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Author: Dean McWilliams
Publisher: University of Georgia Press
ISBN: 0820327247
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Charles Chesnutt (1858-1932) was the first African American writer of fiction to win the attention and approval of America's literary establishment. Looking anew at Chesnutt's public and private writings, his fiction and nonfiction, and his well-known and recently rediscovered works, Dean McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race. The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality. The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.
Author: Dean McWilliams
Publisher: University of Georgia Press
ISBN: 0820327247
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
Charles Chesnutt (1858-1932) was the first African American writer of fiction to win the attention and approval of America's literary establishment. Looking anew at Chesnutt's public and private writings, his fiction and nonfiction, and his well-known and recently rediscovered works, Dean McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race. The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality. The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.
Author: Matthew Wilson
Publisher: Univ. Press of Mississippi
ISBN: 9781604732481
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
An examination of race and audience in an American innovator's writings
Author: Dean McWilliams
Publisher: University of Georgia Press
ISBN: 0820324353
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Charles Chesnutt (1858-1932) was the first African American writer of fiction to win the attention and approval of America's literary establishment. Looking anew at Chesnutt's public and private writings, his fiction and nonfiction, and his well-known and recently rediscovered works, Dean McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race. The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality. The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.
Author: Charles W. Chesnutt
Publisher: Princeton University Press
ISBN: 1400851610
Category : Fiction
Languages : en
Pages : 317
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Book Description
Was Donald Glover really what he seemed--a handsome, dedicated, and clever African-American star of the Harlem Renaissance, whose looks made him the "quarry" of a variety of women? Or could the secrets of his birth change his destiny entirely? Focusing on the culture of Harlem in the 1920s, Charles Chesnutt's final novel dramatizes the political and aesthetic life of the exciting period we now know as the Harlem Renaissance. Mixing fact and fiction, and real and imagined characters, The Quarry is peopled with so many figures of the time--including Booker T. Washington, W. E. B. DuBois, and Marcus Garvey--that it constitutes a virtual guide to this inspiring period in American history. Protagonist Glover is a light-skinned man whose adoptive black parents are determined that he become a leader of the black people. Moving from Ohio to Tennessee, from rural Kentucky to Harlem, his story depicts not only his conflicted relationship to his heritage but also the situation of a variety of black people struggling to escape prejudice and to take advantage of new opportunities. Although he was the first African-American writer of fiction to gain acceptance by America's white literary establishment, Charles W. Chesnutt (1858-1932) has been eclipsed in popularity by other writers who later rose to prominence during the Harlem Renaissance. Recently, this pathbreaking American writer has been receiving an increasing amount of attention. Two of his novels, Paul Marchand, F.M.C. (completed in 1921) and The Quarry (completed in 1928), were considered too incendiary to be published during Chesnutt's lifetime. Their publication now provides us not only the opportunity to read these two books previously missing from Chesnutt's oeuvre but also the chance to appreciate better the intellectual progress of this literary pioneer. Chesnutt was the author of many other works, including The Conjure Woman & Other Conjure Tales, The House Behind the Cedars, The Marrow Tradition, and Mandy Oxendine. Princeton University Press recently published To Be an Author: Letters of Charles W. Chesnutt, 1889-1905 (edited by Joseph R. McElrath, Jr., and Robert C. Leitz, III). Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Charles W. Chesnutt
Publisher: Princeton University Press
ISBN: 140086495X
Category : Fiction
Languages : en
Pages : 213
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Book Description
Evoking the atmosphere of early-nineteenth-century New Orleans and the deadly aftermath of the San Domingo slave revolution, this historical novel begins as its protagonist puzzles over the seemingly prophetic dream of an aged black praline seller in the famous Place d'Armes. Paul Marchand, a free man of color living in New Orleans in the 1820s, is despised by white society for being a quadroon, yet he is a proud, wealthy, well-educated man. In this city where great wealth and great poverty exist side by side, the richest Creole in town lies dying. The family of the aged Pierre Beaurepas eagerly, indeed greedily, awaits disposition of his wealth. As the bombshell of Beaurepas's will explodes, an old woman's dream takes on new meaning, and Marchand is drawn ever more closely into contact with a violently racist family. Bringing to life the entwined racial cultures of New Orleans society, Charles Chesnutt not only writes an exciting tale of adventure and mystery but also makes a provocative comment on the nature of racial identity, self-worth, and family loyalty. Although he was the first African-American writer of fiction to gain acceptance by America's white literary establishment, Charles W. Chesnutt (1858-1932) has been eclipsed in popularity by other writers who later rose to prominence during the Harlem Renaissance. Recently, this pathbreaking American writer has been receiving an increasing amount of attention. Two of his novels, Paul Marchand, F.M.C. (completed in 1921) and The Quarry (completed in 1928), were considered too incendiary to be published during Chesnutt's lifetime. Their publication now provides us not only the opportunity to read these two books previously missing from Chesnutt's oeuvre but also the chance to appreciate better the intellectual progress of this literary pioneer. Chesnutt was the author of many other works, including The Conjure Woman & Other Conjure Tales, The House Behind the Cedars, The Marrow Tradition, and Mandy Oxendine. Princeton University Press recently published To Be an Author: Letters of Charles W. Chesnutt, 1889-1905 (edited by Joseph R. McElrath, Jr., and Robert C. Leitz, III). Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joseph R. McElrath, Jr.
Publisher: Stanford University Press
ISBN: 9780804744324
Category : Literary Collections
Languages : en
Pages : 644
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Book Description
Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.
Author: Charles Waddell Chesnutt
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 248
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Book Description
Author: Charles Waddell Chesnutt
Publisher: Stanford University Press
ISBN: 9780804745086
Category : Biography & Autobiography
Languages : en
Pages : 380
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Book Description
This book collects the letters written between 1906 and 1932 by the African-American novelist and civil rights activist Charles W. Chesnutt (1858-1932). His correspondents included prominent members of the Harlem Renaissance as well as major American political figures Chesnutt sought to influence on behalf of his fellow African Americans.
Author: Charles Waddell Chesnutt
Publisher: ReadHowYouWant.com
ISBN: 1442902914
Category : Fiction
Languages : en
Pages : 362
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Book Description
Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read. To find more books in your format visit www.readhowyouwant.com
Author: Susan Prothro Wright
Publisher: Univ. Press of Mississippi
ISBN: 1604734183
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories---including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks---to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction. The essays engage with each other to display the continuum in Chesnutt's thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt's works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt's ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection's essays address Chesnutt's novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn's Husband. The volume opens up new paths of inquiry into a major African American writer's oeuvre.
