Routledge Revivals: Chinese Art (1935)

Routledge Revivals: Chinese Art (1935) PDF Author: Leigh Ashton
Publisher: Routledge
ISBN: 1315295598
Category : Art
Languages : en
Pages : 164

Get Book Here

Book Description
First published in 1935, this book was intended to provide westerners with a more definite and comprehensive understanding of Chinese Art and its achievements. Newly available opportunities to study authentic examples, such as the Royal Academy exhibition that provided the impetus for this volume, allowed for greater opportunities to conduct in-depth examination than had previously been possible. Following an introduction giving an overview of Chinese art and its history in the west, six chapters cover painting and calligraphy, sculpture and lacquer, ‘the potter’s art’, bronzes and cloisonné enamel, jades, and textiles — supplemented by a chronology of Chinese epochs, a selected bibliography and 25 images.

Routledge Revivals: Chinese Art (1935)

Routledge Revivals: Chinese Art (1935) PDF Author: Leigh Ashton
Publisher: Routledge
ISBN: 1315295598
Category : Art
Languages : en
Pages : 164

Get Book Here

Book Description
First published in 1935, this book was intended to provide westerners with a more definite and comprehensive understanding of Chinese Art and its achievements. Newly available opportunities to study authentic examples, such as the Royal Academy exhibition that provided the impetus for this volume, allowed for greater opportunities to conduct in-depth examination than had previously been possible. Following an introduction giving an overview of Chinese art and its history in the west, six chapters cover painting and calligraphy, sculpture and lacquer, ‘the potter’s art’, bronzes and cloisonné enamel, jades, and textiles — supplemented by a chronology of Chinese epochs, a selected bibliography and 25 images.

Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain

Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain PDF Author: Helen Glaister
Publisher: Taylor & Francis
ISBN: 1000644278
Category : Art
Languages : en
Pages : 188

Get Book Here

Book Description
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.

Chinese Art

Chinese Art PDF Author: Maxwell K. Hearn
Publisher: Metropolitan Museum of Art
ISBN: 0870999834
Category : Art, Chinese
Languages : en
Pages : 313

Get Book Here

Book Description
China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.

An Introduction to Chinese Art

An Introduction to Chinese Art PDF Author: Michael Sullivan
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 336

Get Book Here

Book Description


The Bold Brush of Au Ho-nien

The Bold Brush of Au Ho-nien PDF Author: Li He
Publisher: Tuttle Publishing
ISBN: 9780939117864
Category : ANTIQUES & COLLECTIBLES
Languages : en
Pages : 0

Get Book Here

Book Description
"Exhibition catalogue of ink paintings by Au Ho-nien, a contemporary painter who works in the style of the Lingnan school of southern China"--

The Modernist Response to Chinese Art

The Modernist Response to Chinese Art PDF Author: Zhaoming Qian
Publisher: University of Virginia Press
ISBN: 9780813921761
Category : Art
Languages : en
Pages : 300

Get Book Here

Book Description
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.

Shanghai 1935

Shanghai 1935 PDF Author: Ruth Day
Publisher: Earnshaw Books Limited
ISBN: 9789888552610
Category : Biography & Autobiography
Languages : en
Pages : 0

Get Book Here

Book Description
American socialite Ruth Day visited Shanghai for several weeks in 1935 and left one of the most sparkling descriptions of the city in this book, published in a limited edition the following year and only brought to the wider world in this new edition published more than 80 years later. Ruth was the step-daughter of a prominent American financial expert who held a senior post in the Chinese government, and during her whirlwind trip, she met with absolutely everyone who was anyone, and went everywhere the high-society crowd frequented - dancehalls and night-clubs, parties and the best private homes. She describes it all with a rare flair, leaving us with a valuable and unique record of Shanghai high society and the panorama of human experience in the city during its decadent heyday. This is truly a lost classic brought back to life.

Museum Representations of Maoist China

Museum Representations of Maoist China PDF Author: Amy Jane Barnes
Publisher: Routledge
ISBN: 1317093003
Category : Art
Languages : en
Pages : 319

Get Book Here

Book Description
The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ’Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.

The Modernization of Chinese Art

The Modernization of Chinese Art PDF Author: Jane Zheng
Publisher: Leuven University Press
ISBN: 9462700567
Category : Art
Languages : en
Pages : 417

Get Book Here

Book Description
Fist academic study on modernity at the Shanghai Art College The Shanghai Art College was one of the most important art schools in Republican China. This is the first academic study written on the early history of the College. It makes a major contribution to the history of art education in China, Shanghai in particular. The book presents a new approach to how people understand the modernization of Chinese art, and the significance and consequences of modernity in the Shanghai art world of the period 1913-1937. The author proposes new theoretical models to explain the interactions between multiple levels of social structures and artists, with a special emphasis on the role of art education institutions in transforming artists, artworks and the development of artistic fields. Presenting unique historical images hereto hidden in the archives of the College, the book brings forward the distinctive modern characteristics of the early 20th-century Shanghai Art College.

The Odyssey of China's Imperial Art Treasures

The Odyssey of China's Imperial Art Treasures PDF Author: Jeannette Shambaugh Elliot
Publisher: University of Washington Press
ISBN: 9780295801384
Category : Art
Languages : en
Pages : 204

Get Book Here

Book Description
The Odyssey of China's Imperial Art Treasures traces the three-thousand-year history of the emperor's imperial collection, from the Bronze Age to the present. The tortuous story of these treasures involves a succession of dynasties, invasion and conquest, and civil war, resulting in valiant attempts to rescue and preserve the collection. Throughout history, different Chinese regimes used the imperial collection to bolster their own political legitimacy, domestically and internationally. The narrative follows the gradual formation of the Peking Palace Museum in 1925, then its hasty fragmentation as large parts of the collection were moved perilously over long distances to escape wartime destruction, and finally its formal division into what are today two Palace Museums-one in Beijing, the other in Taipei. Enlivened by the personalities of those who cared for the collection, this textured account of the imperial treasures highlights magnificent artworks and their arduous transit through politics, war, and diplomatic reconciliations. Over the years, control of the collections has been fiercely contested, from early dynasties through Mongol and Japanese invaders to Nationalist and Communist rivals- a saga that continues today. This first book-length investigation of the imperial collections will be of great interest to China scholars, historians, and Chinese art specialists. Its tales of palace intrigue will fascinate a wide variety of readers.