural contexts of their time and includes comparative illustrations of paintings and etchings to situate them within the artist's oeuvre. A selection of works from the Liber Veritatis (Book of Truth), a portfolio of highly finished drawings that the artist created to document his own painted compositions, is also included.
Author: Jon Whiteley
Publisher: British Museum Press
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
Published to accompany an exhibition at the British Museum and the Ashmolean Museum, Oxford, this catalogue looks at Claude Lorrain, as a draughtsman, focusing on his style and technique. The majority of the drawings are taken from the collections of the British Museum, with a selection from the lesser-known collection of his work fromhoused in the Ashmoleon Museum. They include Claude's Liber Veritatis, preparatory drawings and nature studies composed in the Italian countryside. These allow a reappraisal of the range of his drawing styles and offer an opportunity to look again at the role of drawing within his art as a whole.
Author: Marcel Röthlisberger
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: George Grahame
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Sergei Daniel
Publisher: Parkstone International
ISBN: 1781605696
Category : Art
Languages : en
Pages : 166
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Book Description
Claude Gellée, called Claude Lorrain was neither a great man nor a lofty spirit like Poussin. His genius cannot, however, be denied and he was, like Poussin, a profoundly original inventor within the limitations of a classical ideal. He too spent most of his life in Rome though the art he created was not specifically Italian, but French. For more than two centuries afterwards everyone in France who felt called upon to depict the beauties of nature would think of Lorrain and study his works, whether it be Joseph Vernet in the eighteenth century or Corot in the nineteenth. Outside France it was the same; Lorrain was nowhere more admired than in England. There is an element of mystery in the vocation of this humble and almost illiterate peasant whose knowledge of French and Italian was equally poor, and who used to inscribe on his drawings notes in a strange broken Franco-Italian. This mystery is in some way symbolic of that with which he imbued his pictures, le mystère dans la lumière. This admirable landscapist drew from within himself the greatest number of extraordinary pictures, in which all is beauty, poetry and truth. He sometimes made from nature drawings so beautiful that several have been attributed to Poussin, but in his paintings his imagination dominates, growing in magnitude as he realised his genius. He understood by listening to Poussin and watching him paint that a sort of intellectual background would be an invaluable addition to his own imagination, visions, dreams and reveries.
Author: Ian Warrell
Publisher: National Gallery London
ISBN: 9781857095371
Category : Landscape painting
Languages : en
Pages : 0
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Book Description
This title examines the ways in which Turner consistently strove to confront Claude's achievement and legacy.
Author: Margaretha Rossholm Lagerlöf
Publisher:
ISBN: 9780300047639
Category : Art
Languages : en
Pages : 247
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Book Description
An examination of the landscape paintings of Carracci, Poussin and Lorrain from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism and metaphysics.
Author: Karl Baedeker (Firm)
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 792
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Book Description
Author: Franz R Kempf
Publisher: Legenda
ISBN: 9781781884133
Category :
Languages : en
Pages : 260
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Book Description
Imbued with a pulsating energy that emanates from the sun, Claude Lorrain's landscape draws on the interplay of light and darkness to effect a 'living whole' and evoke the symbolic. In a life-long conversation with Lorrain - recorded in texts as diverse as 'Amor as Landscape Painter', Faust, and the Doctrine of Colours - Goethe conducts an inquiry into the dialectics of nature and art, imitation and invention, subject and object. Goethe seeks to comprehend Lorrain by reenacting him in words, in ekphrastic mode, as an experience and an idea. The inquiry remains open-ended for landscape is a paradox: the real, the spiritual, and the affective meet without merging. This aesthetic discovery and visualization of nature as landscape is consonant with the attempt to grasp the world and our place in it. The three sister arts of poetry, painting, and horticulture serve as mirrors for Goethe's self-understanding as an artist, including his ambivalence vis-à-vis the English Garden as articulated, for instance, in the novel Elective Affinities. Franz R. Kempf is Professor of German Studies at Bard College.
