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Author: Patricia Buckley Ebrey
Publisher:
ISBN: 9780295746418
Category : Burial
Languages : en
Pages : 0
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Book Description
"Tens of thousands of epitaphs or funerary biographies survive from imperial China. Written to be engraved on stone and placed in a grave, they typically focus on the deceased's biographical information and exemplary words and deeds, expressing survivors' longing for the dead. Epitaphs provide glimpses of the lives of people who are not well-documented in such sources as the dynastic histories and local gazetteers: women, men who did not leave a mark politically, and children. This anthology makes available a set of funerary biographies covering nearly two thousand years of history, from the Han dynasty through the nineteenth century, selected for their potential as teaching material for courses on Chinese history, literature, and women's studies as well as world history. Funerary biographies, due to their inclusion of telling details about personal conduct, family life, local conditions, and social, cultural, and religious practices, can illustrate ways of thinking and the realities of daily life. Since most funerary biographies can be read and analyzed on multiple levels, they have the potential to stimulate discussion of topics such as the emotional tenor of family life, rituals associated with death, whether the values seen in these biographies should be called Confucian, ways to analyze women's lives from sources written by men, and how to use sources that can be assumed to be biased. These biographies will be especially effective when combined with more readily available primary sources such as official documents, religious and intellectual discourses, and anecdotal stories, promising to generate interesting discussion about literary genre, the ways historians use sources, and how writers shape their accounts"--
Author: Patricia Buckley Ebrey
Publisher:
ISBN: 9780295746418
Category : Burial
Languages : en
Pages : 0
Get Book Here
Book Description
"Tens of thousands of epitaphs or funerary biographies survive from imperial China. Written to be engraved on stone and placed in a grave, they typically focus on the deceased's biographical information and exemplary words and deeds, expressing survivors' longing for the dead. Epitaphs provide glimpses of the lives of people who are not well-documented in such sources as the dynastic histories and local gazetteers: women, men who did not leave a mark politically, and children. This anthology makes available a set of funerary biographies covering nearly two thousand years of history, from the Han dynasty through the nineteenth century, selected for their potential as teaching material for courses on Chinese history, literature, and women's studies as well as world history. Funerary biographies, due to their inclusion of telling details about personal conduct, family life, local conditions, and social, cultural, and religious practices, can illustrate ways of thinking and the realities of daily life. Since most funerary biographies can be read and analyzed on multiple levels, they have the potential to stimulate discussion of topics such as the emotional tenor of family life, rituals associated with death, whether the values seen in these biographies should be called Confucian, ways to analyze women's lives from sources written by men, and how to use sources that can be assumed to be biased. These biographies will be especially effective when combined with more readily available primary sources such as official documents, religious and intellectual discourses, and anecdotal stories, promising to generate interesting discussion about literary genre, the ways historians use sources, and how writers shape their accounts"--
Author: Pei-yi Wu
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 312
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Book Description
Challenging the widely held belief that autobiography is a unique product of the West, Pei-yi Wu demonstrates that writing about the self did thrive in one non-Western civilization. The pages of this first full-length treatment of Chinese autobiography teem with fascinating individuals each of whom has a story to tell--champions of lost causes explaining their impending martyrdom to posterity, earnest Buddhists and Confucians reporting on their spiritual quests, irrepressible and inventive egotists indulging in self-celebration, and distressed moralists confessing their sins. Affording the reader a view of some never before examined aspects of the Chinese psyche, The Confucian's Progress is also an accessible introduction to Chinese history and literature. "A highly intelligent--and thoroughly intelligible--book-length essay on autobiographical writings in China.... With its ample and readable translations of a dazzling array of scarce Chinese texts alone, this book will reward readers. Moreover, The Confucian's Progress will force readers to think about the relationship between turning points in literary expression and social change, and about how the constraints (or conventions) of established genres limit or shape biographical and autobiographical writings."--Joanna F. Handlin Smith, The Journal of Asian Studies
Author: Jing M. Wang
Publisher: Hong Kong University Press
ISBN: 9622095828
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Jumping Through Hoops is a collection of nine intense and dramatic stories that sheds new light on the experiences of Chinese women during the Second World War. Originally published in Chinese in 1945, as part of Xie Bingying's classic anthology Nu zuojia zizhuan xuanji (Selected autobiographical writings by women writers), the extraordinary narratives reveal the writers' personal struggles during the years of turmoil between the Republican and Communist eras. Whether the contributors are internationally acclaimed or just rediscovered, most of these narratives are seldom found in other collections, either in Chinese or in translation.
Author: Matthew V. Wells
Publisher:
ISBN: 9780924304583
Category : Autobiography
Languages : en
Pages : 190
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Book Description
The author examines the autobiographical writing of Ge Hong (ca. 283-343) and compares it to other early texts of the genre. A minor official during the early Eastern Jin dynasty, 317-420, Ge Hong is best known for his interest in Daoism, alchemy, and techniques of longevity. But this book focuses on the two authorial postfaces appended to his most celebrated work, Baopuzi, translated as The Master Embracing Simplicity. Among his topics are the proscriptive power of genre, reading self-narrative and the self in early China, and transcending history through autobiography. Two other early texts concerning early autobiography are translated and appended in alternating paragraphs of Chinese and English.
Author: Martin Huang
Publisher: Stanford University Press
ISBN: 0804763925
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
This study of the Chinese novel in the eighteenth century, arguably one of the greatest periods of the genre, focuses on the autobiographical features of three important works: The Dream of the Red Chamber, or The Story of the Stone (Honglou meng), The Scholars (Rulin waishi), and the relatively neglected The Humble Words of an Old Rustic (Yesou puyan). The author seeks for answers to the question of why the Chinese novel was becoming increasingly autobiographical during the eighteenth century, even as explicitly autobiographical writing was in a decline. He suggests that several new trends in the development of the genre (such as the accelerated "literatization" process) and the changing status of literati contributed to the rise of this new feature of the novel. As office-holding became increasingly unavailable to many literati, new roles and new identities that allowed them to retain a claim to membership in the elite had to be found. The novel, with its ability to distance an author from himself, facilitated the exploration of alternative roles and identities. Through close readings of the three texts, the author examines various autobiographical strategies employed by the authors, among which "masking as other"—How the authorial self is re/presented as an other - stands out as the most significant. The book links the authors' obsession with masks both to an increasingly ambiguous sense of self-identity experienced by many literati and to the larger issue of literati self-representation. Throughout, the readings do not confine themselves to purely literary matters; they also analyze the three works as a complex artifact typical of literati "self" culture and situate them in the larger intellectual history of the period.
Author: Jing M. Wang
Publisher: Univ of Wisconsin Press
ISBN: 9780299225100
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
In the period between the 1920s and 1940s, a genre emerged in Chinese literature that would reveal crucial contradictions in Chinese culture that still exist today. At a time of intense political conflict, Chinese women began to write autobiography, a genre that focused on personal identity and self-exploration rather than the national, collective identity that the country was championing. When "I" Was Born: Women's Autobiography in Modern China reclaims the voices of these particular writers, voices that have been misinterpreted and overlooked for decades. Tracing women writers as they move from autobiographical fiction, often self-revelatory and personal, to explicit autobiographies that focused on women's roles in public life, Jing M. Wang reveals the factors that propelled this literary movement, the roles that liberal translators and their renditions of Western life stories played, and the way in which these women writers redefined writing and gender in the stories they told. But Wang reveals another story as well: the evolving history and identity of women in modern Chinese society. When "I" Was Born adds to a growing body of important work in Chinese history and culture, women's studies, and autobiography in a global context. Writers discussed include Xie Bingying, Zhang Ailing, Yu Yinzi, Fei Pu, Lu Meiyen, Feng Heyi, Ye Qian, Bai Wei, Shi Wen, Fan Xiulin, Su Xuelin, and Lu Yin.
Author: Patricia Buckley Ebrey
Publisher:
ISBN: 9780295751238
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Personal accounts help us understand notions of self, interpersonal relations, and historical events. Chinese Autobiographical Writing contains full translations of works by fifty individuals that illuminate the history and conventions of writing about oneself in the Chinese tradition. From poetry, letters, and diaries to statements in legal proceedings, these engaging and readable works draw us into the past and provide vivid details of life as it was lived from the pre-imperial period to the nineteenth century. Some focus on a person?s entire life, others on a specific moment. Some have an element of humor, others are entirely serious. Taken together, these selections offer an intimate view of how Chinese men and women, both famous and obscure, reflected on their experiences as well as their personal struggles and innermost thoughts. With an introduction and list of additional readings for each selection, this volume is ideal for undergraduate courses on Chinese history, literature, religion, and women and family. Read individually, each piece illuminates a person, place, and moment. Read in chronological order, they highlight cultural change over time by showing how people explored new ways to represent themselves in writing.
Author: Lingzhen Wang
Publisher: Stanford University Press
ISBN: 9780804750059
Category : History
Languages : en
Pages : 308
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Book Description
This book studies identity formation and transformation in twentieth-century China by focusing on women's autobiographical writing.
Author: Jade Snow Wong
Publisher: University of Washington Press
ISBN: 0295745916
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
Jade Snow Wong’s autobiography portrays her coming-of-age in San Francisco's Chinatown, offering a rich depiction of her immigrant family and her strict upbringing, as well as her rebellion against family and societal expectations for a Chinese woman. Originally published in 1950, Fifth Chinese Daughter was one of the most widely read works by an Asian American author in the twentieth century. The US State Department even sent its charismatic young author on a four-month speaking tour throughout Asia. Cited as an influence by prominent Chinese American writers such as Amy Tan and Maxine Hong Kingston, Fifth Chinese Daughter is a foundational work in Asian American literature. It was written at a time when few portraits of Asian American life were available, and no similar works were as popular and broadly appealing. This new edition includes the original illustrations by Kathryn Uhl and features an introduction by Leslie Bow, who critically examines the changing reception and enduring legacy of the book and offers insight into Wong’s life as an artist and an ambassador of Chinese American culture.
Author: John Paton Davies, Jr.
Publisher: University of Pennsylvania Press
ISBN: 0812206312
Category : Biography & Autobiography
Languages : en
Pages : 373
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Book Description
At the height of the McCarthyite hysteria of the 1950s, John Paton Davies, Jr., was summoned to the State Department one morning and fired. His offense? The career diplomat had counseled the U.S. government during World War II that the Communist forces in China were poised to take over the country—which they did, in 1949. Davies joined the thousands of others who became the victims of a political maelstrom that engulfed the country and deprived the United States of the wisdom and guidance of an entire generation of East Asian diplomats and scholars. The son of American missionaries, Davies was born in China at the turn of the twentieth century. Educated in the United States, he joined the ranks of the newly formed Foreign Service in the 1930s and returned to China, where he would remain until nearly the end of World War II. During that time he became one of the first Americans to meet and talk with the young revolutionary known as Mao Zedong. He documented the personal excesses and political foibles of Chinese Nationalist leader Chiang Kai-shek. As a political aide to General Joseph "Vinegar Joe" Stilwell, the wartime commander of the Allied forces in East and South Asia, he traveled widely in the region, meeting with colonial India's Nehru and Gandhi to gauge whether their animosity to British rule would translate into support for Japan. Davies ended the war serving in Moscow with George F. Kennan, the architect of America's policy toward the Soviet Union. Kennan found in Davies a lifelong friend and colleague. Neither, however, was immune to the virulent anticommunism of the immediate postwar years. China Hand is the story of a man who captured with wry and judicious insight the times in which he lived, both as observer and as actor.
