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Author: Patricia Howard
Publisher: Psychology Press
ISBN: 9780415940726
Category : Music
Languages : en
Pages : 178
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Patricia Howard
Publisher: Psychology Press
ISBN: 9780415940726
Category : Music
Languages : en
Pages : 178
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Christoph Willibald von Gluck
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985131644
Category :
Languages : en
Pages : 40
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Book Description
Christoph Willibald von Gluck - O del mio dolce ardor, Aria, For Voice and Piano, Original key and transposed versions for medium, high and low voices (D Minor - original key, G Minor, F# Minor, F Minor, E Minor, C Minor).
Author: Christoph Willibald Gluck
Publisher: Legare Street Press
ISBN: 9781022551145
Category :
Languages : en
Pages : 0
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Book Description
Antigono is a classic Italian libretto by Pietro Metastasio, set to music by Christoph Willibald Gluck. Featuring themes of love, betrayal, and political intrigue, this opera seria has been a staple of the operatic repertoire since its premiere in 1756. For fans of classical music and opera, this book is an essential addition to any collection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Christoph Willibald Ritter von Gluck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 276
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Book Description
"This is the first time that the complete letters and papers of Christoph Willibald Gluck (1714-1787) have been presented to the world. Students of music history know that the first performance of Alceste was a milestone in the history of opera, as was that of Tannhaüser many decades later. Readers will find new light thrown on the conditions of artists and their relations with their patrons in the eighteenth century. Music lovers will be fascinated by the authentic flavor of mounting excitement as Gluck challenges the 'Establishment' with his 'reform' operas and the famous quarrel breaks over Paris. This episode in its personal drama and historical significance was later to be used by Richard Strauss in his opera of operas Capriccio. The inclusion of whole letters from contemporary journals, to which Gluck frequently refers, will be a revelation to readers of the high level at which the debate was pursued. The letters reveal Gluck not only as a great musician, but as a man of wide interests and culture, whose opinions are invariably stimulating. This is how Gluck epitomizes his views in a letter to the future Emperor Leopold II: 'When I began to write the music for Alceste, I resolved to free it from the abuses which have crept in either through ill-advised vanity on the part of singers or through excessive complaisance on the part of the composers. I sought to restrict the music to its true purpose of giving expression to the poetry, and to strengthen the dramatic situations without interrupting the action or hampering it with unnecessary ornamentations.' The editors provide notes on the Dramatis Personae, a biographical introduction and a foreword describing their own fascinating experiences in compiling the book since they started their quest as early as 1913." --Dust jacket.
Author: Mark Darlow
Publisher: Routledge
ISBN: 1351192051
Category : Social Science
Languages : en
Pages : 269
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Book Description
"Eighteenth-century French cultural life was often characterised by quarrels, and the arrival of Viennese composer Christoph Willibald Gluck in Paris in 1774 was no exception, sparking a five-year pamphlet and press controversy which featured a rival Neapolitan composer, Niccolo Piccinni. However, as this study shows, the Gluck-Piccinni controversy was about far more than which composer was better suited to lead French operatic reform. A consideration of cultural politics in 1770s Paris shows that a range of issues were at stake: court versus urban taste as the proper judge of music, whether amateurs or specialists should have the right to speak of opera, whether the epic or the tragic mode is more suited for drama reform, and even: why should the public argue about opera at all? Mark Darlow is Senior Lecturer in French at the University of Cambridge."
Author: John A. Rice
Publisher: W. W. Norton & Company
ISBN: 9780393929188
Category : Music
Languages : en
Pages : 0
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Book Description
Eighteenth Century Music in its cultural, social, and intellectual contexts. John Rice's Music in the Eighteenth Century takes the reader on an engrossing Grand Tour of Europe's musical centers, from Naples, to London, Berlin, Vienna, Prague, and St. Petersburg —with a side trip to the colonial New World. Against the backdrop of Europe's largely peaceful division into Catholic and Protestant realms, Rice shows how "learned" and "galant" styles developed and commingled. While considering Mozart, Haydn, and early Beethoven in depth, he broadens his focus to assess the contributions of lesser-known but significant figures like Johann Adam Hiller, Francois-André Philidor, and Anna Bon. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents.
Author: Alfred Kreymborg
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 28
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Book Description
Author: Larry Wolff
Publisher: Stanford University Press
ISBN: 0804799652
Category : History
Languages : en
Pages : 505
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Book Description
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Author: Jonathan D. Bellman
Publisher: Princeton University Press
ISBN: 0691177767
Category : Music
Languages : en
Pages : 384
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Book Description
A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin Fryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt. The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies. The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.
Author: Patricia Howard
Publisher: Routledge
ISBN: 1351565362
Category : History
Languages : en
Pages : 512
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Book Description
This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck‘s life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.
