Cézanne's Bathers: Biography and the Erotics of Paint PDF Download
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Author: Aruna D'Souza
Publisher: Penn State Press
ISBN: 9780271047119
Category : Artists
Languages : en
Pages : 184
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Book Description
Author: Aruna D'Souza
Publisher: Penn State Press
ISBN: 9780271047119
Category : Artists
Languages : en
Pages : 184
Get Book Here
Book Description
Author: Carol Armstrong
Publisher: Yale University Press
ISBN: 0300232713
Category : Art
Languages : en
Pages : 293
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Book Description
A transformative study, freeing the artist from outdated art historical narratives and revealing his work as newly strange again Cézanne’s Gravity is an ambitious reassessment of the paintings of Paul Cézanne (1839–1906). Whereas previous studies have often looked at the artist’s work for its influence on his successors and on the development of abstraction, Carol Armstrong untethers it from this timeline, examining Cézanne’s painting as a phenomenological and intellectual endeavor. Armstrong uses an interdisciplinary approach to analyze Cézanne’s work, pairing the painter with artists and thinkers who came after him, including Roger Fry, Virginia Woolf, Albert Einstein, Maurice Merleau-Ponty, Rainer Maria Rilke, R. D. Laing, and Helen Frankenthaler. Through these pairings, Armstrong addresses diverse subjects that illuminate Cézanne’s painting, from the nonlinear narratives of modernist literature and the ways in which space and time act on objects, to color sensation and the schizophrenic mind. Cézanne’s Gravity attends to both the physicality of the artist’s works and the weight they bear on the history of art. This distinctive study not only invites its readers to view Cézanne’s paintings with fresh eyes but also offers a new methodology for art historical inquiry outside linear narratives, one truly fitting for our time.
Author: Jon Kear
Publisher: Reaktion Books
ISBN: 1780236034
Category : Biography & Autobiography
Languages : en
Pages : 247
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Book Description
Few artists have exerted as much influence on modern art as Paul Cézanne. Picasso, Braque, and Matisse all acknowledged a profound debt to his painting, and many historians regard him as the father of modernism. This new biography reexamines Cézanne’s life and art, discussing the key events and people who shaped his work and placing his oeuvre in the context of nineteenth and early twentieth-century art and culture. Jon Kear begins with Cézanne’s formative years in Provence, highlighting the deep and abiding impressions the landscapes of the region would have on his paintings. He follows him through his turbulent years as a young artist in Paris, where he would create the larger-than-life artistic persona—through a rugged painting style detailing explicit subjects—that would become a lasting mythology for him throughout all of his phases. He looks closely at Cézanne’s relationships with Edouard Manet—whom he both emulated and critiqued—and the writer Émile Zola, as well as his close collaboration with Camille Pissarro. Above all, he tells the story of his life as a part of the pivotal shift toward the twentieth century, illuminating how much his work and ideas helped to usher it in.
Author: AndrŽ Dombrowski
Publisher: Univ of California Press
ISBN: 0520273397
Category : Art
Languages : en
Pages : 320
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Book Description
"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance
Author: Anna Katherine Brodbeck
Publisher: Yale University Press
ISBN: 0300278861
Category : Art
Languages : en
Pages : 160
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Book Description
Surveying three decades of the British painter Cecily Brown's career, with its vibrant mixture of gestural expression, canonical and pop references, and subversive themes This stunning volume surveys the pioneering career of Cecily Brown (b. 1969), one of the most celebrated artists working in painting today. In particular, it explores her process through paintings and drawings that demonstrate both her radical contemporaneity and her keen reassessment of historical precedents such as old master paintings and abstract expressionism, which have been consistent hallmarks of her art. The book's probing essays look at her practice, investigate the main themes that recur in Brown's work, and consider her art from a feminist perspective. Brown reclaimed the heroic gestural expression often affiliated with the male artists of the abstract expressionist generation--largely out of favor with her peers--and in this mode she creates lush, dynamic paintings that often contain erotic content appropriated from art historical or pop culture sources. Moving between figuration and abstraction, Brown subverts gendered tropes in work that often deals with the power imbalances inherent in voyeurism and sexual violence. Distributed for the Barnes Foundation Exhibition Schedule: Dallas Museum of Art (September 29, 2024-February 9, 2025) Barnes Foundation, Philadelphia (March 9-May 25, 2025)
Author: Delia Solomons
Publisher: Penn State Press
ISBN: 0271094087
Category : Art
Languages : en
Pages : 245
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Book Description
In 1959, the very year the Cuban Revolution amplified Cold War tensions in the Americas, museumgoers in the United States witnessed a sudden surge in major exhibitions of Latin American art. Surveying the 1960s boom of such exhibits, this book documents how art produced in regions considered susceptible to communist influence was staged on U.S. soil for U.S. audiences. Held in high-profile venues such as the Guggenheim Museum, the Walker Art Center, MoMA, and the Art Institute of Chicago, the exhibitions of the 1960s Latin American art boom did not define a single stylistic trend or the art of a single nation but rather attempted to frame Latin America as a unified whole for U.S. audiences. Delia Solomons calls attention to disruptive artworks that rebelled against the curatorial frames purporting to hold them and reveals these exhibitions to be complex contact zones in which competing voices collided. Ultimately, through multiple means—including choosing to exclude artworks with readily decipherable political messages and evading references to contemporary inter-American frictions—the U.S. curators who organized these shows crafted projections of Pan-American partnership and harmony, with the United States as leader, interpreter, and good neighbor, during an era of brutal U.S. interference across the Americas. Theoretically sophisticated and highly original, this survey of Cold War–era Latin American art exhibits sheds light on the midcentury history of major U.S. art museums and makes an important contribution to the fields of museum studies, art history, and Latin American modernist art.
Author: Kristopher W. Kersey
Publisher: Penn State Press
ISBN: 0271098163
Category : Art
Languages : en
Pages : 325
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Book Description
If we want to decolonize the history of art, argues Kristopher Kersey, we must rethink our approach to the historical record. This means dispensing with Eurocentric binaries—divisions between Western and non-Western, modern and premodern—and making a commitment to artworks that challenge the perspectives we build upon them. In Facing Images, the question takes elegant and intriguing form: If the aesthetic hallmarks of “modernity” can be found in twelfth-century art, what does it really mean to be “modern”? Kersey’s answer to this question models a new historiography. Facing Images begins by tracing the turbulent discourse surrounding the emergence of Japanese art history as a modern field. In lieu of examining canonical works from the twelfth century, Kersey foregrounds the elusive and the enigmatic in artworks little known and understudied outside Japan; the manuscripts he selects defy traditional art-historical narratives by exhibiting decidedly modern techniques, including montage, self-reference, reuse, noise, dissonance, and chronological disarray. Kersey weaves these medieval case studies together with insights from a wide range of interdisciplinary scholarship, using a methodology that will prove important for historians: Facing Images produces a history of non-Western art in which diverse and anachronic works are brought responsibly and equitably into dialogue with the present, without being subsumed under Eurocentric formalisms or false universals. A timely intervention in the history of medieval Japanese art, art historiography, and the history of global modernism, Facing Images redefines the relationship of the “premodern” non-West to “modern” art. It will be of particular interest to scholars of medieval Japanese art and of modernism.
Author: James D. Herbert
Publisher: University of Chicago Press
ISBN: 022627201X
Category : Art
Languages : en
Pages : 162
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Book Description
Analyzing ten paintings by Courbet, Manet, Cézanne, Monet, Seurat, and Picasso exposes vital relationships between intension and habit, the singular and the complex. In doing so, it uncovers a space worthy of historical and aesthetic analysis between the brushstroke and the self
Author: William Gallois
Publisher: Penn State Press
ISBN: 0271096160
Category : Art
Languages : en
Pages : 209
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Book Description
In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.
Author: Giovanni Casini
Publisher: Penn State Press
ISBN: 0271096020
Category : Art
Languages : en
Pages : 255
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Book Description
The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism. Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted. Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.
