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Author: R. Eberle
Publisher: Springer
ISBN: 0230509746
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Working at the intersections of feminist literary criticism, new historicism, and narratology, Chastity and Transgression in Women's Writing revises current understandings of nineteenth-century representations of prostitution, female sexuality and the 'rights of woman' debate. Eberle's project explores the connections and disjunctures between women writing during the Romantic period and those working throughout the Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.
Author: R. Eberle
Publisher: Springer
ISBN: 0230509746
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Working at the intersections of feminist literary criticism, new historicism, and narratology, Chastity and Transgression in Women's Writing revises current understandings of nineteenth-century representations of prostitution, female sexuality and the 'rights of woman' debate. Eberle's project explores the connections and disjunctures between women writing during the Romantic period and those working throughout the Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.
Author: R. Eberle
Publisher: Palgrave Macmillan
ISBN: 9780333964958
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Working at the intersections of feminist literary criticism, new historicism, and narratology, Chastity and Transgression in Women's Writing revises current understandings of nineteenth-century representations of prostitution, female sexuality and the 'rights of woman' debate. Eberle's project explores the connections and disjunctures between women writing during the Romantic period and those working throughout the Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.
Author: Kevin Gilmartin
Publisher: Cambridge University Press
ISBN: 1139460528
Category : Literary Criticism
Languages : en
Pages : 16
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Book Description
Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.
Author: A. Markley
Publisher: Springer
ISBN: 0230617859
Category : Fiction
Languages : en
Pages : 295
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Book Description
Conversion and Reform analyzes the work of those British reformists writing in the 1790s who reshaped the conventions of fiction to reposition the novel as a progressive political tool. Includes new readings of key figures such as Mary Wollstonecraft and Thomas Holcroft.
Author: Roxanne Eberle
Publisher: Taylor & Francis
ISBN: 1000743659
Category : Literary Criticism
Languages : en
Pages : 1984
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Book Description
Demonstrating the breadth and scope of women’s writing in the Romantic period, this collection covers a variety of topics ranging across polemical treatises, private correspondence, philosophical and historical disquisitions, and poetry and prose fiction. Helping to contextualise the areas discussed, the collection includes a general introduction by the editor, which traces the history of criticism in the field, and thus current definitions of "Women and Romanticism", before going on to discuss the contents of each volume.
Author: Roxanne Eberle
Publisher: Routledge
ISBN: 1000747646
Category : Literary Collections
Languages : en
Pages : 175
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Book Description
First published in 2006. Women and Romanticism’s first two volumes gather material from the vast body of work produced around the subjects of education and employment. VOLUME I covers Education and Employment in the Early Romantic Period. Until the 1980s, a five-volume collection of materials on ‘Women and Romanticism’ would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen.
Author: Adam Komisaruk
Publisher: Routledge
ISBN: 1351108530
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The Romantic age, though often associated with free erotic expression, was ambivalent about what if anything sex had to do with the public sphere. Late-eighteenth- and early-nineteenth-century British texts often repressed the very sexual energies they claimed to be bringing into the open. The delineation of what could and could not be said and done in the name of physical pleasure was of a piece with the capitalist consecration of the social trust to the individual profit-motive. Both these practices, moreover, presupposed a determinate self with sovereignty over its own interests. Writings from and about some nominally public institutions were thus characterized by privatism—a sexual, economic and ontological withdrawal from otherness. Sexual Privatism in British Romantic Writing: A Public of One explores how this threefold ideology was both propagated and resisted, wittingly and unwittingly, successfully and unsuccessfully, in such Romantic "publics" as rape-law, sodomy-law, adultery-law, high-profile scandals, the population debates, and club-culture. It includes readings of imaginative literature by William Beckford, William Blake, Erasmus Darwin, Mary Hays, Percy Shelley and Mary Wollstonecraft; works of political economy by Jeremy Bentham, William Cobbett, William Godwin, William Hazlitt and Thomas Robert Malthus; as well as contemporary legal treatises, popular journalism and satirical pamphlets.
Author: Andrew McInnes
Publisher: Taylor & Francis
ISBN: 1315523167
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft's political philosophy in order to advocate feminist reform, Andrew McInnes explores the aftermath of Wollstonecraft's death, the controversial publication of William Godwin's memoir of his wife, and Wollstonecraft's reception in the early nineteenth century. McInnes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft's reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney's The Wanderer and Jane Austen's Mansfield Park, McInnes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft's ideas to explore a changing England. McInnes concludes with an examination of Mary Shelley's engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother's stature to address Wollstonecraft's ideas with increasing confidence.
Author: Elisa Beshero-Bondar
Publisher: University of Delaware
ISBN: 1611490707
Category : Literary Collections
Languages : en
Pages : 267
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Book Description
Women, Epic, and Transition in British Romanticism argues that early nineteenth-century women poets contributed some of the most daring work in modernizing the epic genre. The book examines several long poems to provide perspective on women poets working with and against men in related efforts, contributing together to a Romantic movement of large-scale genre revision. Women poets challenged longstanding categorical approaches to gender and nation in the epic tradition, and they raised politically charged questions about women's importance in moments of historical crisis. While Romantic epics did not all engage in radical questioning or undermining of authority, this study calls attention to some of the more provocative poems in their approach to gender, culture, and history. This study prioritizes long poems written by and about women during the Romantic era, and does so in context with influential epics by male contemporaries. The book takes its cue from a dramatic increase in the publication of epics in the early nineteenth-century. At their most innovative, Romantic epics provoked questions about the construction of ideological meaning and historical memory, and they centralized women's experiences in entirely new ways to reflect on defeat, loss, and inevitable transition. For the first time the epic became an attractive genre for ambitious women poets. The book offers a timely response to recent groundbreaking scholarship on nineteenth-century epic by Herbert Tucker and Simon Dentith, and should be of interest to Romanticists and scholars of 18th- and 19th-century literature and history, gender and genre, and women's studies.
Author: Sarah Moss
Publisher: Manchester University Press
ISBN: 1847796958
Category : Fiction
Languages : en
Pages : 291
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Book Description
The study of food in literature complicates established critical positions. Both a libidinal pleasure and the ultimate commodity, food in fiction can represent sex as well as money and brings the body and the marketplace together in ways that are sometimes obvious and sometimes unsettling. Spilling the Beans explores these relations in the context of late eighteenth and early nineteenth century women’s fiction, where concerns about bodily, economic and intellectual productivity and consumption power decades of novels, conduct books and popular medicine. The introduction suggests ways in which attention to food in these texts might complicate recent developments in literary theory and criticism, while the body of the book is devoted to close readings of novels and children’s stories by Frances Burney, Mary Wollstonecraft, Maria Edgeworth and Susan Ferrier. This book will be of interest to scholars and students of eighteenth and nineteenth century literature, women’s studies and material culture.
