Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1234
Book Description
Iron Age Catalogue of American Exports ...
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1234
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1234
Book Description
From Studio to Stage
Author: Barbara M. Doscher
Publisher: Rowman & Littlefield
ISBN: 0810842394
Category : Vocal music
Languages : en
Pages : 386
Book Description
The late Doscher was a singing teacher at the U. of Colorado-Boulder. This volume compiles the note cards on songs and arias that she composed in order to aid her teaching. The entries are broadly organized by type of piece, with notes on difficulty, author, keys available, ranges, tessitura, voice types, and other comments included. Five indexes allow readers to find compositions by composer, lyricist, title, range, and difficulty level. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Rowman & Littlefield
ISBN: 0810842394
Category : Vocal music
Languages : en
Pages : 386
Book Description
The late Doscher was a singing teacher at the U. of Colorado-Boulder. This volume compiles the note cards on songs and arias that she composed in order to aid her teaching. The entries are broadly organized by type of piece, with notes on difficulty, author, keys available, ranges, tessitura, voice types, and other comments included. Five indexes allow readers to find compositions by composer, lyricist, title, range, and difficulty level. Annotation copyrighted by Book News, Inc., Portland, OR
Rhythmic Inequality and Tempo in French Music Between 1650 and 1740
Author: Judith Eleanor Carls Caswell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 944
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 944
Book Description
The Oxford Handbook of Topic Theory
Author: Danuta Mirka PhD
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Style and Performance for Bowed String Instruments in French Baroque Music
Author: Mary Cyr
Publisher: Routledge
ISBN: 1317048822
Category : Music
Languages : en
Pages : 281
Book Description
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.
Publisher: Routledge
ISBN: 1317048822
Category : Music
Languages : en
Pages : 281
Book Description
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.
The Engineering Index
Author:
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 726
Book Description
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 726
Book Description
Vocabulario temático ilustrado
Author: Elisardo López Varela
Publisher: Editorial Galaxia
ISBN: 9788471547989
Category : Language Arts & Disciplines
Languages : un
Pages : 562
Book Description
Este vocabulario é un bo auxiliar, tanto para o profesor como para o alumno; permite a adquisición previa de vocabulario para ir progresivamente ampliándoo dun xeito didáctico e gráfico.
Publisher: Editorial Galaxia
ISBN: 9788471547989
Category : Language Arts & Disciplines
Languages : un
Pages : 562
Book Description
Este vocabulario é un bo auxiliar, tanto para o profesor como para o alumno; permite a adquisición previa de vocabulario para ir progresivamente ampliándoo dun xeito didáctico e gráfico.
Microtecnic
Author:
Publisher:
ISBN:
Category : Physical instruments
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Physical instruments
Languages : en
Pages : 712
Book Description
Visions of Amen
Author: Stephen Schloesser
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802807623
Category : Biography & Autobiography
Languages : en
Pages : 594
Book Description
French composer Olivier Messiaen (1908 1992) is probably best known for his Quartet for the End of Time, premiered in a German prisoner-of-war camp in 1941. However, Messiaen was a remarkably complex, intelligent person with a sometimes tragic domestic life who composed a wide range of music. This book explores the enormous web of influences in the early part of Messiaen's long life. The first section of the book provides an intellectual biography of Messiaen's early life in order to make his (difficult) music more accessible to the general listener. The second section offers an analysis of and thematic commentaries on Messiaen's pivotal work for two pianos, Visions of Amen, composed in 1943. Schloesser's analysis includes timing indications corresponding to a downloadable performance of the work by accomplished pianists Stphane Lemelin and Hyesook Kim.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802807623
Category : Biography & Autobiography
Languages : en
Pages : 594
Book Description
French composer Olivier Messiaen (1908 1992) is probably best known for his Quartet for the End of Time, premiered in a German prisoner-of-war camp in 1941. However, Messiaen was a remarkably complex, intelligent person with a sometimes tragic domestic life who composed a wide range of music. This book explores the enormous web of influences in the early part of Messiaen's long life. The first section of the book provides an intellectual biography of Messiaen's early life in order to make his (difficult) music more accessible to the general listener. The second section offers an analysis of and thematic commentaries on Messiaen's pivotal work for two pianos, Visions of Amen, composed in 1943. Schloesser's analysis includes timing indications corresponding to a downloadable performance of the work by accomplished pianists Stphane Lemelin and Hyesook Kim.
1996 Amateur Radio Almanac
Author: Doug Grant
Publisher: CQ Communications
ISBN: 9780943016139
Category : Technology & Engineering
Languages : en
Pages : 650
Book Description
New 3d edition -- If it's about ham radio, it's in the Almanac. -- Updated annually, with new tables, facts and figures. -- For all amateur and professional ham radio enthusiasts. -- Unique publication -- no other book like it on the market. Anyone looking for information about ham radio will find it in the 1996 Amateur Radio Almanac. CQ's sourcebook is filled with over 500 pages of facts, figures and information about world records, space, computers, geographical stats, radio history, regulations, and so much more. Includes ham radio clubs, useful tables, ham radio and the Internet, operating events, antennas and conventions. "In addition mto major baseball, ham radio has been a real paasion to me. The CQ Amateur Radio Almanac is one resource that will always be a prominent part of my ham shack". -- Joe Rudi, NK7U "As a member of the VEC Question Pool committee, with over 1/3 of all amateur exams going through my office, I'm proud to say CQ's published a real winner with their Amateur Radio Almanac. No ham, new or experienced, should be without one". -- Fred Maia, President W5YI Group
Publisher: CQ Communications
ISBN: 9780943016139
Category : Technology & Engineering
Languages : en
Pages : 650
Book Description
New 3d edition -- If it's about ham radio, it's in the Almanac. -- Updated annually, with new tables, facts and figures. -- For all amateur and professional ham radio enthusiasts. -- Unique publication -- no other book like it on the market. Anyone looking for information about ham radio will find it in the 1996 Amateur Radio Almanac. CQ's sourcebook is filled with over 500 pages of facts, figures and information about world records, space, computers, geographical stats, radio history, regulations, and so much more. Includes ham radio clubs, useful tables, ham radio and the Internet, operating events, antennas and conventions. "In addition mto major baseball, ham radio has been a real paasion to me. The CQ Amateur Radio Almanac is one resource that will always be a prominent part of my ham shack". -- Joe Rudi, NK7U "As a member of the VEC Question Pool committee, with over 1/3 of all amateur exams going through my office, I'm proud to say CQ's published a real winner with their Amateur Radio Almanac. No ham, new or experienced, should be without one". -- Fred Maia, President W5YI Group