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Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 147251260X
Category : Philosophy
Languages : en
Pages : 377
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Book Description
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 9780826459411
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
Author: Felicity Colman
Publisher: Berg
ISBN: 1847887708
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.
Author: Damian Sutton
Publisher: U of Minnesota Press
ISBN: 0816647380
Category : Photography
Languages : en
Pages : 287
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Book Description
This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
Author: Christopher Kul-Want
Publisher: Columbia University Press
ISBN: 0231549369
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought. Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.
Author: Nick Davis
Publisher: OUP USA
ISBN: 0199993165
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
The Desiring-Image redefines queer cinema as a kind of filmmaking that conveys sexuality and desire as fundamentally fluid for all people, exceeding familiar stories and themes in many LGBT movies.
Author: Gregory Flaxman
Publisher: U of Minnesota Press
ISBN: 9780816634477
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
The first broad-ranging collection on Deleuze’s essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze’s books about cinema have proven as daunting as they are enticing—a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher’s immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze’s cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze’s cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.
Author: Andrey Tarkovsky
Publisher: University of Texas Press
ISBN: 9780292776241
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
Author: Frank Burke
Publisher: John Wiley & Sons
ISBN: 1119006171
Category : Performing Arts
Languages : en
Pages : 825
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Book Description
Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike
