Author: Jacques Barzun
Publisher: University of Chicago Press
ISBN: 9780226038520
Category : History
Languages : en
Pages : 276
Book Description
Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.
Classic, Romantic, and Modern
Author: Jacques Barzun
Publisher: University of Chicago Press
ISBN: 9780226038520
Category : History
Languages : en
Pages : 276
Book Description
Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.
Publisher: University of Chicago Press
ISBN: 9780226038520
Category : History
Languages : en
Pages : 276
Book Description
Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.
Classical and Romantic Performing Practice 1750-1900
Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
The Penguin Book of Romantic Poetry
Author: Jonathan Wordsworth
Publisher: Penguin UK
ISBN: 0141905654
Category : Poetry
Languages : en
Pages : 1048
Book Description
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Publisher: Penguin UK
ISBN: 0141905654
Category : Poetry
Languages : en
Pages : 1048
Book Description
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Audacious Euphony
Author: Richard Cohn
Publisher: Oxford University Press
ISBN: 0199773211
Category : Music
Languages : en
Pages : 256
Book Description
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
Publisher: Oxford University Press
ISBN: 0199773211
Category : Music
Languages : en
Pages : 256
Book Description
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
Five Romantic Plays, 1768-1821
Author: Paul Baines
Publisher:
ISBN: 9780192833167
Category : Drama
Languages : en
Pages : 436
Book Description
Thriving during a period of profound revolution in Europe, the British Romantic theatre found itself re-examining social and sexual relations in English society. The five plays collected in this edition--the only one of its kind--represent some of the most radical and unusual examples of the drama created during this period. Horace invented gothic melodrama with his incest tragedy, The Mysterious Mother; Robert Southey imagined the theatre as a site of revolutionary protest in Wat Tyler (1794); Joanna Baillie's psychological case study in aristocratic hatred in De Monfort (1768) was thought too alarming to have been written by a woman, while Elizabeth Inchbald's hugely successful Lover's Vows (1798) was sufficiently subversive for Jane Austen to analyze some of its illicit potential in Mansfield Park (1814); Byron's strenuous tragedy The Two Foscari (1821) explores an inescapable conflict between parental love and political authority. The stage imagined by these writers is an arena of culturally charged issues--political, sexual, and socia--paralleling the ones being debated and decided in society at large.
Publisher:
ISBN: 9780192833167
Category : Drama
Languages : en
Pages : 436
Book Description
Thriving during a period of profound revolution in Europe, the British Romantic theatre found itself re-examining social and sexual relations in English society. The five plays collected in this edition--the only one of its kind--represent some of the most radical and unusual examples of the drama created during this period. Horace invented gothic melodrama with his incest tragedy, The Mysterious Mother; Robert Southey imagined the theatre as a site of revolutionary protest in Wat Tyler (1794); Joanna Baillie's psychological case study in aristocratic hatred in De Monfort (1768) was thought too alarming to have been written by a woman, while Elizabeth Inchbald's hugely successful Lover's Vows (1798) was sufficiently subversive for Jane Austen to analyze some of its illicit potential in Mansfield Park (1814); Byron's strenuous tragedy The Two Foscari (1821) explores an inescapable conflict between parental love and political authority. The stage imagined by these writers is an arena of culturally charged issues--political, sexual, and socia--paralleling the ones being debated and decided in society at large.
Berlioz and His Century
Author: Jacques Barzun
Publisher: University of Chicago Press
ISBN: 9780226038612
Category : Biography & Autobiography
Languages : en
Pages : 456
Book Description
In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential to understand Berlioz," notes W. H. Auden, "and in order to understand Berlioz, it is essential to read Professor Barzun."
Publisher: University of Chicago Press
ISBN: 9780226038612
Category : Biography & Autobiography
Languages : en
Pages : 456
Book Description
In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential to understand Berlioz," notes W. H. Auden, "and in order to understand Berlioz, it is essential to read Professor Barzun."
What Shamu Taught Me About Life, Love, and Marriage
Author: Amy Sutherland
Publisher: Random House Trade Paperbacks
ISBN: 0812978080
Category : Self-Help
Languages : en
Pages : 194
Book Description
While observing trainers of exotic animals, journalist Amy Sutherland had an epiphany: What if she used their techniques with the human animals in her own life–specifically her dear husband, Scott? As Sutherland put training principles into action, she noticed that not only did her twelve-year-old marriage improve, but she herself became more optimistic and less judgmental. What started as a goofy experiment had such good results that Sutherland began using the training techniques with all the people in her life, including her mother, her friends, her students, even the clerk at the post office. Full of fun facts, fascinating insights, hilarious anecdotes, and practical tips, What Shamu Taught Me About Life, Love, and Marriage reveals the biggest lesson Sutherland learned: The only animal you can truly change is yourself.
Publisher: Random House Trade Paperbacks
ISBN: 0812978080
Category : Self-Help
Languages : en
Pages : 194
Book Description
While observing trainers of exotic animals, journalist Amy Sutherland had an epiphany: What if she used their techniques with the human animals in her own life–specifically her dear husband, Scott? As Sutherland put training principles into action, she noticed that not only did her twelve-year-old marriage improve, but she herself became more optimistic and less judgmental. What started as a goofy experiment had such good results that Sutherland began using the training techniques with all the people in her life, including her mother, her friends, her students, even the clerk at the post office. Full of fun facts, fascinating insights, hilarious anecdotes, and practical tips, What Shamu Taught Me About Life, Love, and Marriage reveals the biggest lesson Sutherland learned: The only animal you can truly change is yourself.
Romantic Imperialism
Author: Saree Makdisi
Publisher: Cambridge University Press
ISBN: 9780521586047
Category : History
Languages : en
Pages : 272
Book Description
The years between 1790 and 1830 saw over a hundred and fifty million people brought under British imperial control, and one of the most momentous outbursts of British literary and artistic production, announcing a new world of social and individual traumas and possibilities. This book traces the emergence of new forms of imperialism and capitalism as part of a culture of modernisation in the late eighteenth and early nineteenth century, and looks at the ways in which they were identified with and contested in Romanticism. Saree Makdisi argues that this process has to be understood in global terms, beyond the British and European viewpoint, and that developments in India, Africa, and the Arab world (up to and including our own time) enable us to understand more fully the texts and contexts of British Romanticism. New and original readings of texts by Wordsworth, Blake, Byron, Shelley, and Scott emerge in the course of this searching analysis of the cultural process of globalisation. Choice Outstanding Academic Book of 1998.
Publisher: Cambridge University Press
ISBN: 9780521586047
Category : History
Languages : en
Pages : 272
Book Description
The years between 1790 and 1830 saw over a hundred and fifty million people brought under British imperial control, and one of the most momentous outbursts of British literary and artistic production, announcing a new world of social and individual traumas and possibilities. This book traces the emergence of new forms of imperialism and capitalism as part of a culture of modernisation in the late eighteenth and early nineteenth century, and looks at the ways in which they were identified with and contested in Romanticism. Saree Makdisi argues that this process has to be understood in global terms, beyond the British and European viewpoint, and that developments in India, Africa, and the Arab world (up to and including our own time) enable us to understand more fully the texts and contexts of British Romanticism. New and original readings of texts by Wordsworth, Blake, Byron, Shelley, and Scott emerge in the course of this searching analysis of the cultural process of globalisation. Choice Outstanding Academic Book of 1998.
Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper
Author: Alexandra Harris
Publisher: Thames & Hudson
ISBN: 0500778434
Category : Art
Languages : en
Pages : 459
Book Description
Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.
Publisher: Thames & Hudson
ISBN: 0500778434
Category : Art
Languages : en
Pages : 459
Book Description
Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.
Modern Critical Theory and Classical Literature
Author: J.P. Sullivan
Publisher: BRILL
ISBN: 9004329269
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
In recent decades the study of literature in Europe and the Americas has been profoundly influenced by modern critical theory in its various forms, whether Structuralism or Deconstructionism, Hermeneutics, Reader-Response Theory or Rezeptionsästhetik, Semiotics or Narratology, Marxist, feminist, neo-historical, psychoanalytical or other perspectives. Whilst the value and validity of such approaches to literature is still a matter of some dispute, not least among classical scholars, they have had a substantial impact on the study both of classical literatures and of the mentalité of Greece and Rome. In an attempt to clarify issues in the debate, the eleven contributors to this volume were asked to produce a representative collection of essays to illustrate the applicability of some of the new approaches to Greek and Latin authors or literary forms and problems. The scope of the volume was deliberately limited to literary investigation, broadly construed, of Greek and Roman authors. Broader areas of the history and culture of the ancient world impinge in the essays, but are not their central focus. The volume also contains a separate bibliography, offering for the first time a complete bibliography of classical studies which incorporate modern critical theory.
Publisher: BRILL
ISBN: 9004329269
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
In recent decades the study of literature in Europe and the Americas has been profoundly influenced by modern critical theory in its various forms, whether Structuralism or Deconstructionism, Hermeneutics, Reader-Response Theory or Rezeptionsästhetik, Semiotics or Narratology, Marxist, feminist, neo-historical, psychoanalytical or other perspectives. Whilst the value and validity of such approaches to literature is still a matter of some dispute, not least among classical scholars, they have had a substantial impact on the study both of classical literatures and of the mentalité of Greece and Rome. In an attempt to clarify issues in the debate, the eleven contributors to this volume were asked to produce a representative collection of essays to illustrate the applicability of some of the new approaches to Greek and Latin authors or literary forms and problems. The scope of the volume was deliberately limited to literary investigation, broadly construed, of Greek and Roman authors. Broader areas of the history and culture of the ancient world impinge in the essays, but are not their central focus. The volume also contains a separate bibliography, offering for the first time a complete bibliography of classical studies which incorporate modern critical theory.