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Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364
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Book Description
SALTZMAN/OLD MASTERS; NEW WORLD
Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364
Get Book Here
Book Description
SALTZMAN/OLD MASTERS; NEW WORLD
Author: Rose-Marie Hagen
Publisher: Taschen
ISBN: 9783822821008
Category : Art
Languages : en
Pages : 514
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Book Description
These are the kinds of question Rose-Marie and Rainer Hagen ask when faced with world-famous masterpieces. In the language of today they comment on the fashions and attitudes, trends and intrigues, love, vice and lifestyles of past times. Book jacket.
Author: Matthew Collings
Publisher: Weidenfeld & Nicolson
ISBN: 9780297646716
Category : Architecture
Languages : en
Pages : 240
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Book Description
Welcome to an alarming book. In it Matthew Collings, known for his TV programmes and books about new art, tells you how to look at the old masters. Of course you can look at them however you like. But this book gives you some art historical facts as the context for what you're looking at - Collings gives you the resources you need, in order to make sense of what you're seeing. And he gets you to think for yourself. In art culture today all you hear about are literal meanings, about subject matter and ideas. Matt Collings objects to the droning repetition of that stuff. He looks to the past for a different model of art, one where the surface, the form, the look of something, is part of the idea, maybe even the main thing. We can't have the past back as a complete package, of course. That would be mad. But we can find critical principles in it that we can use to make something better out of our own time. The key figures he has chosen are Titian, Rubens, Velasquez and Hogarth. The first three stand for the highest that painting can go - rich, free, flowing, grand. In art historical terms, this is the 'painterly' stream of art. The last one didn't punch quite so high, but in him Collings sees a principle of adapting your understanding and admiration for what seems higher and greater than yourself - the achievements of the past - to your own sense of what is alive and real.Matthew Collings' new book gives a unique approach to the paintings of the past.
Author: Thomas Bernhard
Publisher: University of Chicago Press
ISBN: 022607434X
Category : Fiction
Languages : en
Pages : 161
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Book Description
In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher—who fears Reger's plans to kill himself—gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating. "Bernhard's . . . most enjoyable novel."—Robert Craft, New York Review of Books. "Bernhard is one of the masters of contemporary European fiction."—George Steiner
Author: Robert Beverly Hale
Publisher: Watson-Guptill Publications
ISBN: 9780823030149
Category : Art
Languages : en
Pages : 144
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Book Description
Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body
Author: Suzanne Brooker
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210
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Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Author: Peter Schjeldahl
Publisher: Abrams
ISBN: 1683355296
Category : Art
Languages : en
Pages : 445
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Book Description
Hot Cold Heavy Light collects 100 writings—some long, some short—that taken together forma group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader’s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.
Author:
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Category :
Languages : en
Pages : 948
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Book Description
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Category : England
Languages : en
Pages : 856
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Author: Rijksmuseum (Netherlands)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 580
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Book Description
