Five Meters of Time/Cinque metri di tempo PDF Download
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Author: Philipp Winterberg
Publisher:
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Languages : un
Pages :
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Author: Philipp Winterberg
Publisher:
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Languages : un
Pages :
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Author: Philipp Winterberg
Publisher: CreateSpace
ISBN: 9781502324863
Category : Foreign Language Study
Languages : en
Pages : 32
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Book Description
Bilingual Edition English-Italian What happens if the world unexpectedly stands still for a moment? If, just like that, you are given a bit of time by sheer luck? This is exactly what happens in one of the biggest and busiest cities of the world, as a small snail crosses the street and makes traffic stop for half a day. A book about things that you always wanted to do but never had the time for. Reviews "beautiful"—geizkragen.de "A proposal to improve the world"—Westfälische Nachrichten "In this whimsical debut picture book [...] Hesse and Winterberg implore young and adult readers alike to embrace what they love to do."—Kirkus Reviews "humorous"—ehrensenf.de "interesting not just in its story or its message, but also in how it delivers that message. Thecolors and backgrounds have a rich sense of texture, unlike the majority of children's books."—ForeWord Clarion Reviews "fabulous"—spiegel.de "A creative bedtime story, which is also suitable for stressed adults. [...] In the bustle of the city, the animals seize the moment and become aware of how beautiful life can be without stress and hustle."—Designers in Action "The story of a little snail who triggers big changes."—Münstersche Zeitung "charming"—Kirkus Reviews Tags: Bilingual Children's Books, Bilingual Books, Emergent Bilingual, Bilingual Education, Foreign Language Learning, EFL, English as a Foreign Language, EFL Books, EFL for Children, ELL, English Language Learner, ESL, English as a Second Language, ESL for Children, ESL for Kids, ESL Teaching Materials, EAL, English as an Additional Language, Children's Picture Book, Dual Language, Foreign Language Study, ESOL, English for Speakers of Other Languages
Author:
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Category : Aeronautics
Languages : en
Pages : 202
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Author: Mark Doffman
Publisher: Oxford University Press
ISBN: 0190947292
Category : Music
Languages : en
Pages : 617
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Book Description
Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.
Author: Allied and Associated Powers (1914-1920).
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Category : Aeronautics
Languages : fr
Pages : 162
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Author: International Commission for Air Navigation
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 374
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Author: Danuta Mirka PhD
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
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Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Author: United States. Department of State
Publisher:
ISBN:
Category :
Languages : fr
Pages : 158
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Author: Doug Grant
Publisher: CQ Communications
ISBN: 9780943016139
Category : Technology & Engineering
Languages : en
Pages : 650
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Book Description
New 3d edition -- If it's about ham radio, it's in the Almanac. -- Updated annually, with new tables, facts and figures. -- For all amateur and professional ham radio enthusiasts. -- Unique publication -- no other book like it on the market. Anyone looking for information about ham radio will find it in the 1996 Amateur Radio Almanac. CQ's sourcebook is filled with over 500 pages of facts, figures and information about world records, space, computers, geographical stats, radio history, regulations, and so much more. Includes ham radio clubs, useful tables, ham radio and the Internet, operating events, antennas and conventions. "In addition mto major baseball, ham radio has been a real paasion to me. The CQ Amateur Radio Almanac is one resource that will always be a prominent part of my ham shack". -- Joe Rudi, NK7U "As a member of the VEC Question Pool committee, with over 1/3 of all amateur exams going through my office, I'm proud to say CQ's published a real winner with their Amateur Radio Almanac. No ham, new or experienced, should be without one". -- Fred Maia, President W5YI Group
Author: Andrea Ravignani
Publisher: Frontiers Media SA
ISBN: 2889455009
Category :
Languages : en
Pages : 391
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Book Description
Human speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes’ long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of “rhythmicity” as an evolved behavior.
