Chinese Music for Guitar PDF Download
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Author: Fernando Perez
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781495011580
Category : Music
Languages : en
Pages : 0
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Book Description
Chinese songs arranged for guitar by Fernando Pérez; with an introduction, notes on Chinese traditional music, and information on pipa and guqin-style guitar techniques.
Author: Fernando Perez
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781495011580
Category : Music
Languages : en
Pages : 0
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Book Description
Chinese songs arranged for guitar by Fernando Pérez; with an introduction, notes on Chinese traditional music, and information on pipa and guqin-style guitar techniques.
Author: Elizabeth Ellen Ostring
Publisher: Wipf and Stock Publishers
ISBN: 1532603428
Category : Religion
Languages : en
Pages : 239
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Book Description
Anton Sie, twice successful in achieving his aspirations in music and physics, demonstrates that focus and diligent hard work can achieve great goals. But his story also shows the inter-connectedness of humanity: Anton received his musical training in Indonesia from a virtually illiterate Muslim peasant guitarist and a Jewish refugee violinist, and his knowledge of physics and acoustics from Chinese Communist scientists. He has demonstrated a critical factor in the superior construction of Stradivarius violins, his work authenticated by Western musicians for whom he is very grateful.
Author: Jie Jin
Publisher: Cambridge University Press
ISBN: 0521186919
Category : History
Languages : en
Pages : 157
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Book Description
This accessible, illustrated introduction explores the history of Chinese music, an ancient, diverse and fascinating part of China's cultural heritage.
Author: Mark Marrington
Publisher: Routledge
ISBN: 1351371401
Category : Music
Languages : en
Pages : 474
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Book Description
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Author: Ya-Hui Cheng
Publisher: Taylor & Francis
ISBN: 1000866831
Category : Music
Languages : en
Pages : 237
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Book Description
Ya-Hui Cheng examines the emergence of popular music genres – jazz, rock, and hip-hop – in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. The political sensitivities across the strait have long eclipsed the discussion of these shared sonic intimacies. It was not until the rise of the digital age, when entertainment programs from China and Taiwan reached social media on a global scale, that audiences realized the existence of this sonic reciprocation. Analyzing Chinese pentatonicism and popular songs published from 1927 to the present, this book discusses structural elements in Chinese popular music to show how they aligned closely with Chinese folk traditions. While the influences from Western genres are inevitable under the phenomenon of globalization, Chinese songwriters utilized these Western inspirations to modernize their musical traditions. It is a sensitivity for exhibiting cultural identities that enabled popular music to present a unique Chinese global image while transcending political discord and unifying mass cultures across the strait.
Author: Jingzhi Liu
Publisher: Chinese University Press
ISBN: 9629963604
Category : History
Languages : en
Pages : 962
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Book Description
By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
Author: Hannu Annala
Publisher: Mel Bay Publications
ISBN: 1609743539
Category : Music
Languages : en
Pages : 173
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Book Description
In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period.In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. the book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented.Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. the authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.
Author: Bliss Wiant
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 236
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Book Description
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 452
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Book Description
Author: James Legge
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Book Description
