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Author: Richard Foulkes
Publisher: Cambridge University Press
ISBN: 9780521453202
Category : Drama
Languages : en
Pages : 292
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Book Description
During the reign of Queen Victoria, herself an ardent theatregoer as well as Supreme Governor of the Church of England, a remarkable rapprochement was effected between the Church and the stage. This 1997 book explores the implications for the theatre of the great religious movements of the period: Tractarianism, Christian Socialism and Latitudinarianism. This central relationship is seen in the context of other important themes in Victorian cultural history such as censorship, urbanization, transport, leisure, self-improvement and women's emancipation. The volume contains portraits of significant churchmen, dramatists, actors and actresses, including Newman and Keble, Bulwer Lytton and Shaw, Irving, Fanny Kemble and Ellen Terry. They were amongst the influential figures who participated in the search for a common culture which preoccupied the nineteenth century. To the Victorians the Church and the theatre were important parts of everyday life; in this study the two institutions are explored in relation not only to each other but also to the social, economic and intellectual movements of the period.
Author: Richard Foulkes
Publisher: Cambridge University Press
ISBN: 9780521453202
Category : Drama
Languages : en
Pages : 292
Get Book Here
Book Description
During the reign of Queen Victoria, herself an ardent theatregoer as well as Supreme Governor of the Church of England, a remarkable rapprochement was effected between the Church and the stage. This 1997 book explores the implications for the theatre of the great religious movements of the period: Tractarianism, Christian Socialism and Latitudinarianism. This central relationship is seen in the context of other important themes in Victorian cultural history such as censorship, urbanization, transport, leisure, self-improvement and women's emancipation. The volume contains portraits of significant churchmen, dramatists, actors and actresses, including Newman and Keble, Bulwer Lytton and Shaw, Irving, Fanny Kemble and Ellen Terry. They were amongst the influential figures who participated in the search for a common culture which preoccupied the nineteenth century. To the Victorians the Church and the theatre were important parts of everyday life; in this study the two institutions are explored in relation not only to each other but also to the social, economic and intellectual movements of the period.
Author: Gerald Parsons
Publisher: Manchester University Press
ISBN: 9780719029448
Category : History
Languages : en
Pages : 562
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Book Description
A. T. Moore's thorough commentary on "Love's Sacrifice" is designed to be of use to all kinds of readers, from students of Early Modern drama to specialists in the field. The notes provide full explanations of obscure words and phrases, and offer analyzes of many aspects of staging and interpretation. The text for this edition is based on a fresh study of the quarto of 1633, the only authoritative early text. In his introduction to the play, Moore reappraises the evidence for the play's date of composition. He also looks at the circumstances of the play's genesis, presenting detailed discussions of both the theater where "Love's Sacrifice" was first performed and the acting company for which it was written. Arguing that Ford's adaptation of his source materials is the key to interpreting this remarkably allusive play, Moore provides a wealth of new information about Ford's sources.The introduction also includes a survey of critical responses, an overview of the play, stage history, and a bibliography of relevant secondary material. This new volume in the "Revels Plays" series is the most detailed and comprehensive edition of "Love's Sacrifice" ever published - and the first modern-spelling edition of Ford's tragedy in more than a century. The play's textual history is discussed in an appendix. A second appendix examines possible links between "Love's Sacrifice" and the real-life story of the murdered Italian prince and musician Carlo Gesualdo.
Author: Richard Foulkes
Publisher: Routledge
ISBN: 1351922335
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Author of the enduringly popular Alice books, mathematician, Anglican cleric, and pioneer photographer, Lewis Carroll maintained a lifelong enthusiasm for the theatre. Lewis Carroll and the Victorian Stage is the first book to focus on Carroll's irresistible fascination with all things theatrical, from childhood charades and marionettes to active involvement in the dramatisation of Alice, influential contributions to the debate on child actors, and the friendship of leading players, especially Ellen Terry. As well as being a key to his complex and enigmatic personality, Carroll's interest in the theatre provides a vivid account of a remarkable era on the stage that encompassed Charles Kean's Shakespeare revivals, the comic genius of Frederick Robson, the heyday of pantomime, Gilbert and Sullivan, opera bouffe, the Terry sisters, Henry Irving, and favourite playwrights Tom Taylor, H. A. Jones, and J. M. Barrie. With attention to the complex motives that compelled Carroll to attend stage performances, Foulkes examines the incomparable record of over forty years as a playgoer that Carroll left for posterity.
Author: Michael R. Booth
Publisher: Cambridge University Press
ISBN: 9780521348379
Category : Drama
Languages : en
Pages : 244
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Book Description
A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.
Author: Otto Peltzer
Publisher:
ISBN: 9781104910372
Category : Literary Collections
Languages : en
Pages : 20
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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author: Richard Brown
Publisher: Routledge
ISBN: 1134982704
Category : History
Languages : en
Pages : 583
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Book Description
In this, the second part of his history of the Industrial Revolution, Richard Brown examines the political and religious developments which took place in Britain between the 1780s and 1840s in terms of the aristocratic elite and through the expression of alternative radical ideologies. Opening with a discussion of the nature of history, and of Britain in 1700, it goes on to consider Britain's foreign policy, the emergence of the modern state and the mid-century 'crisis' of the 1840s. Unlike many previous works, it emphasises British not just English history. It is this diversity of experience and the focus on continuity as well as change, women as well as men, that makes this a distinctive text. Students will also find the theoretical foundations of historical narrative and analysis clearly explained.
Author: Lee E. Grugel
Publisher:
ISBN:
Category : History
Languages : en
Pages : 136
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Book Description
Author: Allan Stuart Jackson
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633922
Category : History
Languages : en
Pages : 372
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Book Description
This is the first major study of the Douglass family of England and the institution of the National Standard Theatre. It includes an examination of the theatrical aesthetics of the mid-Victorian theatre and the methods used by the Douglasses to achieve their success, as well as biographical material on a number of the actors and actresses and on the Douglass family itself.
Author: William C. Lubenow
Publisher: Boydell & Brewer
ISBN: 1783277971
Category : History
Languages : en
Pages : 317
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Book Description
Examines the entanglement of secularity and liberality in the foundation of the modern state in Britain. "Modern" Britain emerged from the outcome of the French Revolution and the Napoleonic Wars. The rather standard Whig account of the long nineteenth century is one of growing stability, progress and improvement. And yet nothing was preordained or inevitable about the period's stability. Ruling elites felt the constant anxieties of revolutionary terrorism. As Lubenow argues, it was a period of disorganization seeking organization. The great nineteenth-century reform acts against religious monopoly were aspects of this process of political organization. While religion did not disappear, these political actions gradually changed the constitutional position of religion. As a result, a political vacuum was created which was then filled by a secular "clerisy". These "fit and proper persons", educated in the reformed universities, qualified by success in competitive examinations, began to fill positions in the Civil Service and in the professions. The effect was to replace the eighteenth-century system of confessional loyalties with a liberal political culture based on merit. Lubenow's latest study examines the work of these intertwining nineteenth-century secular-liberal processes. Steeped deeply in archival research, this book considers biographical characteristics such as education, political connections and social associations, but it is equally conceptually guided by categories such as liberalism and secularism. It fills an important gap in the political history of nineteenth-century British liberalism by taking up the question of entanglement of secularity and liberality in the foundation of the modern state.
Author: Claudia Durst Johnson
Publisher: McFarland
ISBN: 1476608946
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Throughout nineteenth century America, religious officials often condemned the theatre as an inversion of the house of God, similar to the church in architectural structure and organization but wholly different in purpose and values. This book explores the many ways in which religious institutions supported by capitalism profoundly affected the early development of American theatre. The author analyzes the church's critical view toward common theatre practices, including the use of female and child performers, and the lower class alliance with the stage. Three appendices provide period correspondence, including an excerpt from Mark Twain's February 1871 "Memoranda," in which Twain criticizes an Episcopalian reverend for denying church burial to a popular stage comedian.
