Author:
Publisher:
ISBN:
Category : Art, Black
Languages : en
Pages : 14

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Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 24

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Author: James S. J. Schwartz
Publisher: Oxford University Press
ISBN: 019760479X
Category : Science
Languages : en
Pages : 397

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Book Description
"Space, to use a worn metaphor, is in the mind of the beholder. When we contemplate the seemingly limitless universe, we tend to project onto space our own hopes and dreams (as well as our fears and anxieties). But like responses to Rorschach inkblots, there are many different hopes, dreams, fears, and anxieties that one can project onto the night's sky. To those who approach it with a thirst for profits, space appears as a resource-rich goldmine, beckoning to anyone with enough wealth and privilege to take advantage of untapped markets. To those who approach it with a yearning for human expansion, space appears as a frontier that is humanity's birthright to conquer, its new manifest destiny. To those who approach it with a passion for knowledge and understanding, space appears as a tantalizing and pristine laboratory for scientific exploration. In these ways, our visions for humanity's future in space--what planets and moons we hope to visit, what we hope to accomplish when we get there--are more products of our perspectives about space (and our underlying worldviews and value systems) than anything else"--

Author: Debbie Hardin
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The National Museum of African Art of the Smithsonian Institution in Washington, D.C., presents the online exhibit entitled "Claiming Art Reclaiming Space: Post-apartheid Art from South Africa." The exhibition contains the works of 21 artists that include paintings, prints, collages, videotapes, a sculpture, prints, and linocuts. The works relate the connection between politics and expression.

Author: Katayoun Arian
Publisher: Hatje Cantz Verlag
ISBN: 3775756752
Category : Art
Languages : en
Pages : 368

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Book Description
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.

Author: Eliza Garnsey
Publisher: Cambridge University Press
ISBN: 1108494390
Category : Law
Languages : en
Pages : 249

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Drawing on novel case studies, this book provides the first substantive theoretical framework for understanding transitional justice and visual art.

Author: J.F. Martel
Publisher: North Atlantic Books
ISBN: 1583945784
Category : Philosophy
Languages : en
Pages : 209

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Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.

Author: Dylan Miner
Publisher: University of Arizona Press
ISBN: 0816530033
Category : Social Science
Languages : en
Pages : 302

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Book Description
"Creating Aztlâan interrogates the important role of Aztlâan in Chicano and Indigenous art and culture. Using the idea that lowriding is an Indigenous way of being, author Dylan A. T. Miner (Mâetis) discusses the multiple roles that Aztlâan has played atvarious moments in time, engaging pre-colonial indigeneities, alongside colonial, modern, and contemporary Xicano responses to colonization"--

Author: Mathias Thaler
Publisher: Routledge
ISBN: 1000090639
Category : Political Science
Languages : en
Pages : 223

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Book Description
Using a variety of theoretical reflections and empirically grounded case studies, this book examines how certain kinds of imagination – political, artistic, historical, philosophical – help us tackle the challenge of comprehending and responding to various forms of political violence. Understanding political violence is a complex task, which involves a variety of operations, from examining the social macro-structures within which actors engage in violence, to investigating the motives and drives of individual perpetrators. This book focuses on the faculty of imagination and its role in facilitating our normative and critical engagement with political violence. It interrogates how the imagination can help us deal with past as well as ongoing instances of political violence. Several questions, which have thus far received too little attention from political theorists, motivate this project: Can certain forms of imagination – artistic, historical, philosophical – help us tackle the challenge of comprehending and responding to unprecedented forms of violence? What is the ethical and political value of artworks depicting human rights violations in the aftermath of conflicts? What about the use of thought experiments in justifying policy measures with regard to violence? What forms of political imagination can foster solidarity and catalyse political action? This book opens up a forum for an inclusive and reflexive debate on the role that the imagination can play in unpacking complex issues of political violence. The chapters in this book were originally published in a special issue of the journal, Critical Review of International Social and Political Philosophy.

Author: Tracey L Walters
Publisher: Rutgers University Press
ISBN: 1978808577
Category : Art
Languages : en
Pages : 252

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Book Description
Not Your Mother's Mammy examines how black artists, mostly women of the diaspora, many of them former domestics, reconstruct the black female subjectivities of domestics in black media. In doing so, they undermine and defamiliarize the reductive, one-dimensional images of black domestics as perpetual victims lacking voice and agency. In line with international movements like #MeToo and #timesup, the women in these stories demand to be heard.