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Author: Sheldon H. Lu
Publisher: Hong Kong University Press
ISBN: 9622090869
Category : Social Science
Languages : en
Pages : 384
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Book Description
This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.
Author: Sheldon H. Lu
Publisher: Hong Kong University Press
ISBN: 9622090869
Category : Social Science
Languages : en
Pages : 384
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Book Description
This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.
Author: Lothar Ledderose
Publisher: Princeton University Press
ISBN: 0691252882
Category : Art
Languages : en
Pages : 280
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Book Description
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1432
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Book Description
Author: Roger Keverne
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 124
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Book Description
Author: Lian Duan
Publisher: Taylor & Francis
ISBN: 1000919420
Category : Art
Languages : en
Pages : 231
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Book Description
This study constructs a framework of narratology for art history and rewrites the development of twentieth-century Chinese art from a narratological perspective. Theoretically and methodologically oriented, this is a self-reflective meta-art history studying the art historical narratives while narrating the story of modern and contemporary Chinese art. Thus, this book explores the three layers of narrative within the narratological framework: the first-hand fabula, the secondary narration, and the tertiary narrativization. With this tertiary narrativization, the reader-author presents three types of narrative: the grand narrative of the central thesis of this book, the middle-range narrative of the chapter theses, and case analyses supporting these theses. The focus of this tertiary narrativization is the interaction between Western influence on Chinese art and the Chinese response to this influence. The central thesis is that this interaction conditioned and shaped the development of Chinese art at every historical turning point in the twentieth century. The book will be of interest to scholars working in art history, critical theory, Chinese studies, and cultural studies.
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 052091161X
Category : Art
Languages : en
Pages : 451
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Book Description
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea—shocking in ethnocentric China—that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history. Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book—richly documented and abundantly illustrated—is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.
Author: J. P. Park
Publisher: University of Washington Press
ISBN: 0295807032
Category : Art
Languages : en
Pages : 340
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Book Description
Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.
Author: Q.S. Tong
Publisher: Hong Kong University Press
ISBN: 9622097065
Category : Social Science
Languages : en
Pages : 245
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Book Description
Amid the globalizing forces, whether economic, political, or cultural, there remain conspicuous differences and divergences that divide and antagonize scholarly communities. How should we understand and respond to those discursive gaps among different traditions and systems of knowledge production? Critical Zone is a book series that is envisaged as a forum where communities of critical scholarship can come together to share ideas and participate in the debates that preoccupy the humanities today. The series aims to improve understanding across cultures, traditions, discourses, and disciplines and to produce international critical knowledge. Critical Zone is an expression and an embodiment of timely collaboration among scholars in Hong Kong, mainland China, the United States and Europe and is conceived as an intellectual bridge between China and the rest of the world. Each volume in the series has two sections. The first section contains original articles on a set of related topics by scholars from around the world; the second section includes review essays highlighting one or two issues in regional critical scholarship and translations that reflect intellectual trends and concerns in the region, in particular in China.
Author: Julia Colman
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 64
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Book Description
Author: Mark Johnstone
Publisher: Chronicle Books
ISBN: 0811835413
Category : Art
Languages : en
Pages : 288
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Book Description
A hotbed of seismic activity, the San Francisco Bay Area is also an epicenter of vital new work by an art community always pushing the bounds of cultural innovation. Epicenter showcases the work of nearly fifty prominent and rising-star artists who have made this region the base of eclectic, cutting-edge art on the West Coast. Each profile captures the essence of the artists work with a gallery of signature work, critical career overview, brief biography, and selected bibliography for further exploration. The artists featured in Epicenter reflect the ethnic diversity, variety of media, and originality of the regional scene. Packaged in a handsome horizontal format with a forward-looking design, Epicenter is a timely look at the leading purveyors of the areas pioneering and ever-shifting panorama of art. Artists featured in Epicenter: Ray Beldner, Christopher Brown, Squeak Carnwath, Enrique Chagoya, Ann Chamberlain, Bruce Conner, Linda Connor, Crane|Winet, Judy Dater, Lewis de Soto, Viola Frey, Rupert Garcia, Carmen Lomas GarzaKen Goldberg, Guillermo Gmez-Pea, Ian Green, Lynn Hershman, Todd Hido, Doug Hollis, Mildred Howard, David Ireland, Paul Kos, Suzanne Lacy, Hung LiuTom Marioni, Richard Misrach, Anna Valentina Murch, Nobuho Nagasawa, Ron Nagle, Deborah Oropallo, Gay Outlaw, Irne Pijoan, Lucy Puls, Alan Rath, Rigo, Raymond Saunders, Richard Shaw, Katherine Sherwood, Silt, Mary Snowden, Larry Sultan, Survival Research Laboratories, Stephanie Syjuco, Mark Thompson, Meredith Tromble, Catherine Wagner, Henry Wessel, Rene Yung
