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Category : Anonyms and pseudonyms
Languages : en
Pages : 786

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Book-prices Current

Book-prices Current PDF Author:
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 786

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Book Description


Prodigals and Pilgrims

Prodigals and Pilgrims PDF Author: Jay Fliegelman
Publisher: Cambridge University Press
ISBN: 9780521317269
Category : History
Languages : en
Pages : 344

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Book Description
The author traces a constellation of intimately related ideas - about the nature of parental authority and filial rights, of moral obligation of Scripture, of the growth of the mind and the nature of historical progress - from their most important English and continental expressions in a variety of literary and theological texts, to their transmission, reception and application in Revolutionary America and in the early national period of American culture.

Swift And The Dialectical Tradition

Swift And The Dialectical Tradition PDF Author: James A Rembret
Publisher: Springer
ISBN: 1349190721
Category : Literary Criticism
Languages : en
Pages : 274

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Book Description


Beauty Unlimited

Beauty Unlimited PDF Author: Peg Zeglin Brand
Publisher: Indiana University Press
ISBN: 0253006422
Category : Philosophy
Languages : en
Pages : 447

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Book Description
Emphasizing the human body in all of its forms, Beauty Unlimited expands the boundaries of what is meant by beauty both geographically and aesthetically. Peg Zeglin Brand and an international group of contributors interrogate the body and the meaning of physical beauty in this multidisciplinary volume. This striking and provocative book explores the history of bodily beautification; the physicality of socially or culturally determined choices of beautification; the interplay of gender, race, class, age, sexuality, and ethnicity within and on the body; and the aesthetic meaning of the concept of beauty in an increasingly globalized world.

Humor and the Good Life in Modern Philosophy

Humor and the Good Life in Modern Philosophy PDF Author: Lydia B. Amir
Publisher: SUNY Press
ISBN: 1438449372
Category : Philosophy
Languages : en
Pages : 406

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Book Description
An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications. By exploring the works of both Anthony Ashley Cooper, Third Earl of Shaftesbury, and Søren Kierkegaard, Lydia B. Amir finds a rich tapestry of ideas about the comic, the tragic, humor, and related concepts such as irony, ridicule, and wit. Amir focuses chiefly on these two thinkers, but she also includes Johann Georg Hamann, an influence of Kierkegaard’s who was himself influenced by Shaftesbury. All three thinkers were devout Christians but were intensely critical of the organized Christianity of their milieux, and humor played an important role in their responses. The author examines the epistemological, ethical, and religious roles of humor in their philosophies and proposes a secular philosophy of humor in which humor helps attain the philosophic ideals of self-knowledge, truth, rationality, virtue, and wisdom, as well as the more ambitious goals of liberation, joy, and wisdom.

The Culture and Philosophy of Ridley Scott

The Culture and Philosophy of Ridley Scott PDF Author: Adam Barkman
Publisher: Lexington Books
ISBN: 0739178733
Category : Philosophy
Languages : en
Pages : 313

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Book Description
The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director’s feature films from cutting-edge multidisciplinary and comparative perspectives. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007). This volume divides the chapters into three major thematic groups: responsibility, remembering, and revision; real, alienated, and ideal lives; and gender, identity, and selfhood. Each section features six discrete essays, each of which forwards an original thesis about the film or films chosen for analysis. Each chapter features close readings of scenes as well as broader discussions that will interest academics, non-specialists, as well as educated readers with an interest in films as visual texts. While recognizing Scott’s undeniable contributions to contemporary popular cinema, the volume does not shy away from honest and well-evidenced critique. Each chapter’s approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine such topics as gender roles and feminist theory; philosophical abstractions like ethics, honor, and personal responsibility; historical memory and the challenges of accurately rendering historical events on screen; literary archetypes and generic conventions; race relations and the effect of class difference on character construction; how religion shapes personal and collective values; the role of a constantly changing technological universe; and the schism between individual and group-based power structures. The Culture and Philosophy of Ridley Scott assembles the critical essays of scholars working in the fields of philosophy, literary studies, and cultural studies. An international group, they are based in the United States, Canada, Argentina, Italy, Greece, Korea, the United Kingdom, and New Zealand. The guiding assumption on the part of all the writers is that the filmmaker is the leading determiner of a motion picture’s ethos, artistic vision, and potential for audience engagement. While not discounting the production team (including screenwriters, actors, and cinematographers, among others), auteur theory recognizes the seminal role of the director as the nucleus of the meaning-making process. With Scott an active and prolific presence in the entertainment industry today, the timeliness of this volume is optimal.

Theology and the Enlightenment

Theology and the Enlightenment PDF Author: Paul Avis
Publisher: Bloomsbury Publishing
ISBN: 0567705668
Category : Religion
Languages : en
Pages : 417

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Book Description
Challenging the common assumption that the Enlightenment of the late seventeenth and the eighteenth centuries was an essentially secular, irreligious and atheistic movement, this book critiques this standard interpretation as based on a narrow view of Enlightenment sources. Building on the work of revisionist historians, this volume takes the argument squarely into the theological domain, whether Anglican, Dissenting, Lutheran or deistic, whilst also noting that the Enlightenment deeply affected Roman Catholic and Jewish theologies. It challenges the stereotype of 'Enlightenment rationalism', and the penultimate chapter brings out the biblical and ecclesial roots of the image of enlightenment and reclaims it for Christian faith.

Subject-catalogue of the Library of the College of New Jersey, at Princeton

Subject-catalogue of the Library of the College of New Jersey, at Princeton PDF Author: Princeton University. Library
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 914

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Shaftesbury: Characteristics of Men, Manners, Opinions, Times

Shaftesbury: Characteristics of Men, Manners, Opinions, Times PDF Author: Anthony Ashley Cooper Earl of Shaftesbury
Publisher: Cambridge University Press
ISBN: 9780521578929
Category : Philosophy
Languages : en
Pages : 536

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Book Description
This book, first published in 2000, presents an edition of one of the most important texts of the Enlightenment.

The Cambridge History of Eighteenth-century Philosophy

The Cambridge History of Eighteenth-century Philosophy PDF Author: Knud Haakonssen
Publisher: Cambridge University Press
ISBN: 9780521867429
Category : Electronic reference sources
Languages : en
Pages : 668

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Book Description
This two-volume set presents a comprehensive and up-to-date history of eighteenth-century philosophy. The subject is treated systematically by topic, not by individual thinker, school, or movement, thus enabling a much more historically nuanced picture of the period to be painted.