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Author: Xiao'ou Cao
Publisher: Springer
ISBN: 9789819998982
Category : Art
Languages : en
Pages : 0
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Book Description
This book studies the development of modern and contemporary design art in China since 1978. Starting with the design enlightenment, and closely following the evolution of the visual and material forms in three levels of “individual”, “group”, and “country” since the reform and opening up, the book comprehensively and meticulously describes and analyzes the social particularity of the changes of Chinese design art in this period and makes corresponding evaluations on its “success” and “failure”. The author believes that Chinese modern design thinking has arisen from the problems displayed in the phenomena and events of Chinese modern design. Therefore, with nine chapters organized in chronological order and unfolded layer by layer by focusing on the relevant topics of “design thinking”, the book has sorted out the academic contentions, important events, phenomena, details of Chinese design in this period by placing design in the background of great history, and has searched, discovered, and summarized the key problems of Chinese design in each stage, and analyzed the causes and consequences, and has specially studied on the gains and losses of important phenomena and theoretical problems and correspondingly made theoretical comments. Therefore, it is a book comprehensively presenting the overall look of the development of Chinese modern design “thinking” history. This book has a grand structure and detailed content. The author and her research objects always coexist in the same context, and the writing style is fresh, the argument is reasonable, and the pictures and texts complement each other, so the book has both academic depth and readability.
Author: Xiao'ou Cao
Publisher: Springer
ISBN: 9789819998982
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
This book studies the development of modern and contemporary design art in China since 1978. Starting with the design enlightenment, and closely following the evolution of the visual and material forms in three levels of “individual”, “group”, and “country” since the reform and opening up, the book comprehensively and meticulously describes and analyzes the social particularity of the changes of Chinese design art in this period and makes corresponding evaluations on its “success” and “failure”. The author believes that Chinese modern design thinking has arisen from the problems displayed in the phenomena and events of Chinese modern design. Therefore, with nine chapters organized in chronological order and unfolded layer by layer by focusing on the relevant topics of “design thinking”, the book has sorted out the academic contentions, important events, phenomena, details of Chinese design in this period by placing design in the background of great history, and has searched, discovered, and summarized the key problems of Chinese design in each stage, and analyzed the causes and consequences, and has specially studied on the gains and losses of important phenomena and theoretical problems and correspondingly made theoretical comments. Therefore, it is a book comprehensively presenting the overall look of the development of Chinese modern design “thinking” history. This book has a grand structure and detailed content. The author and her research objects always coexist in the same context, and the writing style is fresh, the argument is reasonable, and the pictures and texts complement each other, so the book has both academic depth and readability.
Author: Lorraine Justice
Publisher: MIT Press
ISBN: 0262017423
Category : Architecture
Languages : en
Pages : 169
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Book Description
The evolution of Chinese design and the major shift in the culture of creativity in a post-Mao China. China is on the verge of a design revolution. A "third generation" of the People's Republic of China that came of age during China's "opening up" period of the 1980s now strives for fame, fortune, and self expression. This generation, workers in their thirties and forties, has more freedom to create--and to consume--than their parents or grandparents. In China's Design Revolution, Lorraine Justice maps the evolution of Chinese design and innovation. Justice explains that just as this "third generation" (post-Revolution, post-Cultural Revolution) reaches for self-expression, China's government is making massive investments in design and innovation, supporting design and creative activities (including design education programs, innovation parks, and privatized companies) at the local and national levels. The goal is to stimulate economic growth--and to establish China as a global creative power. Influenced by Mao and Confucius, communism and capitalism, patriotism and cosmopolitanism, China's third generation will drive the culture of design and innovation in China--and maybe the rest of the world. Justice describes and documents examples of Chinese design and innovation that range from ancient ceramics to communist propaganda posters. She then explores current award-winning projects in media, fashion, graphic, interior, and product design; and examines the lifestyle and purchasing trends of the "fourth generation," now in their teens and twenties. China's Design Revolution offers an essential guide to the inextricably entwined stories of design, culture, and politics in China.
Author: Michael Freeman
Publisher: Tuttle Publishing
ISBN: 1462908659
Category : House & Home
Languages : en
Pages : 584
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Book Description
With rich, detailed photographs and insightful commentary, this Chinese interior design book will provide you with plenty of fresh and colorful decorating ideas. China, long dormant in the world of design and residential architecture, has recently burst onto the world stage. Like everything else in China today, contemporary Chinese design combines elegant and deep-seated traditions with the exploratory ideas of a younger generation of designers. From revitalized hutongs in Beijing and lane houses in Shanghai to shiny new villas in Pudong and sleek urban apartments in Hong Kong, the best modern Chinese interior design blends the legacy of the past with a fresh appetite for the new. China Home explores this burgeoning phenomenon with images taken in more than 100 gorgeous homes, and will become an indispensable source book for everyone looking for ideas to create and re-work their living space. Design topics include: Designing the Contemporary Chinese Home Entrances and Living Spaces Dining Rooms, Kitchens and Studies Bedrooms and Bathrooms Furnishings and Accents Courtyards, Gardens and Terraces
Author: Alice Rawsthorn
Publisher: Abrams
ISBN: 1468309307
Category : Design
Languages : en
Pages : 348
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Book Description
Our gadgets, appliances, and cars are sleeker and more elegant than they’ve ever been; in our free time, we trawl the internet for pictures of flawless minimalist interiors; and even the great industrialist of our time—Steve Jobs—is admired more for his visual savvy than his technological inventiveness. And yet with Instagram and Pinterest at our fingers and great design more available—and more affordable—than ever, we’ve had no guidebook to this ever-fascinating field. Though it’s an inescapable part of our lives, there has been no single book that could, in one fell swoop, tell us everything we need to know about design. Enter Hello World. The design critic for the International Heard Tribune, Alice Rawsthorn has spent many years reckoning with the history of design and with its place in contemporary life, and Hello World is the extraordinary summation of her research and reporting. Rawsthorn takes us on a trip through design that ranges across continents and centuries, and wherever she goes, she discovers inspiring, thrilling examples of resourcefulness, inventiveness, and sheer vision. From the macabre symbol with which eighteenth-century pirates terrorized their victims into surrender, to one woman’s quest for the best prosthetic legs, to the evolution of the World Cup soccer ball, Hello World describes how warlords, scientists, farmers, hackers, activists, and professional designers have used the complex, often elusive process of design to different ends throughout history. Hailed as a “rapid-fire and illuminating ode to contemporary design†? (Telegraph) and “an extremely readable tour of the subject†? (Financial Times), Hello World is a major work that radically broadens our understanding of what design can mean, and explains how we can use it to make sense of our ever-changing universe.
Author: Qi Shao
Publisher: Springer Nature
ISBN: 9811694087
Category : History
Languages : en
Pages : 279
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Book Description
This book introduces readers to the history of design thinking in pre-modern China. The content is structured according to successive dynasties, covering the seven major periods of the pre-Qin, Qin and Han, Wei and Jin, Sui and Tang, Song and Yuan, Ming, and Qing dynasties. Each chapter introduces the most representative individuals of the period and discusses their work and ideas in order to reveal the national and cultural features of the respective periods. A distinctive feature of cultural identity running through the long course of China’s historical development is the argument that actions are determined by ideas: Such a view can be found in long-standing thinking on art, design, and creativity. The book demonstrates that conscious design is the vital link between the ideas that constitute human cultures and the physical objects that make up their resulting material cultures. It is the attribute of design that defines what it is to be human and also produces the physical evidence of the evolution of Chinese civilization. The book reveals the integrated characteristics of Chinese culture and art and shows how both changing and recurring ideologies have influenced Chinese design practice since the ancient Shang and Zhou dynasties and how these forces have shaped the spirit and materiality of Chinese civilization. Design is the cornerstone that has made China one of the major contributors to human civilization throughout the thousands of years of its history. Given its focus, the book largely appeals to two main audiences: an academic readership of students and researchers interested in cultural studies and, a more general one, consisting of those interested in international comparisons and wishing to learn more about Chinese history, society, and culture. In order to appeal to both, the book is written in a clear and accessible language.
Author: Tim Brown
Publisher: Harper Collins
ISBN: 0061937746
Category : Business & Economics
Languages : en
Pages : 278
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Book Description
In Change by Design, Tim Brown, CEO of IDEO, the celebrated innovation and design firm, shows how the techniques and strategies of design belong at every level of business. Change by Design is not a book by designers for designers; this is a book for creative leaders who seek to infuse design thinking into every level of an organization, product, or service to drive new alternatives for business and society.
Author: Jin Duan
Publisher: Springer Nature
ISBN: 9811909415
Category : Architecture
Languages : en
Pages : 412
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Book Description
This book proposes and systematically discusses four trends of thoughts in contemporary Chinese urban design. As the first book to systematically introduce contemporary Chinese urban design thoughts, this book objectively displays the macroscopic picture of contemporary urban design development of China from the time dimension, sorting out seven historical stages and three disputes. This book is mainly divided into two parts. The first part focuses on the vertical description, taking the major events in the seven historical stages as the context, combing the macro picture of the development of contemporary urban design in China in the last 100 years, and describing the three controversies in this process: contention, subject, and legalization. The second part focuses on horizontal observations, puts forward and systematically discusses the four trends of thought formed in the development of contemporary urban design in China, including “Design of Form,” “Synthesis of Design,” “Control of Design,” and “Design of Rule”. This part discusses their development background, theoretical support, and key concepts in detail and finally conducts critical thinking. The whole book is based on historical events, archives, and papers published in Chinese academic journals. While sorting out, summarizing, and objectively discussing, it also makes a critique of urban design activities and academic thinking in China, which will greatly benefit scholars and readers who are interested in urban design history of contemporary China.
Author: Thomas Binder
Publisher: MIT Press
ISBN: 0262297329
Category : Design
Languages : en
Pages : 257
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Book Description
A new perspective on design thinking and design practice: beyond products and projects, toward participatory design things. Design Things offers an innovative view of design thinking and design practice, envisioning ways to combine creative design with a participatory approach encompassing aesthetic and democratic practices and values. The authors of Design Things look at design practice as a mode of inquiry that involves people, space, artifacts, materials, and aesthetic experience, following the process of transformation from a design concept to a thing. Design Things, which grew out of the Atelier (Architecture and Technology for Inspirational Living) research project, goes beyond the making of a single object to view design projects as sociomaterial assemblies of humans and artifacts—“design things.” The book offers both theoretical and practical perspectives, providing empirical support for the authors' conceptual framework with field projects, case studies, and examples from professional practice. The authors examine the dynamics of the design process; the multiple transformations of the object of design; metamorphing, performing, and taking place as design strategies; the concept of the design space as “emerging landscapes”; the relation between design and use; and the design of controversial things.
Author: Liqi Ren
Publisher:
ISBN:
Category : Furniture design
Languages : en
Pages : 211
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Book Description
Starting from 21st century BC, China has had strong but isolated philosophies for making things, which dominated the style and spirit of Chinese design. With globalization, however, contemporary Chinese design fell under the influence of Western design including design practice, design theory, and education. Today, by improving capacity for independent innovation, and creating its own brand, China may be able to change its current practices of production that are defined by high consumption of resources, high pollution and low value-add. The search for high-quality Chinese design, which is both original and innovative with unique and identifiable features, has become a vital challenge for the Chinese government, organizations, and companies. Promoting original Chinese design with adding cultural values, in the past decade, has become prominent in various design fields because of the growing need to support economic development, upgrade industrial infrastructure, and promote national identity. In this context, many small-medium, creative and design-focused companies have been established with the goal of pursuing original Chinese design all the while concentrating on Chinese culture and users. In order to understand the present scenarios of original Chinese design, this research examines furniture design in select SMEs in China by studying relevantly critical issues: the motivation of designers for pursuing original Chinese design; the design ideas, practices and business strategies of these SMEs to build original and influential design brands; the challenges and opportunities in the furniture design industry while promoting original Chinese design; and the emerging picture of future Chinese design. This research applies the methodological framework of grounded theory with qualitative research methods including semi-structured interview and in-depth case studies. As a result, regarding interaction among Chinese culture, original design, and entrepreneurship, the research reveals three key findings regarding the interaction among Chinese culture, original design and entrepreneurship. First, "reflect Chinese culture", particularly essential traditional Chinese culture, is a common ground of original Chinese furniture design, which has been shown both from design ideas and practices of the select SMEs. Second, insufficient entrepreneurship influences the promotion of original design brands both in domestic and international market. Third, innovative design among contemporary furniture designers is constrained by a morass of Chinese culture impediments, such as lacking critical thinking and overemphasizing on inheritance of traditions. Moreover, the research presents a theoretical framework with key implications for developing and promoting Chinese design that is original, innovative and socially impactful. The insights gained from the research also provide a foundation and possible direction for future studies on design, culture, entrepreneurship, and other creative industries both for China and other nations.
Author: Siu, Kin Wai Michael
Publisher: IGI Global
ISBN: 1522509127
Category : Education
Languages : en
Pages : 305
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Book Description
To maintain their status in the global marketplace, it is imperative for emerging economies to focus on the creation of high quality products in order to compete with organizations worldwide. To increase their economic momentum, it is necessary to utilize innovative and creative strategies to discovery and produce desirable goods. Design Education for Fostering Creativity and Innovation in China discusses the issues surrounding Chinese policy by analyzing the role design education plays in fostering an innovation-based economy. This compendium of contemporary research explores the challenges and opportunities presented by design education, and strategies to foster creativity to sustain China’s economic progress. This book is ideal for educators, administrators, students of education, and policy makers in China and abroad.
