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Author: Keya Ganguly
Publisher: Univ of California Press
ISBN: 0520946049
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Although revered as one of the world’s great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray’s work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray’s films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.
Author: Keya Ganguly
Publisher: Univ of California Press
ISBN: 0520946049
Category : Performing Arts
Languages : en
Pages : 272
Get Book Here
Book Description
Although revered as one of the world’s great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray’s work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray’s films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.
Author: Keya Ganguly
Publisher: Univ of California Press
ISBN: 0520262166
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
"This is a deeply researched, theoretically sophisticated and organic study. Keya Ganguly's intellectual tour de force in this analysis of the great Indian film maker Satyajit Ray will provide a benchmark for future studies of the subject."--Partha Mitter, author of The Triumph of Modernism: Indian Artists and the Avant-Garde 1922-1947 "What distinguishes Ganguly's book from the more fashionable approaches to non-Western cinema is her willingness to assert the importance of European theory--specifically, writings on film by Eisenstein, Benjamin, Kracauer, Balázs, among others--as a way to elaborate Satyajit Ray's contributions in the larger postwar context of an international New Wave cinema movement. She does this with extraordinary intelligence and finesse, and the result is an illuminating statement on how a cinema that seems nostalgic for a disappearing cultural past can in fact be read, for the first time perhaps, for its intimations of an as-yet unrealized futurity."--Rey Chow, author of Sentimental Fabulations, Contemporary Chinese Films
Author: Sharmistha Gooptu
Publisher: Routledge
ISBN: 1136912177
Category : History
Languages : en
Pages : 246
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Book Description
Covering the years spanning cinema’s emergence as a popular form in Bengal in the first half of the twentieth century, this book examines the main genres and trends produced by this cinema, and leads up to Bengali cinema’s last phase of transition in the 1980s. Arguing that Bengali cinema has been a key economic and social institution, the author highlights that the Bengali filmic imaginary existed over and above the imaginary of the Indian nation. This book argues that a definitive history of Bengali cinema presents an alternative understanding to the currently influential notion of the Hindi film as the ‘Indian’ or ‘national’ cinema. It suggests that the Bengali cinema presents a history which brings to the fore the deeply contested terrain of ‘national’ cinema, and shows the creation of the ‘alternative imaginary’ of the Bengali film. The author indicates that the case of the Bengali cinema demonstrates the emergence of a public domain that set up a definitive discourse of difference with respect to the ‘all-India’ Hindi film, popularly classified as Bollywood cinema, and which pre-empted its subsumption within the more pervasive culture of the Bombay Hindi cinema. As the first comprehensive historical work on Bengali cinema, this book makes a significant contribution to both Film and Cultural Studies and South Asian Studies in general.
Author: Satyajit Ray
Publisher: Columbia University Press
ISBN: 0231164955
Category : Art
Languages : en
Pages : 209
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Book Description
This book contains series of essays that present Satyajit Ray's reflections on the art and craft of the cinematic medium and sentimentalism, mass culture, silent films, the influence of the French New Wave, and the experience of being a successful director. The author also speaks on the difficulty of adapting literary work to screen, the nature of the modern film festival, and the phenomenal contributions of Jean-Luc Godard and Indian actor, director, producer, and singer Uttam Kumar.
Author: Omar Ahmed
Publisher: Liverpool University Press
ISBN: 0993238491
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
Author: Christina Gerhardt
Publisher: Wayne State University Press
ISBN: 0814342949
Category : Art
Languages : en
Pages : 374
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Book Description
The volume is ideal for graduate and undergraduate courses on the long sixties, political cinema, 1968, and new waves in art history, cultural studies, and film and media studies.
Author: Biswal, Santosh Kumar
Publisher: IGI Global
ISBN: 1799835138
Category : Social Science
Languages : en
Pages : 401
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Book Description
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
Author: Sabine Haenni
Publisher: Routledge
ISBN: 1317682602
Category : Social Science
Languages : en
Pages : 711
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Book Description
The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.
Author: Rini Bhattacharya Mehta
Publisher: University of Illinois Press
ISBN: 0252052005
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.
Author: Rochona Majumdar
Publisher: Columbia University Press
ISBN: 0231553900
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
