Author:
Publisher: Scarecrow Press
ISBN: 9780810830370
Category : Music
Languages : en
Pages : 244
Book Description
Lists and describes both published and unpublished choral works by some 100 Afro-American composers and arrangers, encompassing works representing all styles from four-part settings to avant-garde pieces. The bulk of the book is an annotated list of compositions in tabular form, organized alphabetically by composer's name, listing publication dates and number of pages, vocal ranges, type of accompaniment, publishers, and catalog number. Includes a listing of collections, biographical sketches, a discography, and addresses of publishers and composers. Useful for conductors and researchers. Annotation copyright by Book News, Inc., Portland, OR
Choral Music by African American Composers
Author:
Publisher: Scarecrow Press
ISBN: 9780810830370
Category : Music
Languages : en
Pages : 244
Book Description
Lists and describes both published and unpublished choral works by some 100 Afro-American composers and arrangers, encompassing works representing all styles from four-part settings to avant-garde pieces. The bulk of the book is an annotated list of compositions in tabular form, organized alphabetically by composer's name, listing publication dates and number of pages, vocal ranges, type of accompaniment, publishers, and catalog number. Includes a listing of collections, biographical sketches, a discography, and addresses of publishers and composers. Useful for conductors and researchers. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Scarecrow Press
ISBN: 9780810830370
Category : Music
Languages : en
Pages : 244
Book Description
Lists and describes both published and unpublished choral works by some 100 Afro-American composers and arrangers, encompassing works representing all styles from four-part settings to avant-garde pieces. The bulk of the book is an annotated list of compositions in tabular form, organized alphabetically by composer's name, listing publication dates and number of pages, vocal ranges, type of accompaniment, publishers, and catalog number. Includes a listing of collections, biographical sketches, a discography, and addresses of publishers and composers. Useful for conductors and researchers. Annotation copyright by Book News, Inc., Portland, OR
Music by Black Women Composers
Author: Helen Walker-Hill
Publisher: Center for Black Music Rsrch
ISBN: 9780929911045
Category : Music
Languages : en
Pages : 128
Book Description
Publisher: Center for Black Music Rsrch
ISBN: 9780929911045
Category : Music
Languages : en
Pages : 128
Book Description
A New Anthology of Art Songs by African American Composers
Author: Margaret R. Simmons
Publisher: SIU Press
ISBN: 9780809325238
Category : Music
Languages : en
Pages : 220
Book Description
Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
Publisher: SIU Press
ISBN: 9780809325238
Category : Music
Languages : en
Pages : 220
Book Description
Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
When Morning Gilds the Skies
Author: Joseph Barnby
Publisher:
ISBN: 9781429135856
Category : Baritone with brass ensemble
Languages : en
Pages : 8
Book Description
Molly Ijames delivers a compelling setting of this timeless hymn with a creative accompaniment that helps us visualize the sunrise. This anthem is one constant crescendo and closes with the amazing cry, "May Jesus Christ be praised!"
Publisher:
ISBN: 9781429135856
Category : Baritone with brass ensemble
Languages : en
Pages : 8
Book Description
Molly Ijames delivers a compelling setting of this timeless hymn with a creative accompaniment that helps us visualize the sunrise. This anthem is one constant crescendo and closes with the amazing cry, "May Jesus Christ be praised!"
Harry T. Burleigh
Author: Jean E Snyder
Publisher: University of Illinois Press
ISBN: 0252098102
Category : Biography & Autobiography
Languages : en
Pages : 449
Book Description
Harry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with Antonín Dvořák, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
Publisher: University of Illinois Press
ISBN: 0252098102
Category : Biography & Autobiography
Languages : en
Pages : 449
Book Description
Harry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with Antonín Dvořák, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
The Oxford Handbook of Choral Pedagogy
Author: Frank Abrahams
Publisher: Oxford University Press
ISBN: 0199373361
Category : Music
Languages : en
Pages : 569
Book Description
Where, in the digitizing world, is the field of choral pedagogy moving? Editors Frank Abrahams and Paul D. Head, both experienced choral conductors and teachers, offer here a comprehensive handbook of newly-commissioned chapters that provide key scholarly-critical perspectives on teaching and learning in the field of choral music, written by academic scholars and researchers in tandem with active choral conductors.
Publisher: Oxford University Press
ISBN: 0199373361
Category : Music
Languages : en
Pages : 569
Book Description
Where, in the digitizing world, is the field of choral pedagogy moving? Editors Frank Abrahams and Paul D. Head, both experienced choral conductors and teachers, offer here a comprehensive handbook of newly-commissioned chapters that provide key scholarly-critical perspectives on teaching and learning in the field of choral music, written by academic scholars and researchers in tandem with active choral conductors.
Historical Dictionary of Choral Music
Author: Melvin P. Unger
Publisher: Scarecrow Press
ISBN: 0810873923
Category : Music
Languages : en
Pages : 585
Book Description
The human voice an incredibly beautiful and expressive instrument, and when multiple voices are unified in tone and purpose a powerful statement is realized. No wonder people have always wanted to sing in a communal context-a desire apparently stemming from a deeply rooted human instinct. Consequently, choral performance has often been related historically to human rituals and ceremonies, especially rites of a religious nature. This Historical Dictionary of Choral Music examines choral music and practice in the Western world from the Medieval era to the 21st century, focusing mostly on familiar figures like Bach, Beethoven, Brahms, and Britten. But its scope is considerably broader, and it includes all sorts of music-religious, secular, and popular-from sources throughout the world. It contains a chronology, an introduction, a bibliography, and more than 1,000 cross-referenced dictionary entries on important composers, genres, conductors, institutions, styles, and technical terms of choral music.
Publisher: Scarecrow Press
ISBN: 0810873923
Category : Music
Languages : en
Pages : 585
Book Description
The human voice an incredibly beautiful and expressive instrument, and when multiple voices are unified in tone and purpose a powerful statement is realized. No wonder people have always wanted to sing in a communal context-a desire apparently stemming from a deeply rooted human instinct. Consequently, choral performance has often been related historically to human rituals and ceremonies, especially rites of a religious nature. This Historical Dictionary of Choral Music examines choral music and practice in the Western world from the Medieval era to the 21st century, focusing mostly on familiar figures like Bach, Beethoven, Brahms, and Britten. But its scope is considerably broader, and it includes all sorts of music-religious, secular, and popular-from sources throughout the world. It contains a chronology, an introduction, a bibliography, and more than 1,000 cross-referenced dictionary entries on important composers, genres, conductors, institutions, styles, and technical terms of choral music.
A Celebration of Black History through Music
Author: Blair Bielawski
Publisher: Milliken Publishing Company
ISBN: 1429115033
Category : Music
Languages : en
Pages : 44
Book Description
Introduce your students to the rich history of African-American music with "A Celebration of Black History through Music"from spirituals to hip-hop. Featuring some of the most important musicians of each style of music covered, "A Celebration of Black History through Music" highlights how the roots of African-American music can be traced from the slave songs of the 1700s through hip-hop music of the 1970s and 80s, and demonstrates how this music has influenced and shaped the music of the world. Words alone will not do justice to any of the music described in this book. An enhanced CD containing audio examples of the featured music styles is included to allow your students to hear the music in the lessons. In addition, a discography, reproducible worksheets, extension activities, and a complete PowerPoint presentation are all included for use with your class.
Publisher: Milliken Publishing Company
ISBN: 1429115033
Category : Music
Languages : en
Pages : 44
Book Description
Introduce your students to the rich history of African-American music with "A Celebration of Black History through Music"from spirituals to hip-hop. Featuring some of the most important musicians of each style of music covered, "A Celebration of Black History through Music" highlights how the roots of African-American music can be traced from the slave songs of the 1700s through hip-hop music of the 1970s and 80s, and demonstrates how this music has influenced and shaped the music of the world. Words alone will not do justice to any of the music described in this book. An enhanced CD containing audio examples of the featured music styles is included to allow your students to hear the music in the lessons. In addition, a discography, reproducible worksheets, extension activities, and a complete PowerPoint presentation are all included for use with your class.
Black Opera
Author: Naomi Andre
Publisher: University of Illinois Press
ISBN: 0252050614
Category : Music
Languages : en
Pages : 386
Book Description
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Publisher: University of Illinois Press
ISBN: 0252050614
Category : Music
Languages : en
Pages : 386
Book Description
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
A Triptych of American Voices for Mixed Choir, Soloists and Piano
Author: Maya Angelou
Publisher:
ISBN: 9781934621318
Category :
Languages : en
Pages :
Book Description
AA Triptych of American Voices: A Cantata of the People is a kaleidoscope onprevailing themes of American political discourse, from the purview of an immigrantcomposer. It's a musical narrative told from the prisms of 3 greatpoems - Maya Angelou's "I Know Why the Caged Bird Sings," LangstonHughes' "As I Grew Older," and Michael Castro's "We Need to Talk." The musical lingua is deliberately diverse, drawing from a variety of cultural influences. Imagery abounds - of Native American Pow-Wows, Jazz, early African plainsongs, and chants shared on Appalachian Mountains - all woven on a sonic tapestry that is immediately American, but in a broad sense,universal. The 30-minute work, scored for mixed chorus, counter-tenor and tenor soloists,and orchestra, was commissioned by Coro Allegro of Boston, MA. and premiered March 24, 2019 at the Sanders Theatre in Cambridge, MA.
Publisher:
ISBN: 9781934621318
Category :
Languages : en
Pages :
Book Description
AA Triptych of American Voices: A Cantata of the People is a kaleidoscope onprevailing themes of American political discourse, from the purview of an immigrantcomposer. It's a musical narrative told from the prisms of 3 greatpoems - Maya Angelou's "I Know Why the Caged Bird Sings," LangstonHughes' "As I Grew Older," and Michael Castro's "We Need to Talk." The musical lingua is deliberately diverse, drawing from a variety of cultural influences. Imagery abounds - of Native American Pow-Wows, Jazz, early African plainsongs, and chants shared on Appalachian Mountains - all woven on a sonic tapestry that is immediately American, but in a broad sense,universal. The 30-minute work, scored for mixed chorus, counter-tenor and tenor soloists,and orchestra, was commissioned by Coro Allegro of Boston, MA. and premiered March 24, 2019 at the Sanders Theatre in Cambridge, MA.