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Author: Pi Li
Publisher: National Geographic Books
ISBN: 0500024340
Category : Art
Languages : en
Pages : 0
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Book Description
The definitive catalog to a world-class collection of Chinese contemporary art, which includes painting, photography, sculpture, installation, and video art. The Sigg Collection is recognized as the most important and comprehensive collection of Chinese art today. It was acquired by M+, a new museum of visual culture in Hong Kong, in 2012 from the Swiss businessman, diplomat, and art collector Uli Sigg. The collection consists of 1,510 works of contemporary Chinese art, dating from the 1970s to the present and ranging across all media. It offers a unique insight into the remarkable flowering of experimental artistic practices in China during this time—a period of unprecedented social and economic change in the country that saw artists devise new, sometimes radical, approaches to artmaking, formulating new connections between art and society, and developing ground-breaking conceptual methodologies. Published to coincide with the presentation of the M+ Sigg Collection at the opening of the M+ building, Chinese Art Since 1970 features more than 600 works by more than 300 artists represented in the collection, among them Ai Weiwei, Cao Fei, and Geng Jianyi. After introductory essays by Pi Li and Uli Sigg, an illustrated chronology spanning the years 1972 to 2020 highlights important social events, exhibitions, and artistic movements to establish a context for the discussion of the featured artists and their work that follows. Punctuating this discussion are contributions from renowned art historians, curators, and critics together with in-depth explanations of key concepts and events, from Cynical Realism to the seminal exhibition China/Avant-Garde. Through the medium of the world’s pre-eminent collection of contemporary Chinese art, this volume offers an unparalleled introduction to one of the most culturally dynamic periods in modern Chinese history.
Author: Pi Li
Publisher: National Geographic Books
ISBN: 0500024340
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
The definitive catalog to a world-class collection of Chinese contemporary art, which includes painting, photography, sculpture, installation, and video art. The Sigg Collection is recognized as the most important and comprehensive collection of Chinese art today. It was acquired by M+, a new museum of visual culture in Hong Kong, in 2012 from the Swiss businessman, diplomat, and art collector Uli Sigg. The collection consists of 1,510 works of contemporary Chinese art, dating from the 1970s to the present and ranging across all media. It offers a unique insight into the remarkable flowering of experimental artistic practices in China during this time—a period of unprecedented social and economic change in the country that saw artists devise new, sometimes radical, approaches to artmaking, formulating new connections between art and society, and developing ground-breaking conceptual methodologies. Published to coincide with the presentation of the M+ Sigg Collection at the opening of the M+ building, Chinese Art Since 1970 features more than 600 works by more than 300 artists represented in the collection, among them Ai Weiwei, Cao Fei, and Geng Jianyi. After introductory essays by Pi Li and Uli Sigg, an illustrated chronology spanning the years 1972 to 2020 highlights important social events, exhibitions, and artistic movements to establish a context for the discussion of the featured artists and their work that follows. Punctuating this discussion are contributions from renowned art historians, curators, and critics together with in-depth explanations of key concepts and events, from Cynical Realism to the seminal exhibition China/Avant-Garde. Through the medium of the world’s pre-eminent collection of contemporary Chinese art, this volume offers an unparalleled introduction to one of the most culturally dynamic periods in modern Chinese history.
Author: Wu Hung
Publisher: The Museum of Modern Art
ISBN: 0870706470
Category : Art, Chinese
Languages : en
Pages : 474
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Book Description
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Author: Gordon H. Chang
Publisher: Stanford General Books
ISBN:
Category : Art
Languages : en
Pages : 578
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Book Description
Asian American Art: A History, 1850-1970 is a first-ever survey exploring the lives and artistic production of artists of Asian Ancestry active in the United States before 1970, and features ten essays by leading scholars, biographies of more than 150 artists, and more than 400 reproductions of artwork and photographs of artists, together creating compelling narratives of this heretofore forgotten American art history.
Author: Wu Hung
Publisher: National Geographic Books
ISBN: 0500239207
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
The first and only comprehensive survey of contemporary Chinese art, one of the most vital and expanding sectors of the global art world today From its underground genesis during the Cultural Revolution (1966–76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world. In this first major introduction to the topic, Wu Hung provides an accessible, focused, and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s, a time span characterized by radical social, political, and economic change in China. The book is a richly illustrated and easy-to-navigate chronological survey that considers contemporary Chinese art both in the context of China’s history and in a global arena. Wu Hung explores the emergence of contemporary art—as opposed to officially sanctioned art—in the public sphere after the Cultural Revolution; the mobilization by young artists and critics of a nationwide avant-garde movement in the mid-1980s; the re-emphasis on individual creativity in the late 1980s and the heightened spirit of experimentation of the 1990s; and the more recent identification of Chinese artists, such as Ai Weiwei, as global citizens who create works for an international audience.
Author: Terese Tse Bartholomew
Publisher: Asian Art Museum
ISBN: 9780939117376
Category : Art
Languages : en
Pages : 0
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Book Description
With clear, readable explanations, this Chinese art history book provides a visual insight into the very rich history of Chinese sybbolism. Can decorative objects increase one's wealth, happiness, or longevity? Traditionally, many Chinese have believed that they could—provided they include the appropriate auspicious symbols. In Hidden meanings in Chinese Art Asian Art Museum Curator Terese Tse Bartholomew, culminating decades of research, has provided a thorough guide to such symbols. Auspicious symbols in Chinese art are often in the form of rebuses—visual puns. Because many words in Chinese share the same pronunciation, there is a wealth of opportunities for such punning, and over the centuries many rebuses have developed established meanings. Should one give a clock as a gift? Certainly not! "To give a clock" songzhong is a pun for "a last farewell," in other words, for attending a person who is on the edge o death. Why is a pot of philodendrons an appropriate gift for someone opening a new store or restaurant? In America the philodendron serves as a substitute for a Chinese plant named wannianqing, or "ten thousand years green." Such a gift expresses the wish that the business will flourish for ten thousand years. Hidden Meanings in Chinese Art brings a systematic approach to the cataloguing of such hidden meanings. Richly illustrated with photos of art objects and with many original illustrations by the author, and enhanced with extensive bilingual indexes and other supporting materials, this book is an essential reference for anyone interested in exploring Chinese art and culture.
Author: Melissa Chiu
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 278
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Book Description
Takes an in-depth look at the period between the 1950s and 1970s, focusing on the formation of a new visual culture and how it was given priority over artistic traditions such as ink painting. This was part of a broader national program to modernize China, and it had a great impact on artists and their work.
Author: Lars Nittve
Publisher:
ISBN: 9789176010624
Category : Art, Chinese
Languages : en
Pages : 157
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Book Description
Right is Wrong is an extremely concentrated contemporary art history narrated through a number of key works. It gives us the opportunity to look at the connections between art and society from the specificity of recent Chinese history by showing the development of the art scene in relation to the socio-political development in China. Right is Wrong raises questions about the relationship between art and contemporary life and contemporary history. It inquires about how art reflects or mirrors a society and simultaneously influences it, about how art not only reacts to and comments on events and incidents, but also is an agent shaping our future. This exhibition raises the question: what can art do? The relationship between art and society, art and ideology, art and politics, is the underlying theme which runs through Right is Wrong.0Exhibition: Bildmuseet, Umeå, Sweden (08.06-12.10.2014).
Author: Yin Cao
Publisher: Thames & Hudson
ISBN: 9781741741438
Category : Art, Chinese
Languages : en
Pages : 0
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Book Description
Forewords / Michael Brand, Chen Chi-nan -- Heaven and earth in Chinese art / Yin Cao -- Nature in Chinese philosophy / Karyn Lai -- The workds of art -- Heaven and earth -- Seasons -- Places -- Landscape -- Humanity -- List of works and entries -- Timeline of Chinese dynasties -- Selected bibliography
Author: Yan Zhou
Publisher: Springer Nature
ISBN: 9811511411
Category : Art
Languages : en
Pages : 530
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Book Description
Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.
Author: Isaac Leung
Publisher: Springer Nature
ISBN: 9819926688
Category : Social Science
Languages : en
Pages : 160
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Book Description
This book explores the author's ten-year ethnographic journey in different locations in Shanghai. His immersion in China’s art world is grounded in a topology of places and new ways of writing and deploying history today. The ethnographic approaches to experiencing, analysing and representing space offer a critical tool to explore a different version of realism invisible in the nominal art and art history paradigms. As the market and institutional norms are still being defined, this book also documents and analyses how individuals have strived to negotiate boundaries in the art world and thus create unique selfhood. Instead of conventional methods of periodisation and stylistic analysis, this book presents a historiographic strategy emphasising the philosophical significance of spatial realism to offer insights into history, subjectivities and political institutions.
