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Author: Bruce Laurie
Publisher:
ISBN: 9781625346322
Category : Biography & Autobiography
Languages : en
Pages : 128
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Book Description
The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be? Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.
Author: Bruce Laurie
Publisher:
ISBN: 9781625346322
Category : Biography & Autobiography
Languages : en
Pages : 128
Get Book Here
Book Description
The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be? Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.
Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663944
Category : History
Languages : en
Pages : 358
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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.
Author: Adam Fairclough
Publisher: University Press of Florida
ISBN: 0813052165
Category : History
Languages : en
Pages : 421
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Book Description
"A masterful and revelatory examination of Reconstruction populated by a cast of compelling characters who leap to life in all their glory, gore, and pathos."--Lawrence N. Powell, author of The Accidental City: Improvising New Orleans "Illuminates a complex period, city, and state and advances a reinterpretation of Reconstruction politics that is both welcome and overdue."--Paul D. Escott, author of Uncommonly Savage: Civil War and Remembrance in Spain and the United States The chaotic years after the Civil War are often seen as a time of uniquely American idealism--a revolutionary attempt to rebuild the nation that paved the way for the civil rights movement of the twentieth century. But Adam Fairclough rejects this prevailing view, challenging prominent historians such as Eric Foner and James McPherson. He argues that Reconstruction was, quite simply, a disaster, and that the civil rights movement triumphed despite it, not because of it. Fairclough takes readers to Natchitoches, Louisiana, a majority-black parish deep in the cotton South. Home to a vibrant Republican Party led by former slaves, ex-Confederates, and free people of color, the parish was a bastion of Republican power and the ideal place for Reconstruction to have worked. Yet although it didn’t experience the extremes of violence that afflicted the surrounding region, Natchitoches fell prey to Democratic intimidation. Its Republican leaders were eventually driven out of the parish. Reconstruction failed, Fairclough argues, because the federal government failed to enforce the rights it had created. Congress had given the Republicans of the South and the Freedmen’s Bureau an impossible task--to create a new democratic order based on racial equality in an area tortured by deep-rooted racial conflict. Moving expertly between a profound local study and wider developments in Washington, The Revolution That Failed offers a sobering perspective on how Reconstruction affected African American citizens and what its long-term repercussions were for the nation.
Author: Jacqueline Jones
Publisher: University of Georgia Press
ISBN: 0820323837
Category : History
Languages : en
Pages : 289
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Book Description
Soldiers of Light and Love is an acclaimed study of the reform-minded northerners who taught freed slaves in the war-torn Reconstruction South. Jacqueline Jones's book, first published in 1980, focuses on the nearly three hundred women who served in Georgia in the chaotic decade following the Civil War. Commissioned by the American Missionary Association and other freedmen's aid societies, these middle-class New Englanders saw themselves as the postbellum, evangelical heirs of the abolitionist cause. Specific in compass, but wide-ranging in significance, Soldiers of Light and Love illuminates the complexity of class, race, and gender issues in early Victorian America.
Author: Henry Clay Warmoth
Publisher: Univ of South Carolina Press
ISBN: 9781570036439
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
A new edition of the notorious carpetbagger's personal and political memoir A memoir of the ambitious life and controversial political career of Louisiana governor Henry Clay Warmoth (1842-1931), War, Politics, and Reconstruction is a firsthand account of the political and social machinations of Civil War America and the war's aftermath in one of the most volatile states of the defeated Confederacy. An Illinois native, Warmoth arrived in Louisiana in 1864 as part of the federal occupation forces. Upon leaving military service in 1865, he established himself in private legal practice in New Orleans. Taking full advantage of the chaotic times, Warmoth rapidly amassed fortune and influence, and soon emerged as a leader of the state's Republican Party and, in 1868, was elected governor. Amid an administration rife with scandal and corruption, the Louisiana Republican Party broke into warring factions. Warmoth survived an impeachment attempt in 1872, but a second attempt in 1873 culminated with his removal from office. This fall from Republican grace stemmed from his allegiance with white conservatives, remnants of the old guard, and staunch opponents of those Republicans who sought a wider role for African Americans in Louisiana's changing political landscape. Never again to hold political office, Warmoth remained in his adopted Louisiana, enjoying the fruits of his investments in plantations and sugar refineries. In 1930, the year before his death, he published War, Politics, and Reconstruction, a vindication of his public life and a rebuttal of his reputation as an opportunistic carpetbagger. Despite Warmoth's obvious self-serving biases, the volume offers unparalleled depth of personal insight into the inner workings of Reconstruction government in Louisiana in the words of one of its key architects. A new introduction by John C. Rodrigue places Warmoth's memoir within the broader context of evolving perceptions and historiography of Reconstruction. Rodrigue also offers readers a more balanced portrait of Warmoth by providing supplemental information omitted or slighted by the author in his efforts to cast his actions in the most positive light.
Author: Martha Saxton
Publisher: Amherst College Press
ISBN: 0943184215
Category : Education
Languages : en
Pages : 364
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Book Description
In celebration of the 200th anniversary of Amherst College, a group of scholars and alumni explore the school’s substantial past in this volume. Amherst in the World tells the story of how an institution that was founded to train Protestant ministers began educating new generations of industrialists, bankers, and political leaders with the decline in missionary ambitions after the Civil War. The contributors trace how what was a largely white school throughout the interwar years begins diversifying its student demographics after World War II and the War in Vietnam. The histories told here illuminate how Amherst has contended with slavery, wars, religion, coeducation, science, curriculum, town and gown relations, governance, and funding during its two centuries of existence. Through Amherst’s engagement with educational improvement in light of these historical undulations, it continually affirms both the vitality and the utility of a liberal arts education. Contributions by Martha Saxton, Gary J. Kornblith, David W. Wills, Frederick E. Hoxie, Trent Maxey, Nicholas L. Syrett, Wendy H. Bergoffen, Rick López, Matthew Alexander Randolph, Daniel Levinson Wilk, K. Ian Shin, David S. Reynolds, Jane F. Thrailkill, Julie Dobrow, Richard F. Teichgraeber III, Debby Applegate, Michael E. Jirik, Bruce Laurie, Molly Michelmore, and Christian G. Appy.
Author: Karen Cook Bell
Publisher: Cambridge University Press
ISBN: 1108831540
Category : History
Languages : en
Pages : 257
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Book Description
A compelling examination of the ways enslaved women fought for their freedom during and after the Revolutionary War.
Author: James K. Hogue
Publisher: LSU Press
ISBN: 0807143928
Category : History
Languages : en
Pages : 517
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Book Description
No other Reconstruction state government was as chaotic or violent as Louisiana's, located in New Orleans, the largest southern city at the time. James K. Hogue explains the unique confluence of demographics, geography, and wartime events that made New Orleans an epicenter in the upheaval of Reconstruction politics and a critical battleground in the struggle for the future of southern society. No other Reconstruction state government was as chaotic or violent as Louisiana's, located in New Orleans, the largest southern city at the time. James K. Hogue explains the unique confluence of demographics, geography, and wartime events that made New Orleans an epicenter in the upheaval of Reconstruction politics and a critical battleground in the struggle for the future of southern society. Hogue characterizes Reconstruction in Louisiana as a continuation of civil war, waged between well-organized and well-armed forces vying to control the state's government. He details five key New Orleans street battles, in which elite Confederate veterans played central roles, and gives an in-depth account of how the Republican state government raised militias and a state police force to defend against the violence. In response, a white supremacist movement arose in the mid-1870s and finally overthrew the Republicans. The occupation of Louisiana by federal troops from 1862 to 1877 was the longest of its kind in American history. Not coincidentally, Hogue argues, one of the longest unbroken periods of one-race, one-party dominance in American history followed, lasting until 1972. Uncivil War reveals that the long-term military impact of the South's occupation included twenty-five years of crippled War Department budgets inflicted by southern congressmen who feared another Reconstruction. Within Louisiana, the biracial Republican militias were dismantled, leaving blacks largely unarmed against future atrocities; at the same time, the nucleus of the state's White Leagues became the Louisiana National Guard, which defended the "Redeemer" government's repressive labor policies. White supremacist victory cast its shadow over American race relations for almost a century. Moving between national, state, and local realms, Uncivil War demystifies the interplay of force and politics during a complex period of American history.
Author: William A. Dobak
Publisher: Simon and Schuster
ISBN: 1510720227
Category : History
Languages : en
Pages : 616
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Book Description
The Civil War changed the United States in many ways—economic, political, and social. Of these changes, none was more important than Emancipation. Besides freeing nearly four million slaves, it brought agricultural wage labor to a reluctant South and gave a vote to black adult males in the former slave states. It also offered former slaves new opportunities in education, property ownership—and military service. From late 1862 to the spring of 1865, as the Civil War raged on, the federal government accepted more than 180,000 black men as soldiers, something it had never done before on such a scale. Known collectively as the United States Colored Troops and organized in segregated regiments led by white officers, some of these soldiers guarded army posts along major rivers; others fought Confederate raiders to protect Union supply trains, and still others took part in major operations like the Siege of Petersburg and the Battle of Nashville. After the war, many of the black regiments took up posts in the former Confederacy to enforce federal Reconstruction policy. Freedom by the Sword tells the story of these soldiers' recruitment, organization, and service. Thanks to its broad focus on every theater of the war and its concentration on what black soldiers actually contributed to Union victory, this volume stands alone among histories of the U.S. Colored Troops.
Author: Mary Kathleen Eyring
Publisher: University of New Hampshire Press
ISBN: 1512601004
Category : History
Languages : en
Pages : 282
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Book Description
In this thematically rich book, Mary Kathleen Eyring examines authors whose writings were connected with their charitable endeavors, which addressed the worst by-products of the brisk maritime commerce in Atlantic seaport cities in the first half of the nineteenth century. She argues that charitable institutions and societies emerged in this era because they captured and contained the discontent of imperiled and impoverished groups, thereby effectively thwarting the development of a revolutionary class in America. According to Eyring, the men and women who most successfully wrote about and engaged in benevolent work strategically connected their work with the affluence generated by maritime commerce. The water trades supported the growth of the American publishing industry, but they also generated both vast inequities in wealth and physically and economically hazardous conditions that, in the absence of a welfare state, required the intervention of benevolent societies. Laborers in Atlantic port cities barred from lucrative professions by gender, race, physical ability, or social status found a way to make a living wage by conjoining the literary with the charitable - and attaching both to a profit structure. In so doing, they transformed the nature of American benevolence and gave rise to the nonprofit sector, which has since its inception provided discontented laborers with a forum in which to express their critique of for-profit American enterprise, by imitating it. In Captains of Charity, Eyring looks at writers who overcame their marginalized status by bringing together the strands of maritime industry, publishing, and benevolence. These include Richard Allen and Absalom Jones, two black clergymen who managed a massive relief effort when refugees fleeing revolution in Haiti transported the yellow fever virus to Philadelphia in 1793; Nancy Prince, a free woman of color who sought her livelihood in the Protestant missions of Jamaica in the years immediately following Britain's emancipation of laborers in its Caribbean colonies; Sarah Josepha Hale, who parlayed the social influence she had gained as the founder of a seaman's aid society in Boston into a role as editor of the hugely popular periodical Godey's Lady's Book; and Sarah Pogson Smith, who donated the proceeds of her writing to such prominent charitable causes as the New York Institution for the Instruction of the Deaf and Dumb and then capitalized on the goodwill this charity work generated among her wealthy friends in New York City, Philadelphia, and Charleston.
