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Author: Algernon Charles Swinburne
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Algernon Charles Swinburne
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1118
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1124
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Book Description
Author: Algernon Charles Swinburne
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 328
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Book Description
Author: Patrick Cheney
Publisher: University of Toronto Press
ISBN: 1442612967
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
Cheney argues that Marlowe organizes his canon around an "Ovidian" career model, or cursus, which turns from amatory poetry to tragedy to epic. The first comprehensive reading of the Marlowe canon in over a generation.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
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Author: Algernon Charles Swinburne
Publisher: Penguin UK
ISBN: 014196118X
Category : Poetry
Languages : en
Pages : 449
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Book Description
This volume brings together Swinburne's major poetic works, ATALANTA IN CALYDON (1865) and POEMS AND BALLADS (1866). ATALANTA IN CALYDON is a drama in classical Greek form, which revealed Swinburne's metrical skills and brought him celebrity. POEMS AND BALLADS brought him notoriety and demonstrates his preoccupation with de Sade, masochism, and femmes fatales. Also reproduced here is 'Notes on Poems and Reviews', a pamphlet Swinburne published in 1866 in response to hostile reviews of POEMS AND BALLADS.
Author: Christopher Marlowe
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
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Book Description
Author: Patrick Cheney
Publisher: Cambridge University Press
ISBN: 1107049628
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Linking ecstasy with art and liberty, the book advances understanding of Renaissance literature as a field in the humanities today.
Author: Jim Clarke
Publisher: Springer
ISBN: 3319664115
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
The book is the first full-length text on Anthony Burgess's fiction in a generation, and offers a radical and innovative way of understanding the extensive literary achievements of one of the twentieth century's most innovative authors. This book explores Burgess's dazzlingly diverse range of novels through the one key theme which links them all – the artistic process itself. Borrowing from Nietzsche's aesthetic dichotomy of Apollo and Dionysus, the book uncovers the protracted evolution of Burgess's fiction and offers a unifying theory which links his early postcolonial fiction chronologically, via his modernist experiments like A Clockwork Orange and Nothing Like The Sun, to his late classics Mozart and the Wolfgang and A Dead Man in Deptford. This volume clarifies Burgess's seminal role as both late modernist and early postmodernist, and lucidly unveils the legacy of England's most mercurial novelist.