General Catalogue of Printed Books to 1955 PDF Download
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Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1312
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Book Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1312
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
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Book Description
Author: Jean Berenger
Publisher: Routledge
ISBN: 1317895738
Category : History
Languages : en
Pages : 353
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Book Description
This is the eagerly awaited second volume of Jean Bérenger's history of the Habsburgs. It covers the last two centuries of their rule and provides a compelling account of the fluctuations of Habsburg dynastic power and its disintegration after World War One. Bérenger gives a rich portrait of Habsburg greatness under Maria Theresa and Joseph II and shows how their successors proved more adroit at riding the tide of nationalism in their multi-ethnic empire than is often recognised.
![Gli è di moda. Melodramma giocoso in due atti [and in verse] da rappresentarsi nel R. Teatro Pantera ... il Carnevale del 1840-41 PDF](https://books.google.com/books/content/images/frontcover/-QQSJ9CJPBEC?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 912
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Author: Angelo Anelli
Publisher:
ISBN:
Category :
Languages : it
Pages : 60
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Book Description
Author: Ronan Deazley
Publisher: Open Book Publishers
ISBN: 190692418X
Category : Law
Languages : en
Pages : 438
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Book Description
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.
Author: Luigi Ricci
Publisher:
ISBN:
Category :
Languages : it
Pages : 48
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Author:
Publisher:
ISBN: 9780793567096
Category : Music
Languages : en
Pages : 0
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Book Description
Vocal
Author: Jerome Mitchell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.
